THE Blues Giants of the 1950s Twelve Great Legends
Presented by Claus Röhnisch The R&B Pioneers Series – Volume Five of twelve
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THE Blues Giants of the 1950s
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The R&B Pioneers Series .- Volume Five of twelve
THE Blues Giants of the 1950s
Introduction Twelve Blues Giants are presented here with basic information on each and everyone. Some of your favorite blues performers may be missing. Several of the important Rhythm & Blues artists of the 1950s can be tagged Blues Performers – the great thrushes come to mind - Dinah Washington, Ruth Brown, LaVern Baker, and Etta James. Several other important artists like Lightnin’ Hopkins, Ike Turner, Jimmy McCracklin, Johnny “Guitar” Watson, Clarence “Gatemouth” Brown (who possibly would have been #13 in my book), Jimmy Rogers, and Junior Wells need mention. The early 1960s stars Buddy Guy, Slim Harpo, Lightnin’ Slim, Junior Parker, Freddy King, Albert King, and Otis Rush are also strong candidates. The Rock ‘n’ Roll giants Fats Domino, Little Richard, Chuck Berry, Bo Diddley, and Lloyd Price are favorites of many blues fans. The R&B pioneers of the 1940s, who also recorded in the ‘50s, could be qualified - names like Louis Jordan, Lionel Hampton, Johnny Otis, and Wynonie “Mr. Blues” Harris; and certainly the great pianists Roosevelt “the Honeydripper” Sykes, Champion Jack Dupree, Memphis Slim, et al. The early ‘50s West-Coast pioneers Charles Brown and Amos Milburn, and New York/Southerner Eddie “Cleanhead” Vinson are definitely blues exponents. Nat “King” Cole, and Brook Benton both sang the blues. The original “soul” greats could qualify - especially Ray Charles, and the successful Bobby “Blue” Bland. Clyde McPhatter, Jesse Belvin, Sam Cooke, Jackie Wilson, James Brown, Joe Tex, Solomon Burke, and yes, even Wilson Pickett have to be nominated. I can also think of lesser famous, but classic and important singers like Richard Berry, Bobby Day, and Young Jessie; and of several of the hard-working, and ground-breaking vocal groups (which are presented in “THE Top Ten Vocal Groups of the Golden ‘50s”). Several of the above listed performers will get their “share” in the forth-coming presentations of “Ten Sepia Super Stars of Rock ‘n’ Roll”, “Transitions from Rhythm to Soul – Twelve Original Soul Icons”, “The True R&B Pioneers”, and in “Predecessors of the Soul Explosion in the 1960s” (including some of the early 1960s vocal groups of soul, like the Temptations, Impressions, Miracles, Isley Brothers, Four Tops, and the Dells). Probably some of your absolute favorite “blues” artists will be presented in “Ten Sepia Super Stars of Rock ‘n’ Roll” (“Rock ‘n’ Roll” - a rubric which may even be harder to define than “the Blues”). Definitions may alter, depending on who is deciding the task – but the artists presented here are - in the mind of the editor of this work – the definitive twelve most interesting and important Blues Giants of the 1950s (nine of them charter members of the Blues Foundation Hall of Fame; two inducted soon after – only Fulson had to wait for his induction). You will be able to read about four Texas (and Oklahoma / Kansas) rooted pioneers of early jump-oriented blues representing the Big Cities (Los Angeles. San Francisco, Kansas City, Dallas, New Orleans, Cincinnati, and New York City); about the now legendary Delta Southerners of Mississippi, Arkansas and Louisiana - who became the “Big Four” of Chess’ Chicago Bar Blues; and about four Mississippi born singers, who via Memphis, Tennessee (and Gary, Indiana) turned into Blues Icons of different Modern Blues styles – Down Home and Urban (Jackson-MS, Louisiana, Memphis, Detroit, Chicago, Houston, California, and Harlem-NYC). The number of Top 10 R&B Hits are noted below. Most of the birth (and death data) for the whole series of “The R&B Pioneers” are from the super-book “BLUES - A Regional Experience” by Bob Eagle and Eric S. LeBlanc (US 2013). Claus Röhnisch – updated February 2016.
THE Blues Giants of the 1950s – presented by Claus Röhnisch Twelve Great Legends in The R&B Pioneers Series
Page 1940 1938 1946 1947 1948 1946 1951 1951 1951 1947 1953 1949
T-Bone Walker 4 Big Joe Turner 12 Lowell Fulson 20 Roy Brown 24 John Lee Hooker 30 Muddy Waters 44 Sonny Boy Williamson 59 Howlin’ Wolf 67 Elmore James 80 Little Walter 85 Jimmy Reed 94 B. B. King 105
Read more
R&B Top 10 6
http://en.wikipedia.org/wiki/T-Bone_Walker
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http://en.wikipedia.org/wiki/Big_Joe_Turner
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http://en.wikipedia.org/wiki/Lowell_Fulson
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http://en.wikipedia.org/wiki/Roy_Brown_(blues_musician)
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http://www.angelfire.com/mn/coasters/johnnielee.html
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http://www.muddywaters.com/home.html
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http://www.sonnyboy.com/
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http://www.howlinwolf.com/
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http://en.wikipedia.org/wiki/Elmore_James
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http://www.littlewalter.net/
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http://en.wikipedia.org/wiki/Jimmy_Reed
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http://www.bbking.com/
The Great R&B-files Created by Claus Röhnisch
http://www.rhythm-and-blues.info
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THE GUITAR WIZARD – “the man who invented electric guitar blues”
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T-BONE WALKER Reading: Stormy Monday - the T-Bone Walker Story by Helen Oakley Dance (Da Capo, 1987)
First LPs: Classics In Jazz – Capitol T-370 (1953) T-Bone Walker Sings The Blues – Imperial LP 9098 (1959) T-Bone Blues – Atlantic LP 8020 (1959)
"The Blues Guitar Wizard" - Texas "territory band" influenced guitarist and blues singer representing the original Los Angeles jazz-blues. A true giant - legendary - and creator of modern blues. Pioneer in developing the electric guitar sound. Inspirer of the modern exponents of "industrial guitar blues sounds". Toured with medicine shows - dancing and playing banjo - during the ´20s. Worked with Cab Calloway and Milt Larkin during the ´30s. Worked in Oklahoma and in the ´40s in California, Detroit and Chicago, and settled in Los Angeles. Some of his important backing musicians: Bumps Myers, tenor sax; Willard McDaniel, pno; Oscar Lee Bradley, dms. Was produced by the legendary Ralph Bass (for Black & White - the masters soon bought by Capitol) and later by arranger - tenor saxophonist Maxwell Davis (for Imperial), and Nesuhi Ertegun (for Atlantic). Had severe problems with his stomach from the ´50s on and sometimes inactive. The Earl Hines/Billy Eckstine recording of "Stormy Monday Blues" of 1942 is a complete different song than T-Bone's "Call It Stormy Monday". Charter member of the Blues Foundation Hall of Fame in 1980, and inducted into the Rock and Roll Hall of Fame in 1987. Born: Aaron Thibeaux Walker, May 28, 1910, Linden, Texas. Died of pneumonia March 16, 1975, Los Angeles, California. First recordings: Dallas, Texas December 5, 1929 as Oak Cliff TBone Wichita Falls Blues / Trinity River Blues; N.Y. or L.A. with Les Hite Orch ca June, 1940 T-Bone Blues - Varsity 8391 (also issued on Bluebird 11210); Hollywood with Freddie Slack, pno July 20, 1942 Mean Old World / I Got A Break Baby - Capitol; Chicago October 10, 1944 Sail On Boogie / I’m Still In Love With You Rhumboogie 4000. Records for: Black & White 46-48, Comet 1948, Capitol 1949, Imperial 50-54, Atlantic 55-59, Bluesway 67-68.
Essential CD: Blues Masters: The Very Best of.. - Rhino R2 79894 (2000) or: You’re My Best Poker Hand – The Definitive Collection (3CD) – Fantastic VoyageFVTD099 (featuring a.o. Capitol/Imperial/Atlantic ) (2011) Editor´s choices: The Complete Capitol/Black & White Recordings (3CD) - Capitol 8293792 (1995) and The Complete Imperial Recordings (2CD) - EMI CDP7 96737-2 (1991) and T-Bone Blues - Atlantic 8020-2 (1989, originally issued in 1959) For Collectors: The Original Source (4CD) - Properbox 38 (90 great early tracks with a 44 page booklet, 2002) The Chronological T-Bone Walker 1929-1946 - Classics 5007 (2001) The Complete Recordings of T-Bone Walker 1940-1964 (6CD) - Mosaic MD6 130 (144 tracks, 1990) Stormy Monday Blues - the essential collection - Spectrum/MCA HMNCD 039 (the best Bluesway rec) (1998/1999)
T-BONE WALKER, vocals/guitar “LUCKY-SEVEN” 1. Les Hite and His Orchestra – Vocal by T-Bone Walker (T-Bone only vocal; Frank Pasley, gtr) - New York (or poss. Los Angeles), ca June 1940 or March 6, 1941: US-1852-1 T-Bone Blues - Varsity 8391 2. T-Bone Walker, featuring Freddie Slack at the piano - Hollywood, July 20, 1942: CAP-55-A Mean Old World - Capitol 10033 3. T-Bone Walker and His Guitar (featuring Lloyd Glenn, pno and Bumps Myers, sax) - Hollywood, September 13, 1947: BW 637-3 Call It Stormy Monday But Tuesday Is Just As Bad- Black & White 122 (#5, 6w total 1948) 4. (featuring Willard McDaniel, pno) - Los Angeles, November 13, 1947: BW 662-2 T-Bone Shuffle - Comet 53 (#7, 4w 1949) 5. T-Bone Walker & His Band (featuring Jim Wynn, sax) - Los Angeles, April 6, 1950: IM 178 Travelin' Blues - Imperial 5094 6. T-Bone Walker (featuring Maxwell Davis, sax) - Los Angeles, December 1951: IM 388-3 Street Walkin' Woman - Imperial 5202 (1952) 7. (Lloyd Glenn, pno; Billy Hadnott, bs; Oscar Lee Bradley, dms) - Los Angeles, December 14, 1956: A 2274 T-Bone Blues – Atlantic LP 8020
R&B Top 10 Hits: (6 of 9 Top 40) 1946 Bobby Sox Baby (Blues) #3 1948 Call It Stormy Monday But Tuesday Is Just As Bad #5 1948 Long Skirt Baby Blues #10 1948 I´m Waiting For Your Call #8 1948 West Side Baby #8 1949 T-Bone Shuffle #7 More Essential Songs: 1940 T-Bone Blues (with Les Hite) 1942 Mean Old World (with Freddie Slack) 1944 I´m Still In Love With You 1945 T-Bone Boogie 1946 I´m In An Awful Mood 1947 T-Bone Jumps Again (instr) 1948 That´s Better For Me 1949 Hypin´ Women Blues 1949 Plain Ole Down Home Blues 1949 I Wish You Were Mine (LP ’63) 1949 I Want A Little Girl 1950 Strollin´ With Bones (instr) 1950 Travelin´ Blues 1951 Welcome Blues 1951 Cold Cold Feeling 1951 I Got The Blues Again 1952 Street Walkin´ Woman 1952 Blue Mood 1953 My Baby Is Now On My Mind 1954 Bye Bye Baby 1954 Pony Tail 1954 Strugglin´ Blues 1955 Papa Ain´t Salty 1956 T-Bone Blues (Atlantic)) 1957 Evenin´ 1959 Two Bones And A Pick (instr) 1966 Takes A Lot Of Know-How 1968 Goin´ To Funky Town (instr)
And Do Check the CDs imaged on page 9
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T-BONE WALKER – REPRESENTATIVE RECORDS 1929 – 1959
1929
1940
1942
1945
That’s Better For Me - Black & White 126
1946
1948
1951
1954
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1946
1949
1952
1955
1947
1950
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1950 (REISSUED 1955)
1953
1957/1959
THE Blues Giants of the 1950s
T-Bone Walker
T-Bone Walker
- his Chicago, and his Capitol, Black & White, and Comet singles -
- the editor’s favorite CDs -
T-Bone’s singles for Black & White, Comet and Capitol were all recorded in Los Angeles. One record was made for Capitol (Hollywood) July 20, 1942. The first sessions for Black & White (owned by Paul Reiner in New York) were done in September 1946, and one in December. On September 13, 1947 (four songs) T-Bone recorded his famous “Call It Stormy Monday” and the rest were also recorded for Black & White in Los Angeles (with Ralph Bass the producer). Soon Reiner bought another New York company, Comet Records. Capitol acquired all of T-Bones recordings (including the Comet ones) around mid/late 1948, re-releasing several of his Black & White recordings (and also issued some songs which hadn’t been released from the mastondont November and December 1947 Black & White sessions). Dave Dexter was the architect for the releases of 1949. T-Bone was contracted to Imperial in early 1950 (and made his first recordings for them on April 6 (he hadn’t recorded after December 1947). Maxwell Davis soon took care of the musical directionship (and prob also had a producer roll); Hadnott and Bradley stayed with T-Bone. Here are the famous “Black & White” singles (plus his early Chicago recordings). T-Bone Walker, vcl/gtr on all tracks, except -1 which is an instrumental. Before his Black & White period T-Bone recorded in Chicago in 1944 and 1945 for Rhumboogie (Charlie Glenn’s label), Mercury and Old Swingmaster (some of those recordings were later reissued on Imperial LP). Several recordings did appear only on later LPs.
T-Bone Walker featuring Freddie Slack at the piano with bass and drums Capitol (1942) 10033 I Got A Break Baby – Mean Old World (also issued on 15033)
T-Bone Walker with Marl Young’s Orchestra (rec in Chicago) Rhumboogie (issued 1945/46) 4000 Sail On Boogie – I’m Still In Love With You (also issued on 4001) 4002 T-Bone Boogie – Evening 4003 You Don’ Love Me Blues – Mean Old World Mercury (issued 1946) 8016 My Baby Left Me – Come Back To Me Baby Old Swingmaster (issued 1949) 11 She Is Going To Ruin Me (Fast Woman on Imperial later) - My Baby Left Me
T-Bone Walker and His Guitar (with Jack McVea & All Stars -2) Black & White (issued 1946-1948) 110 Bobby Sox Blues (#3) – I’m Gonna Find My Baby -2 111 No Worry Blues – Don’t Leave Me Baby -2 115 It’s A Lowdown Dirty Deal – Don’t Give Me The Runaround 121 I’m In An Awful Mood – Hard Pain Blues 122 I Know Your Wig Is Gone – Call It Stormy Monday But Tuesday Is Just As Bad (#5) 123 Long Skirt Baby Blues (#10) – Goodbye Blues 125 T-Bone Jumps Again -1 - I Want A Little Girl 126 I’m Waiting For Your Call (#8) – That’s Better For Me 127 Midnight Blues (#11) – Plain Old Dow Home Blues Comet (issued 1948) T50 Lonesome Woman Blues – West Side Baby (#8) T51 Inspiration Blues - I’m Still In Love With You T52 Describtion Blues (#13) - That Old Feeling Is Gone T53 T-Bone Shuffle (#7) - First Love Blues Capitol (issued 1949-1950) 70012 Vacation Blues – Prison Blues 70014 Call It Stormy Monday – I Know Your Wig Is Gone 70023 Long Lost Lover Blues – You’re My Best Poker Hand 70025 Hypin’ Women Blues - Born To Be No Good 70042 T-Bone Shuffle – First Love Blues 70055 West Side Baby – I’m Still In Love With You 799 On Your Way Blues - Go Back To The One You Love (#15) 944 She’s My Old Time Used To Be – Too Much Trouble Blues
The musicians in L.A. July 20, 1942 Freddie Slack (piano); Jud De Naut (bass); Dave Coleman (drums) September 30, 1946 with Jack McVea (ts) All Stars: Joe “Red” Kelly,tp; Tommy Cahn,p; Frank Clarke,b; Rabon Tarrant,d December 1946 with Al Killlian (tp) Quartet; Jack McVea,ts; Kahn, Clarke, Tarrant September 13, 1947 Teddy Buckner,tp; Bumps Myers,ts; Lloyd Glenn,p; Arthur Edward,b; Oscar Lee Bradley,d November and December 1947 The mastondont sessions featured Buckner (later George Orendorf and one session Jack Trainor),tp; Myers, Willard McDaniel,p; Billy Hadnott (or subbing John Davis),b; Bradley,d
Peak positions on any of the Blllboard’s national R&B Charts noted left.
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T-Bone Walker’s original vinyl LPs
1953-1969
Capitol H/T 370 ”Classics In Jazz” (1953), Capitol T 1958 “Classic Indigo Vocals and Guitar” (1963, rec in the 1940s), Imperial LP 9098 “T-Bone Walker Sings The Blues” (1959)
Imperial LP 9116 “Singing The Blues” (1960), Imperial LP 9146 “I Get So Weary” (1961), Imperial (France) LP 1561451 “Hot Leftovers” (1985, Imperial ´50s), Music for Pleasure (UK) MFP 1043 “The Blues of T-Bone Walker” (1965, Capitol ‘40’s)
Atlantic LP 8020 “T-Bone Blues” (1959), BluesWay BLS-6008 “Stormy Monday Blues” (late 1967), BluesWay BLS-6014 “Funky Town” (1968)
BluesWay BLS-6058 “Dirty Mistreater” (1973, compiled from the earlier BluesWays), Brunswick LP BL 754126 “The Truth” (1968, rec in Texas in 1966 -MCA CD image shown - same as LP) Delmark LP D-633 ”I Want A Little Girl” (1969, rec in Paris, November 1968); mage top right Bluestime LP29004 “Every Day I Have The Blues” (1969, rec in New York in August that year.)
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SOME OF T-BONE’S LATEST CDs
5CD-set on Acrobat (issued 2014); and an interesting 19track CD on Warner’s Last Favourites.
2CD-set on NotNow, 4CD-set on RealGone; and the very nice Hoodoo issue (with two LPs on one CD).
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T-BONE’s (nostalgia) GALLERY pt 1 T-Bone’s Bio - from Rock Hall of Fame Inductee: Aaron Thibeaux Walker aka T-Bone Walker (vocals, guitar; born May 28, 1910, died March 16, 1975)
It was T-Bone Walker, B.B. King once said, who “really started me to want to play the blues. I can still hear T-Bone in my mind today, from that first record I heard, ‘Stormy Monday.’ He was the first electric guitar player I heard on record. He made me so that I knew I just had to go out and get an electric guitar.” T-Bone Walker was born Aaron Thibeaux Walker to musical parents on May 28, 1910, in Linden, Texas. When he was two, his family moved to Dallas. Through his church choir and his street-singing stepfather, Marco Washington, he became interested in music. He got his nickname T-Bone at an early age. His mother called him T-Bow, a shortening of his middle name Thibeaux, and it soon became T-Bone. By the time he was 10, T-Bone was accompanying his stepfather at drive-in soft-drink stands. Around the same time, he became the “lead boy” for Blind Lemon Jefferson, who was the most popular and influential country bluesman of the Twenties. From 1920 to 1923, Walker would lead Jefferson down Texas streets. While still in his teens, Walker, who was self-taught on guitar, banjo and ukulele, toured with a medicine show and with blues singer Ida Cox. In 1929, he began recording acoustic country blues under the name Oak Cliff T-Bone. In 1934, he moved to Los Angeles. He said he began playing amplified guitar shortly thereafter. If that is true, then he was one of the first major guitarists to go electric. And, indeed, he pioneered the electric guitar sound that helped create the blues and thus influence all popular music that followed. In 1939, Walker joined Les Hite’s Cotton Club Orchestra. It was a rough-and-tumble big band whose alumni included Dizzy Gillespie and Lionel Hampton. With the Hite band, Walker perfected his flowing, hornlike guitar licks and his mellow blues vocals. Over the next decade, he worked with both small groups and big bands, on the West Coast and on tours through the Midwest and all the way to New York. He first recorded as T-Bone Walker in 1942 /editor’s note: no earlier, but he made the great “Mean Old World” for Capitol that year/, and the following year /editor’s note: - no it was in 1947/ he had his biggest hit, “Call It Stormy Monday,” which as “Stormy Monday Blues” or just “Stormy Monday” /editor’s notee: he ususal Earl Hines/Billy Ecksinte mix-up/ has become one of the most frequently covered blues songs. Walker recorded for Black & White Records, the label that released “Stormy Monday,” until 1947. He recorded other classics for the label, including “T-Bone Shuffle” and “West Side Lady.” In 1950, Walker signed with Imperial Records, where he remained until 1954. At Imperial, he cut “The Hustle Is On,” “Cold Cold Feeling,” “Blue Moon,” “Vida Lee” and “Party Girl.” He then moved on to Atlantic Records. He recorded sessions in 1955, 1956 and 1959, and they were finally released in 1960 on the album T-Bone Blues. Walker’s career began to slow down during the Sixties. He made an appearance at the American Folk Blues Festival in 1962, performing with Memphis Slim and Willie Dixon, among others. In 1968, he released the album I Want a Little Girl. And, in 1971, he won the Grammy Award for Best Ethic or Traditional Folk Recording for the album Good Feelin’. In 1973, Walker climaxed his recording career with the double album Very Rare. It was produced by Jerry Leiber and Mike Stoller, and they assembled an all-star cast of jazz veterans and young studio pros to honor the great bluesman. The following year, Walker became inactive after he was hospitalized with bronchial pneumonia. He died from the disease on March 16, 1975. T-Bone Walker’s single-string solos influenced blues players like B.B. King and such rockers as Eric Clapton and Stevie Ray Vaughan. As Pete Welding wrote: “T-Bone Walker is the fundamental source of the modern urban style of playing and singing the blues. The blues was different before he came onto the scene, and it hasn’t been the same since.”
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T-BONE’s (nostalgia) GALLERY pt 2
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SOME FINE CD-BOXES (in order of artist presentations)
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BIG JOE – THE BOSS OF THE BLUES
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BIG JOE TURNER First LPs: Joe Turner Sings Kansas City Jazz – Decca DL-8044 (1953) The Boss Of The Blues Sings Kansas City Jazz - Atlantic LP 1234 (1956) Joe Turner Rock and Roll – Atlantic LP 8005 (1957) Blues’ll Make You Happy – Savoy MG 14012 (1958)
"The Boss of the Blues" - Jazz/blues singer - the original and ultimate Blues Shouter with roots in Kansas City and an important link between R&B and R&R. Moved to L.A. in 1941. Recorded in Kansas, New York, L.A., Texas, and N.O. Made his debut with pianist Pete Johnson, with whom he worked during several terms, and later worked with several band constellations. Was on the decline when Atlantic´s Herb Abramson (who had produced him for National) "picked him up" and re-introduced him with Harry Van Walls billed at the piano. Worked with KC veteran Jesse Stone, arranger/coach for Atlantic Records. Several mid ´50s records billed as Joe Turner & His Blues Kings (using legendary N.O., Chicago and N.Y. jazz and blues musicians). Mostly billed as Joe Turner on singles, but later on as "Big” Joe Turner on several LPs. Member of the Blues Foundation Hall of Fame in 1983, and inducted into the Rock and Roll Hall of Fame in 1987. Born: Joseph Vernon Turner May 18, 1911, Kansas City. Died of heart attack November 24, 1985, Inglewood, Calif. First recordings: Live at Carnegie Hall, NYC December 23, 1938 It´s All Right Baby (aka Roll ´Em Pete) / Low Down Dog - issued on Vanguard in 1959. N.Y. December 30, 1938 Roll ´Em Pete / Goin´ Away Blues - Vocalion 4607; June 30, 1939 Cherry Red Vocalion 4997; first post-war rec N.Y. February 1945 S.K. Blues - National 9010. Records for: Vocalion 1939, Decca 40-44, National 45-47, Aladdin 1947, Freedom 49-50, Imperial 1949, Atlantic 51-62, Bluesway 1967, Kent 1970. Essential CD: The Very Best of… Rhino R2 72968 (1998) or Big, Bad & Blue-The Big Joe Turner Anthology (3CD) - Rhino R2 71550 (1994) or The Definitive Blues Collection (2CD) - Rhino 122748 (2007) For Collectors: All The Classic Hits 1938-1952 (5CDbox) - JSP 7709 (2003) or The Essential ‘40s Collection (2CD) – Acrobat ADDCD3069 (2011) and Rocks – Bear Family BCD 17215AR (2011) Reading: Honkers and Shouters - The Golden Years of Rhythm & Blues by Arnold Shaw (Collier Books, US 1978) JOE TURNER, vocals “BIG-SIX” 1. Joe Turner with Bill Moore's Lucky Seven Band - Los Angeles, January 23, 1946: NSC 142 My Gal's A Jockey - National 4002 (#6, 1w total) 2. Joe Turner with Van "Piano Man" Walls - New York, January 20, 1952: A 787 Sweet Sixteen - Atlantic 960 (#3, 8w) 3. Joe Turner and his Band (featuring Pluma Davis, tbn and Kathy Thomas, pno) - New Orleans, May 12, 1953: A 1073 Honey Hush - Atlantic 1001 (#1 for 8w, 25w) 4. Joe Turner and His Blues Kings (featuring Edward Frank, pno) - New Orleans, December 3, 1953: A 1220 You Know I Love You - Atlantic 1026 (1954) 5. (featuring Sam Taylor, sax) - New York, February 15, 1954: A 1209 Shake, Rattle And Roll - Atlantic 1026 (#1 for 3w, 32w) 6. (with Howard Biggs, arr) - New York, January 28, 1955: A 1425 Hide And Seek - Atlantic 1069 (#3, 12w)
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R&B Top 10 Hits: (17 of 20 Top 40) 1945 S.K. Blues (with Pete Johnson’s All Stars) #3 1946 My Gal´s A Jockey #6 1950 Still In The Dark #9 1951 Chains Of Love #2 1952 The Chill Is On #3 1952 Sweet Sixteen #3 1952 Don´t You Cry #5 1953 Honey Hush #1 for 8w 1953 T.V. Mama #6 1954 Shake, Rattle And Roll # 1 for 3w 1954 Well All Right #9 1954 Flip, Flop And Fly #2 1955 Hide And Seek #3 1956 Morning, Noon And Night #8 1956 The Chicken & The Hawk #7 1956 Corrine Corrina #2 1956 Lipstick Powder And Paint #8
Just for Your Thrill: 1938 It´s All Right Baby (with Pete Johnson) 1939 Cherry Red (with Pete Johnson) 1940 Piney Brown Blues 1941 Blues On Central Avenue 1944 Rebecca (Big Joe Turner) 1945 Johnson & Turner Blues 1947 New Oh-Wee Baby Blues 1948 Tell Me Pretty Baby 1949 Blues Jumped A Rabbit 1953 Married Woman 1954 You Know I Love You 1954 In The Evening 1956 Roll ´Em Pete 1957 Red Sails In The Sunset 1958 Feeling Happy 1958 (I´m Gonna) Jump For Joy
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The Very Best of Big Joe Turner – part I: the 1940s (plus) His Classic Early Years - with locations and dates of recording.
New York December 30, 1938, New York June 30, 1939, New York November 11, 1940.
Los Angeles, September 8, 1941, Chicago October 30, 1944, New York February 2, 1945.
Los Angeles January 23, 1946, Chicago October 12, 1946, New York November 6, 1947.
Los Angeles June 28 1948 (Down Beat single 173 “Tell Me Pretty Baby” – Joe Turner’s Orchestra featuring Pete Johnson). New Orleans April 1950 (remixed/edited Imperial recording, issued on Bayou in 1953). Houston August 24, 1950 (“Still In The Dark” on Freedom1531- Joe Turner and Orchestra.
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The Very Best of Big Joe Turner – part II: the 1950s (plus) The Atlantic Years - with locations and dates of recording.
1951
1951
1952
1953
Two songs recorded in New York April 19, 1951; New York January 20, 1952; New Orleans May12, 1953.
1953
1953
1954
1954
1954
1954
1955
1955
1956
1957
1958
1983
Chicago October 7, 1953; Two songs recorded in New Orleans December 3, 1953 (“Married Woman” - flip of “Well All Right” - and “You Know I love You” - flip of “Shake, Rattle And Roll” The plug sides were recorded in New York February 15, 1954.
New York February 15, 1954 (which also was the recording date of “In The Evenin’ When The Sun Goes Down” on EP 565; the last two recorded in New York January 28, 1955.
New York February 24, 1956; New York November 20, 1956 (issued February 1957); New York January 22, 1958; “Red Sails In The Sunset” re-recording 1983 (“Blues Train” LP) with Roomful of Blues (originally recorded by Joe in 1957)..
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JOE TURNER ON ATLANTIC RECORDS LPs Here are the original Atlantic LPs by Joe Turner. The 12/1300-series was the Jazz series and 8000-series the Pop.
1234 The Boss of the Blues (1956), 8005 Joe Turner: rock & roll (1957), 8023 Rockin’ the Blues (1958)
8033 Big Joe Is Here (1959), 1332 Big Joe Rides Again (1959), 8081 The Best of Joe Turner (1963)
Atco SD 33-376 His Greatest Recordings (1971), SD-8812 The Boss of the Blues (1981, reissue of 1234), Atlantic 81663 Rhythm & Blues Years (2LP 1986)
Atlantic 81752 Greatest Hits (1987), Rhino R2 71550 Big Bad & Blue / The Big Joe Turner Anthology (3CD-set 1994), Rhino 122748 The Definitive Blues Collection (2CD 2007). Note that Turner was not labelled Big Joe until the later years on Atlantic.
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JOE TURNER: TWO NICE AND EARLY ATLANTIC COMPILATIONS
Atlantic LP 8081: The Best of Joe Turner (8/63)
Atlantic LP 8005: Rock and Roll - Joe Turner (1957) Tracks:
Tracks:
Shake, Rattle And Roll / Flip, Flop And Fly / Feeling Happy / Well All Right / The Chicken And The Hawk / Boogie Woogie Country Girl / Honey Hush // Corrine Corrina / Midnight Special Train / Hide And Seek / Oke-She-Moke-She-Pop / Crawdad Hole / Sweet Sixteen / Chains Of Love
Shake, Rattle and Roll / Chains of Love / Honey Hush / Flip, Flop and Fly / The Chicken and the Hawk / Midnight Special Train / OkeShe-Moke- She-Pop // Corrine Corrina / Cherry Red / St. Louis Blues / Boogie Woogie Country Girl / Crawdad Hole / Ti-Ri- Lee / TV Mama
DISCOGRAPHY: (both LPs listed in one order – titles marked
* are “bonus” songs listed to make this disco at least one song per session 1951-1956)..
Joe Turner, vocal on all tracks; master number and original single issues noted (all on Atlantic with best position on any of the Billboard’s R&B Charts) Joe Turner with Van “Piano Man” Walls & His Orchestra brass, reeds; Harry Van Walls,p; rhythm section NYC, April 19, 1951 A 603
Chains Of Love
939 (#2)
unknown tp; Wilbur DeParis,tb; Sam Taylor,ts; Haywood Henry;bs; Harry “Van” Walls,p; Mickey Baker,g; Lloyd Trotman,b; Connie Kay,d; prob Jesse Stone, Ahmet Ertegun and Jerry Wexler,vcls-1 NYC, February 15, 1954 A 1209
Shake, Rattle And Roll
1026 (#1)
A 1212
Well All Right -1
1040 (#9)
Taft Jordan.tp; Budd Johnson,as; Freddie Mitchell,ts; Ernest “Pinky” Williams,bs; Harry Van Walls,p; Rector Bailey,g; Leonard Gaskin,b; Connie Kay,d NYC, January 20, 1952
tp; as; Al Sears,ts; prob Jesse Stone,p, b; prob Connie Kay,d; poss Howard Biggs,cond, vcl chorus NYC, January 28, 1955 A 1426
Hide And Seek
1069 (#3)
A 787
A 1427
Flip, Flop And Fly
1053 (#2)
Sweet Sixteen
960 (#3)
Joe Morris,tp; Salvadore Davis,tb; Freddie Mitchell,ts; William Burchett, Ernest “Pinky” Williams,ass; Dave McRae,bs; Harry Van Walls,p; poss Shebs Hobbs,g; b, d. NYC, September 23, 1952 Still In Love * 982 A 906
tp; Wilbur Decca Paris,tb; ts; Haywood Henry,bs; (baritone saxophone) Harry Van Walls,p; g; b; Connie Kay,d (drums) Joe Turner, vcl chorus-1 NYC, November 3, 1955
Joe Turner & His Band Frank Mitchell, Tommy Sheldon,tps; Pl¨äöuma Davis,tb; Auguste “Dimes” Dupont,as; Warren Hebrand,ts; Kathy Thomas,p; Edgar Blanchard,g; John Fernandez,bs; Alonzo Stewart,d NYC, May 12, 1953
Joe Turner with Chorus and Orchestra (also listed as & his All Stars) Jimmy Nottingham, Dick Vance,tps; Earl Warren,as; Sam Taylor,ts; Ernie Hayes,p; George Barnes and Billy Mure,gs; Lloyd Trotman,bs; David “Panama” Francis,d; The Cookies,vcl-group NYC, February 24, 1956
A 1073
Honey Hush
1001 (#1)
A 1884
A 1074
Crawdad Hole
1001
Joe Turner & His Blues Kings Sonny Cohn,tp; Harlan Floyd or John Avant,tb; Grady Jackson, Joe Tillman,tss; McKinley Easton,bs; Johnny Jones, Elmore James,g; Jimmy Richardson,b; Red Saunders,d Chicago, October 7, 1953 A 1126
Ti-Ri-Lee
1053
A 1127
Oke-She-Moke-She-Pop
1016
A 1128
TV Mama
1016 (#6)
There are alternate recordings of A1126 (recorded January 25, 1955 – A1425) and A1127 (recorded May 12, 1953 – A1072). Regular mix-ups have been published in several discographies concerning this (maybe even this editor has got it wrong?)
John Girard,tp; Worthia Thomas,tb; Gus Fontenette,as; Joe Tillman, ts; Alvin "Red" Tyler,bs; Edward Frank,p; Lloyd Lambert,b: Oscar Moore,d New Orleans, December 3, 1953 You Know I Love You * 1026 A 1220 A 1225
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Married Woman
*
A 1687
The Chicken And The Hawk (Up, Up And Away) -1 1080 (#7)
A 1688
Boogie Woogie Country Girl
Corrine, Corrina
1088 (flip hit)
1088 (#2)
Joe Turner Joe Newman,tp; Lawrence Brown,tb; Pete Brown,as; Frank Wess,ts; Pete Johnson,p; Freddie Green,g; Walter Page,b; Cliff Leeman,d NYC, March 6, 1956 A 1917
Cherry Red
issued on LP 1234
Jimmy Nottingham,tp; Lawrence Brown,tb; Pete Brown,as; Seldon Powell,ts; Pete Johnson,p; Freddie Green,g; Walter Page,b; Cliff Leeman,d NYC, March 7, 1956 A 1922
St. Louis Blues
issued on LP 1234
Joe Turner and his Blues Kings unknown brass, reeds, rhythm; vocal chorus -1 NYC, November 20, 1956 A 2220
Midnight Special Train
1122
A 2222
Feelin' Happy -1
1122
1040
The R&B Pioneers Series .- Volume Five of twelve
THE Blues Giants of the 1950s
eyeballproductions
THE BLUES DISCOGRAPHY 1943-70 It's been forty-five years since Leadbitter and Slaven's trailblazing original Blues Records was published. This totally revised edition of what has become the standard chronicle of Blues recordings contunues to raise the bar even higher. Les Fancourt has performed meticulous revision; filling gaps and revising details. The artist roster has been increased and album headings have been added, The happy result is over 100 pages more than the last edition of The Blues Discography and six times the content of the original Blues Records. Around 1200 artists are now covered.The work's format is set in the standard discographical layout, alphabetical by artist (exclusively African American), chronologically by session, listing personnel details, unissued titles and original releases. A full cross-referenced accompanying musician's index is also included.Softback 710 pages large format 8.5" X 11"). THE BLUES DISCOGRAPHY 1971-2000 The blues rolled on long after 1970 and kept on rolling to an ever expanding international audience. Finally these later decades are given the same dignity and attention as given to the earlier years with the publication of this second volume. Compiled by Robert Ford over the last 20 years with the help of many contributors and produced by Bob McGrath, this new companion volume seamlessly continues from where The Blues Discography 19431970 [the classic years] left off. Continuing the careers of many artists from the first volume as well as introducing lots of new blood. 1190 artists are covered in all, shedding light on the later years leading to the millennium. The same format is used as the classic years volume, alphabetical by artist, (exclusively African American), chronologically by session, listing personnel details plus an LP/CD index. Softback 579 pages (8.5" X 11).
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THE Blues Giants of the 1950s
LOWELL FULSON – Tulsa Red
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The R&B Pioneers Series .- Volume Five of twelve
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LOWELL FULSON First LPs: Lowell Fulson (Early Recordings) – Arhoolie LP R 2003 (1962) Soul (Lowell Fulsom) - Kent LP (1966) Every Day I Have The Blues – Ember UK LP SPE 6601 (1967) Rare LP: Lowell Fulson (2LP) – Chess 2ACMB-205 (1976)
"Tulsa Red" - Leading and versatile guitarist /singer, one of the great, and often underrated legends - keeping the Texas blues traditions alive. Started out in Oklahoma, moved to Gainerville, Texas and came to Oakland, California in 1943. Busy in the studios during great parts of his career. Had four major career stages: 1. The DownBeat/SwingTime Oakland phase (1946-1953), 2. The Checker Texas/Chicago/LA phase (1954-1963), 3. The "Fulsom" Kent/Maxwell Davis LA phase (1964-1969), and 4. The Legend (1970-1999). Worked with pianist Lloyd Glenn - and with Ray Charles during the early ´50s - produced by Jack Lauderdale on his early hits. After his Checker years he joined Kent Records (owned by the Biharis; and was produced by Maxwell Davis). Manager in later years: Fats Washington. Sometimes worked with the prolific Jimmy McCracklin during his successful Kent era, stationed in Los Angeles. Billed Lowell Fulsom from 1965 and into the ´70s. Member of Blues Foundation Hall of Fame in 1993.
LOWELL FULSON, vocals/guitar “HI-FIVE” 1. Lowell Fulson’s Combo (featuring Earl Brown, sax; Lloyd Glenn, pno) - Los Angeles, 1949/50: 196 Everyday I Have The Blues – SwingTime 196 (#3, 24w total) 2. Lowell Fulson featuring Lloyd Glenn at the “88” - Los Angeles, 1950: A 787 Blue Shadows – SwingTime (#1 for 4w, 22w) 3. Lowell Fulson (featuring David Newman, sax) - Dallas, September 27, 1954: U 7711 Reconsider Baby – Checker 804 (#3, 15w) 4. Lowell Fulsom (featuring Maxwell Davis, arr) - Los Angeles, 1965: 431 Black Nights – Kent 431 (#11, 12w in 1966) 5. Los Angeles, September 1966: 456 Tramp – Kent 456 (#5, 13w in 1967)
Born: March 31, 1921, Atoka, Oklahama (moved to Tulsa for a while) Died of kidney failure March 7, 1999 in Long Beach, Calif. First recordings: Oakland 1946 Crying Blues / You´re Gonna Miss Me - BigTown 1068. Records for: Big Town/Down Beat 46-47, SwingTime 49-53, Aladdin 1953, Checker 54-63, Kent 64-69, Jewel 69-70. Essential CDs: The Complete Chess Masters (2CD) – MCA/Chess 9394 (1987) and Tramp / Soul - Ace CDCHD 339 (1991) and Juke Box Shuffle: A Proper Introduction - Proper CD 2042 (2004) For collectors: The Tramp Years - Ace CDCHD 755 (2000) Lowell Fulson 1946 to 1953: The Early Recordings - JSP (4CD BOX) JSPCD7728 (113 tracks - simply great, 2004) And Don’t Miss the CDs on page 16 Reading: The Real Rhythm and Blues by Hugh Gregory (Blandford UK, 1998)
R&B Top 10 Hits: (9 of 14 Top 40) 1948 Three 0´Clock Blues #6 1950 Everyday I Have The Blues #3 1950 Blue Shadows #1 for 4w 1950 Low Society Blues (instr with Lloyd Glenn) #8 1950 Old Time Shuffle Blues (instr as Lloyd Glenn and Th’ Fulson Unit) #3 1950 Lonesome Christmas #7 1951 I´m A Night Owl #10 1954 Reconsider Baby #3 1967 Tramp (Lowell Fulsom) #5 Some Other Goodies: 1947 San Francisco Blues (as Fulson Trio) 1952 Guitar Shuffle (instr) 1953 There Is A Time For Everything 1955 Loving You 1956 Trouble Trouble 1956 Tollin´ Bells 1958 That´s All Right 1960 I Want To Know 1960 Blue Shadows (Checker Rec.) 1964 Baby 1964 Everytime It Rains 1965 Black Nights 1967 Year Of 29 1967 Tomorrow 1969 Sleeper 1969 Price For Love 1970 My Baby 1970 The Ol´ Blues Singer
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THE Blues Giants of the 1950s
A COUPLE OF LOWELL’S LATEST CDs
3CD on Fantastic Voyage (2013); and a 1CD on Soul Jam (2015). Inserted: Jasmine (2015)
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The R&B Pioneers Series .- Volume Five of twelve
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SOME BIOGRAPHIES (Sonny Boy, Wolf, Little Walter, and Jimmy Reed - see presentations)
The R&B Pioneers Series .- Volume Five of twelve
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THE Blues Giants of the 1950s
THE MIGHTY-MIGHTY MAN – Good Rockin’ Brown
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The R&B Pioneers Series .- Volume Five of twelve
THE Blues Giants of the 1950s RB – TWO GREAT ACE CDs Don’t miss these great super-sounding CDs, containing great acetates from Roy’s early DeLuxe recordings (several alternates and even more unissued ones). Spanning from July 1947 to June 1950, and covering every session he made. A total of 48 tracks. Produced by Tony Rounce.
CDCHD 1072 with recordings from 1947 (issued 2005)
CDTOP 1423 with recordings from 1949-1950 (issued 2015)
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THE Blues Giants of the 1950s
ROY BROWN Reading: King of the Queen City – The Story of King Records by Jon Hartley Fox (US 2009) First LPs: Battle of the Blues – Roy Brown / Wynonie Harris – King 607 (1957) Sings 24 Hits – King LP 956 (1966)
"The Mighty Mighty Man" - "Good Rockin' Brown" - New Orleansbased singer (sometimes pianist) and originator of the "crying blues" - later regarded as the main influence for Rhythm & Soul. He formed a gospel group as a teenager, and became a professional boxer. Started secular singing after the war, working especially in Texas (he landed in Houston at age 14), and became one of the most important originators of the New Orleans R&B sound with his "Mighty, Mighty Men" and "taught" the crying to such greats as B.B. King, Clyde McPhatter, Jackie Wilson, Little Richard, Elvis Presley, and many others. Started his hit career on the Braun brothers DeLuxe (who were stationed in New Jersey but made records in New Orleans) which was bought up by Syd Nathan´s King Records in August, 1948 - who reissued all the early DeLuxe tracks, originally in the 1000-series on a new 3000-series - the most famous being remastered versions of Miss Fanny Brown c/w Mighty Mighty Man (originally issued on DeLuxe 1128 in late 1947 and reissued in the new versions on DeLuxe 3128 in early 1949 these two great recuts are sure improvements and are not on any of Brown's late Rhino, Classics, Collectables or Ace early CD compilations, but can be found on the CD "Hard Luck & Good Rocking"). Wynonie Harris recorded a cover of Brown’s classic “Good Rockin’ Tonight” on King 4210 in Cincinnati on December 28, 1947, which topped the charts in 1948. Nathan also recorded Brown in Cincinnati, Ohio. Roy later also worked in Memphis and moved to California during later years of his "ups & downs" career. Member of Blues the Foundation Hall of Fame in 1981. Born: Roy James Brown September 10, 1920 (not 1925), Kinder Allen Parish, Louisiana. Died May 25, 1981, Los Angeles, Calif. First recordings: Houston, Tex 1947 Deep Sea Diver / Bye Baby Bye - Gold Star 636 and New Orleans July 1947 Good Rocking Tonight / Lolly Pop Mama - DeLuxe 1093 . Records for: DeLuxe 47-48, DeLuxe/King 49-51, King 52-55, Imperial 56-58, King 1959, Home of the Blues 1960, Bluesway 67-68 Essential CDs: Good Rockin’ Man – The Definitive Collection (2CD) - Fantastic Voyage 50 great songs 1947-1960 (2011) or Good Rocking Tonight - The Best of... - Rhino R2 71545 (1994) or Rockin' At Midnight - The Very Best of .. Collectables COL 2882 (25 chronological tracks) (2004) And Don’t Miss the two Ace CDs issued 2005 CDCHD 1072 and 2015 CDTOP 1423, containing alternates and original acetates 1947-1950 ! CD for Collectors: Roy Brown and New Orleans R&B (4CD) – JSP 7756 (2005) featuring 50 Roy Brown tracks plus Professor Longhair and Dave Bartholomew Editor´s choices: The Chronological Roy Brown 1947-1949 - Classics 5021 (2001) and 1950-1951 - Classics 5036 (2002) or Blues DeLuxe 1950-1951 - Charly CD 289 (1991), plus 1951-1953 Classics 5090 (2004). The CDs cover the complete issued single recordings of Roy Brown between 1947 and 1953 in chronological order (except for the remakes of early 1949 – see above. 5036 & 289 have same tracks). For Collectors: Hard Luck & Good Rocking 1947-1950 - EPM CD 16017 (2002) Mighty Mighty Man! - Ace CDCHD 459 (1953-1960) (1993) Saturday Night! (1952-1957) - El Toro R&B 112 (2008)
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ROY BROWN, vocals “HI-FIVE” 1. Roy Brown with Bob Ogden & Orch. - New Orleans, July 1947: D-406 Good Rocking Tonight - DeLuxe 1093 (#13, 1w 1948) / DeLuxe 3093 (#11, 2w 1949) 3w total 2. Roy Brown and his Mighty Mighty Men (featuring Batman Rankins, sax) - New Orleans, January 1949: D-881 Rockin' At Midnight - DeLuxe 3212 (#2, 16w) 3. - New Orleans, January 1949, remade from Oct 1947 DeLuxe 1128: D-882-2 Miss Fanny Brown - DeLuxe 3128 (#8, 1w total) 4. (featuring the Griffin brothers, pno and tbn) - Cincinnati, April 19, 1950: D-1513 Hard Luck Blues - DeLuxe 3304 (#1, 18w) 5. (featuring Edgar Blanchard, gtr) - Cincinnati, May 15, 1950: D-1516 Love Don't Love Nobody - DeLuxe 3306 (#2, 11w)
R&B Top 10 Hits: (14 of 16 Top 40) 1948 ´Long About Midnight #1 for 1w 1949 ´Fore Day In The Morning #6 1949 Rainy Weather Blues #5 1949 Rockin´ At Midnight #2 1949 Miss Fanny Brown #8 1949 Please Don´t Go #9 1949 Boogie At Midnight #3 1950 Hard Luck Blues #1 for 3w 1950 Love Don´t Love Nobody #2 1950 Long About Sundown #8 1950 Cadillac Baby #6 1951 Big Town #8 1952 Bar Room Blues #6 1957 Let The Four Winds Blow #5 Worthwhile Classics: 1947 Good Rocking Tonight 1947 Mighty, Mighty Man 1949 Butcher Pete 1950 Good Man Blues 1951 Beautician Blues 1952 Good Rockin´ Man 1953 Laughing But Crying 1953 Travelin´ Man 1954 Fannie Brown Got Married 1954 Worried Life Blues 1960 Rocking All The Time
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CHICAGO BLUES GREATS Still available? - some great compilations issued in later years (all originally issued during the new millennium, several recently).
Little Walter – The Complete Chess Masters (1950-1967) – Hip-O-Select (5CD) B0012646-02 (126 tracks) Muddy Waters – Hoochie Coochie Man: The Complete Chess Masters Volume 2, 1952-1958 – Hip-O-Select (2CD) B0002758-02 (51 tracks) Howlin’ Wolf – Smokestack Lightning, The Complete Chess Masters 1951-1959 – Hip-O-Select (4CD) 1530902 (97 tracks)
Elmore James – King of the slide guitar – The Complete Trumpet, Chief & Fire Sessions – Charly (3CD) SNAJ722CD (63 tracks) Jimmy Reed – The essential boss man – The Very Best of the Vee-Jay Years, 1953-1966 – Charly (3CD) SNAJ728CD (76 tracks)
Roy Brown's DeLuxe session dates with repr. Recordings Roy made some unissued recordings for Regal in New Orleans with Paul Gayten.
New Orleans (all early recordings made at Cosimo Matassa’s J&M Studios): July 1947 - Good Rocking Tonight (w. Bob Ogden & orch f. Earl Barnes,ts) Sept 1947 - Special Lesson No 1 & Roy Brown Boogie (original version) (w. Walter Daniels, pno; Bill Jones, gtr) Oct 1947 - Mighty, Mighty Man (w Earl M Barnes and his orchestra, featuring Leroy Rankins,ts and Bill Jones,gtr)
Oct 1947 Dec 1947 Oct 1948 Jan 1949
- Miss Fanny Brown (and His Mighty-Mighty Men) - Long 'Bout Midnight (w Leroy "Batman" Rankins, sax) - Miss Fanny Brown Returns (single version w. “Batman”, sax) - remakes of Miss Fanny Brown/Mighty, Mighty Man plus Rockin' At Midnight March 22 - w. members of Lucky Millinder's orch (unissued at the time). ca July 1949 - Please Don't Go (single version) Dallas: Sep 29, 1949 - Boogie At Midnight (w Johnny Fontenette, sax) Cincinnati: Nov 2, 1949 - Butcher Pete (w Leroy Rankins, sax) Apr 19, 1950 - Hard Luck Blues & New Rebecca (w Edward Griffin, pno & JImmy Griffin, tromb) June 15, 1950 - Love Don't Love Nobody (w Leroy Rankins, sax & Edgar Blanchard, gtr) June 22-23, 1950 - Bar Room Blues & Double Crossin' Woman Jan 16, 1951 - Good Rockin' Man & Big Town (w Red Prysock) Sep 27, 1951 - Brown Angel (w Johnny Fontenette) Note: After this session Roy continued recording directly for King Records in New Orleans, Cincinnati, Los Angeles, Miami up to 1956 when he was contracted to Imperial. Roy went back to King in 1959.
Sonny Boy Williamson – Down And Out Blues – Not Now (2CD) NOT2CD356 (32 Trumpet and 16 early Checker) John Lee Hooker – Testament - Charly (3CD) SNAJ705CD (60 tracks) I’m John Lee Hooker – Charly SNAP130CD (16 tracks)
Jasmine Records
– British Public domain 2CD-series. http://www.jasmine-records.co.uk/index.html Issued in 2010 and 2011 – probably much more to come. Featuring “The singles, As and Bs”. Each set has 50 tracks (Muddy 54, Wolf 46)
John Lee Hooker - Blues In Transition 1955-1959 - JASCD 562 (featuring 25 Vee-Jay tracks and all tracks of the first two Riverside LPs)
Little Walter – Boom Boom 1952-1960 - JASMCD 3015/6 Muddy Waters – Natural Born Lover 1953-60 - JASCD 3017/8 Howlin’ Wolf – The Wolf is at your door 1951-1960 (Chess) - JASCD 3020/1
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THE Blues Giants of the 1950s
Available CDs by ROY BROWN (as of amazon.co.uk May 4, 2015)
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The R&B Pioneers Series .- Volume Five of twelve
THE Blues Giants of the 1950s
…. and then Some More (including CDs and some LPs)
The R&B Pioneers Series .- Volume Five of twelve
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THE Blues Giants of the 1950s
JOHN LEE HOOKER – The World’s Greatest Blues Singer (and a 2016 bootleg)
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The R&B Pioneers Series .- Volume Five of twelve
THE Blues Giants of the 1950s
Soul Jam public domain http://souljamrecords.com/
The R&B Pioneers Series .- Volume Five of twelve
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THE Blues Giants of the 1950s
JOHN LEE HOOKER
"The Boogie Man" – “Father of Blues” - "Po´ Slim" - "The Hook" "The Blues Giant" - Guitarist and modern urbanized country blues singer, with roots in the rich Delta tradition. Charter member of the Blues Foundation Hall of Fame in 1980, and inducted into the Rock and Roll Hall of Fame in 1991. Hooker left Mississippi and moved to Memphis in circa 1933. He soon "hoboed" again - this time he spent a period in Knoxville, Tennessee and arrived in Cincinnati, Ohio in circa 1935, singing the blues and working with gospel groups. The years between 1939 and 1943 are unaccounted for (except for a short spell in the army). He started his career with his arrival in Detroit in circa 1943. In the evenings of the mid 1940s John got small jobs at the clubs around Hastings Street (like Forest Inn and Club Basin). Legend has it: T-Bone Walker handed Johnny Lee the first electric guitar, as John became T-Bone's "kid" when T-Bone was working in Detroit during 1946-48. "Johnny Lee" (as most of his friends called him) invented his own "unique" style (non-rhyming, sometimes outof-rhythm) and was introduced in 1948 to Bernie Besman (of Sensation Records at Woodward Avenue; and co-owner with John Kaplan of the Pan American Record Co.) by Elmer Barbee, Hooker´s original "manager", who "discovered" Hooker playing with his trio at the "Apex" bar on Monroe Street (although "legend" says Besman "discovered" Hooker at Lee Sensation´s bar "Russell & Orange" - or at the "Monte Carlo"). Barbee continued to promote Johnnie, after the Besman introduction, for other record labels, mostly recording in Barbee´s record shop at 609 Lafayette Street, but the main records of Hooker´s up into 1952 were recorded by Bernie Besman at United Sound Studios Inc. at 5840 2nd Blvd. Besman leased several tracks to the Bihari brothers (Modern - of Hollywood) and soon issued others on Sensation. Almost a hundred alternates and variations were "kept in the can" and later issued on album compilations.
Detroit (including Bob Thurman and sometimes Vernon "Boogie Woogie Red" Harrison, pno; Tom Whitehead, dms; Jimmy Miller, tpt; and Johnny Hooks and later Otis Finch, sax). Hooker´s contract with Modern was terminated around mid or late 1955 (Hooker made some Specialty recordings in mid and late 1954, but the Modern recordings continued for a little longer). Hooker signed a contract with Vee-Jay Records around October 1955 and switched recording locations to Chicago (Universal Studios) during 1955 1964 (with Jimmy Bracken, Ewart Abner and Calvin Carter producing - later also Al Smith). From 1965 Hooker regularly recorded in New York, due to his new-signed contract with ABC Records after Vee-Jay´s bankruptcy (the first couple of albums produced by Bob Thiele). Hooker moved to Oakland, California in 1970 (something he had longed for, and came natural after his separation with his long-time wife Maude Mathis). He regularly recorded in Los Angeles and San Francisco during the early ´70s often produced by Ed Michel. His accompanying Coast To Coast Blues Band of the Frisco/L.A. area (with several famous white rock musicians) backed him in the ´70s (and variations including his son Robert Hooker, Luther Tucker on guitar and later Deacon Jones on keyboard toured with him during the ´80s and ´90s). Hooker settled in the San Francisco Bay suburbs during the ´90s. The Blue Rose organization from 1989 (making Hooker a rich man during later years): manager Mike Kappus, producer Roy Rogers, artist JlH.
Born: August 22, 1912 (or poss 1917) in Tutwiler, Tallahatchie County, south of Clarksdale, Coahoma County, Mississippi. Several other birth dates have been offered (from 1912 – 1923). Died in his sleep in Los Altos (outside San Francisco), California on the morning of June 21, 2001. First recordings: Elmer Barbee demo recordings June 12, 1948 Rocks (unissued); ca August, 1948 Leavin´ Chicago and Wednesday Evening Blues (both unissued), plus demos of (When) My First Wife Left Me (later re-recorded as Driftin’ From Door To Door – Modern 714, issued October, 1949). Note: War Is Over and She Was in Chicago below are remakes of the two first. Records for: Modern 48-55, Sensation 49-40, several pseudonym recordings for a.o. King, Gotham, Chess, DeLuxe and Fortune 4854, Specialty 1954, Vee-Jay 55-65, Riverside 1959-1960, Impulse 1965, Chess 1966, ABC/Bluesway 66-74, Chameleon 1989, Pointblank 90-98. Eagle 2003, Shout!Factory 2006-. Hooker’s first regular recording session: (Hooker vcl/gtr)
After Hooker´s success with "Boogie Chillen´" (later known as "Boogie Chillen" Hooker started "moonlighting" under different pseudonyms for other Detroit producers, especially for manager Elmer Barbee and for Joe Von Battle in Joe´s Record Shop at 3530 Hastings Street. Records were issued as Texas Slim, Birmingham Sam, John Lee Booker, Johnny Williams, and several other pseudonyms. The first issue was “Black Man Blues” c/w “Stomp Boogie” on King. In 1951 and 1952 JLH cut two sessions direct for Chess Records in Chicago and Detroit - experts still argue if it was Bernie Besman, Joe Von Battle, Elmer Barbee or Leonard Chess who produced the sessions. In between the classic Chess recordings Hooker waxed his biggest hit, "I´m In The Mood" for Besman (still leased to Modern Records) in Detroit on August 7 of 1951. He toured with guitarist Eddie Kirkland especially during 5153. Besman moved to Los Angeles in mid 1952, and Joe Bihari had to travel to Detroit and Joe Siracuse for further recordings. JLH worked with his own band from 1953 - the Boogie Ramblers in
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United Sound Studios, Detroit ca September 1948 Bernie Besman, producer; Joe Siracuse, engineer. Recorded under contract with Besman - the first single leased to Modern, issued on November 3, 1948. B 7003 Sally May (aka Sallie Mae) - Modern 627, Crown LP 5353 Sally Mae (alternate) - Crown LP 5157 B 7004 War Is Over (Goodbye California) (aka Highway Blues or Highway 51) - Specialty LP 2127 See, See Baby (alternate of above) – Greene Bottle LP 3130 B 7005 She Was In Chicago (aka Wednesday Evening Blues) – United Artists LP 5512 Crazy ´Bout That Woman (alternate of above) – Greene Bottle LP 3130 B 7006 Boogie Chillen' (aka Boogie Chillen) - Modern 627, Crown LP 5157 Henry´s Swing Club (alternate of above) - Specialty LP 2127 Johnny Lee´s Original Boogie (prob first take) – United Artists LP 127 Same session B 7007 Drifting From Door To Door - Modern 714, Crown LP 5232 B 7008B Hobo Blues - Modern 663, Crown LP 5157 Long, Long Way From Home (alternate of above) – United Artists LP 127 B 7009 Numbers Blues (aka Playin´ The Numbers) - Ace CD CHD 799 She Ain´t Good For Nothin´ (alternate of above ) – Greene Bottle LP 3130 B 7010? Alberta - Specialty LP 2125 B 7011 Howlin´ Wolf (aka I´m A Howling Wolf) - Modern 730, Crown LP 5353 B 7012 Crawling King Snake (aka Crawlin’ Kingsnake Blues) - Modern 714, Crown LP 5157 I Rule My Den (alternate of above) – United Artists LP 127
Note: Drifting.. and Hobo Blues may be Barbee recordings from mid 1948 handed over to Besman. When Besman sent his first tapes to Modern in late 1948 he offered the Boogie Chillen´-session and at least one take of all ten songs above. Some evidence point to the fact that the alternate of Numbers Blues, Well I Got To Leave (from ca. December 1949), issued on United Artist LP 127, is actually the alternate of the above and the alternate listed here is from the 1949 session.
The R&B Pioneers Series .- Volume Five of twelve
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The Most Essential and Best CD: Hooker (4CD box-set covering 1948-1998) - Shout!Factory 826663-10198 (2006) Interesting 2CD compilations (whole career): John Lee Hooker Anthology: 50 Years - Shout!Factory 826663-11289 (2009) John Lee Hooker Gold – Hip-O/Chess CD 8590 (2007) The Ultimate Collection: 1948-1990 – Rhino R2 70572 (1991) 1CD-Collections: The Very Best of … - Rhino R2 71915 (1995) The Definitive Collection - Hip-O/Universal CD 6127 (2006) The Best of JLH 1965 to 1974 – MCAD-10539 (1992) That’s My Story/The Folk Blues of.. – Ace CDCHD 927 (1990) Editor’s Choice: Testament – Charly (4CD-set) SNAJ 705CD with 60 great Vee-Jay tracks (2001) For the Collector: Blues King Pins – Blues Immortal – Virgin 82741 (Modern recordings 1948-1955) (2003) Live at the Cafe au Go-Go (and Soledad Prison) - Universal MCD 11527 (Bluesway recordings August, 1966 and in 1972) (1996) Travelin’ (reissue of a 1960 LP) – Collectables CD 7101 (2000) – also issued on Charly/Snapper SNAP 145CD with bonus tracks (2003) Burnin’ (reissue of a 1962 LP) – Collectables CD 7106 (2000) - alos issued on Charly/Snapper SNAP 041CD with bonus tracks (2003) The Boogie Man – Charly 4CD “Digi-Book” CD DIG 5 - covering Chess, Vee-Jay and several rare tracks 1948 – 1966 (1994) The Boogie Man (4CD-set) – Properbox 111 (1948-1955 with Modern and pirate recordings) (2006)
JOHN LEE HOOKER, vocals/guitar “GREAT-EIGHT” 1. John Lee Hooker & His Guitar - Detroit, ca September, 1948: B 7006 Boogie Chillen' - Modern 627 (#1, total 18w in 1949) 2. John Lee Hooker (featuring Eddie Kirkland, gtr) - Detroit, August 7, 1951: MM 1636 I'm In The Mood - Modern 835 (#1, 15w) 3. (featuring Eddie Taylor, gtr) - Chicago March 17, 1956: 56-445 Dimples - Vee-Jay 205 4. (featuring Sam Jones, bs, Louis Hayes, dms) - New York, February 8, 1960: 321 Gonna Use My Rod - Riverside LP 321 5. (featuring Lefty Bates, gtr) - Chicago, March 1, 1960: 60-1384 No Shoes - Vee-Jay 349 (#21, 2w) 6. (featuring Joe Hunter, pno and Hank Cosby, sax) - Chicago, ca December 1961: 61-2204 Boom Boom - Vee-Jay 438 (#16, 8w total in 1962) 7. (from last Vee-Jay session) - Chicago, ca mid 1964: 64-4424 It Serves Me Right (To Suffer) - Vee-Jay 708, 1965 8. (featuring Lafyaette Leake, pno, Eddie Burns, gtr) - Chicago, May 1966: 14778 House Rent Blues – unissued (released on Chess CD 9329, 1991)
First LP: I’m John Lee Hooker – Vee-Jay 1007 (1959) Reading: Boogie Man - The Adventures of John Lee Hooker by Charles Shaar Murray (Viking, 1999) Delta Blues by Ted Gioia (W W Norton, 2008)
The Very Best of the Rest:
The very first LPs: 1959 1959 1959 1960 1960 1960 1960 1961 1961 1961 1962 1962 1962 1962 1963 1963 1963 1963 1963 1964 1964 1965 1965 1966 1966 1967
I’m John Lee Hooker – Vee-Jay 1007 The Country Blues of JLH – Riverside 12-838 House of the Blues – Chess 1438 The Blues – Crown 5157 That’s My Story – Riverside 12-321 Travelin’ – Vee-Jay 1023 Sings Blues – King 727 Plays and sings the Blues – Chess 1454 The Folk Lore of JLH – Vee-Jay 1033 Sings The Blues – Crown 5232 Folk Blues - Crown 5295 Burnin’ – Vee-Jay 1043 John Lee Hooker (“Lost My Job”) – Galaxy 8201 The Best of JLH – Vee-Jay 1049 The Great John Lee Hooker – Crown 5253 The Big Soul of JLH – Vee-Jay 1068 Don’t Turn Me From Your Door – Atco 33-151 On Campus – Vee-Jay 1066 Live at Sugar Hill – Galaxy 8205 Concert at Newport – Vee-Jay 1078 Burning Hell – Riverside (UK) RM 008 … And Seven Nights – Verve-Forecast FT 3003 Is He The World’s Greatest Blues Singer – Vee-Jay 8502 It Serve You Right To Suffer – Impulse AS 9013 The Real Folk Blues – Chess 1508 Original Folk Blues – Kent 5025
R&B Top 10 Hits: (5 of 9 Top 40) 1949 Boogie Chillen´ #1 for 1w 1949 Hobo Blues #5 1949 Hoogie Boogie #9 1949 Crawling King Snake #6 1951 I´m In The Mood #1 for 4w
1949 1950 1950 1950 1951 1951 1951 1953 1954 1954 1954 1954 1955 1955 1956 1956 1956 1957 1957 1958 1959 1959 1959 1960 1960 1961 1961 1961 1962 1962 1963 1963 1964 1965 1966 1967 1967 1970 1970 1974 1986 1989 1997
Moaning Blues (as Texas Slim) Wandering Blues (as Johnny Williams) Give Me Your Phone Number Huckle Up Baby John L´s House Rent Boogie Leave My Wife Alone (as John Lee Booker) Just Me And My Telephone Boogie Rambler Stuttering Blues (as John Lee Booker) It´s My Own Fault Half A Stranger I´m Mad The Syndicator Hug And Squeeze (You) Every Night Dimples Baby Lee I´m So Excited I See You When You’re Weak I Love You Honey Tupelo (Riverside) Hobo Blues (The Hobo) (VeeJay) Maudie I Need Some Money No Shoes Teachin´ The Blues Don´t Turn Me From Your Door Want Ad Blues Boom Boom Frisco Blues (San Francisco) Birmingham Blues Don´t Look Back It Serves Me Right To Suffer Bottle Up And Go One Bourbon, One Scotch, One Beer I´m Bad Like Jesse James Mr Lucky Burning Hell (w. Canned Heat) House Rent Boogie (Blues) Homework We´ll Meet Again The Healer Frisco Blues (from Don’t Look Back)
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THE Blues Giants of the 1950s
JOHN LEE HOOKER - ONE RECORD PER YEAR 1948 – 1967
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1964
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1961
1965
1962
1963
1966
1967
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THE Blues Giants of the 1950s
Hooker’s interesting “Real Folk Blues” sessions
Recorded in Chicago, May 1966 - Ralph Bass, producer; Marshall Chess, supervision featuring Hooker, vcl/gtr; Lafayette Leake, pno/org; Eddie Burns, gtr; unkn, b and tamb; S.P. Leary or poss. Fred Below, dms "The Real Folk Blues" Chess LP 1508, issued 1966 – with 9 tracks, several reissues - even one as "More Real Folk Blues" "More Real Folk Blues - The Missing Album" MCA/Chess CD CHD9329 American and European issues 1991 - 9 new tracks Ralph Bass did not record in stereo - Image of the European issue inserted bottom left.
These two albums reissued on one CD titled "The Complete Chess Folk Blues Sessions" in Europe on MCA MCD-18335 in 1991 and "The Real Folk Blues / More Real Folk Blues" in US on MCA/Chess 112821 in 2002.
Tracks:
(The 18 tracks have master numbers U 14761 through U 14778; although not in track order as below)
I’m InThe Mood / Let’s Go Out Tonight / Peace Lovin’ Man / Stella Mae / I Put My Trust In You / You Know, I Know / I’ll Never Trust Your Love Again / One Bourbon, One Scotch, One Beer / The Waterfront // Lead Me (You Can Lead Me Baby) / Noboyd Knows / Deap Blue Sea / I Can’t Quit You Baby / Mustang And GTO / House Rent Blues / Catfish Blues / Want Ad Blues / This Land Is Nobody’s Land
New 10CD Box “Public Domain” on Documents (issued in Nov 2015)
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THE Blues Giants of the 1950s
Real Gone Music’s Hooker Box
“Burning Hell” (1964 – not 1958) Riverside "I'm John Lee Hooker” (1959) Vee-Jay "Travelin'” (1960) Vee-Jay "That's My Story” (1960) Riverside "Sings Blues” (late 1960 – not 1961; reissued 1968) King "The Folklore Of John Lee Hooker” (1961) Vee-Jay "Burnin'” (1962 - not 1961) Vee-Jay "Folk Blues” (1962) Crown Note: Sadly the Real Gone boxes lack bio/disco information.
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THE Blues Giants of the 1950s
JOHN LEE HOOKER’s CROWN LPs and their U.S. reissues Images number four are examples of European issues. Both Crown, United and Kent issued most of Hooker’s LPs also listed in fake “Stereo”.
“The Blues” on Crown CLP-5157 (1960); United/Superior US-7725 (ca 1970) and its alternate pressing; plus a French issue on America.
“Sings The Blues” on Crown CLP-5232 (1961); two versions of United/Superior US-7710 (1969) “Driftin’ Thru The Blues”; the 1966 issue of Custom LP 1048 (a Bihari label); and the British issue on Ember.
“Folk Blues” on Crown CLP-5295 (1962); two versions of United/Superior US-7729 (ca 1971); and the French issue on Goody.
“The Great” on Crown CLP-5353 (1963); “The Great Blues Sounds of” on United/Superior US-7731 (ca 1971) and its United cover; plus a European (or Japanese?) “The Great” release.
Hooker’s two Kent LPs (a Bihari label): “Original Folk Blues” on Kent LP 5025 (KST 525) (1967); the United US 7746 (ca 1972); plus Kent LP “The Greatest Hits of” on Kent KST 559 (1971), and its reissue on United 7769 (in ca 1974) – the latter two are reissues of Crown’s “The Blues”.
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THE Blues Giants of the 1950s
12 Blues Giants – and some of their famous early “side-men” - part 1
T-Bone with Freddie Slack, “Stormy Monday-lineup”, Lloyd “Mr. 88” Glenn, and Maxwell Davis.
Big Joe with Pete Johnson, Wild Bill Moore, Harry Van (Vann) “Piano Man” Walls, and Sam ”The Man” Taylor.
Fulson with Lloyd “Mr, 88” Glenn, David “Fathead” Newman, and Maxwell Davis.
Roy Brown with Paul Gayten, Leroy “Batman” Rankin (no image), “Buddy” Griffin (pno), Jimmy Griffin (tromb), Edgar Blanchard, and Lee Allen.
Johnnie Lee with Eddie Burns, Eddie Kirkland, William “Lefty” Bates, and Joe (Edward) Hunter.
Muddy with Sunnyland Slim, Jimmy Rogers, Otis Spann, James Cotton, Pat Hare, plus Francis Clay and James “Pee Wee” Madison.(no images).
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The R&B Pioneers Series .- Volume Five of twelve
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12 Blues Giants – and some of their famous early “side-men” - part 2
“Sonny Boy” with Robert Jr. Lockwood, Lafayette Leake, and Odie Payne Jr.
Wolf with Willie Dixon, Willie Johnson, Ike Turner, Hubert Sumlin, and Henry Gray.
Elmo with Little Johnny Jones, J. T. Brown, and Johnny “Big Moose” Walker.
Little Walter with Louis and David Meyers, Fred Below, Robert Jr. Lockwood, and Luther Tucker.
Jimmy Reed with Eddie Taylor, Lefty Bates, Earl Phillips, and Mary “Mama” Reed.
B.B. with Johnny Ace, Earl Forest; Bill Harvey (no image); Willard McDaniel: Maxwell Davis, Willard Lee, Johnny Board, and Bobby Forte (no images), plus Sonny Freeman.
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THE Blues Giants of the 1950s
GIANTS OF CHICAGO BLUES – early LPs on Chess and Vee-Jay, plus
Chess LP 1427, Chess/Checker LP 1428 (1957), Chess LP 1434 (1958), Vee-Jay LP 1004 (August 1958); Checker LP 1437 (early 1959), Vee-Jay LPs 1007 (1959), 1008 (September 1959), Chess LP 1444 (early 1960); Vee-Jay LP 1022, SR 1023 (1960), Chess LPS 1449 (1960), Vee-Jay LP 1025 (1961); Vee-Jay LP 1033, 2SR 1035 (1961), SR 1039 (1961 reissue of one half of SR 1035), SR 1043 (early 1962); Chess LP 1469 (1962), Vee-Jay LPs SR 1049, SR 1050 (1962), SR 1058 (1963). Next page: - note there are several more Vee-Jay LPs by Reed and Hooker after 1963, although the Chess LPs feature more vintage recordings. Vee-Jay LPs SR 1066, SR 1067, SR 1072 (1963), Chess LP 1483 (early 1964); Chess LPs 1501, 1502, 1503 (1965), SphereSound LP 7002 (1965); Chess LPs 1507, 1508, 1509, 1511 (1966); Chess LP 1512 (1967), Checker LP 3004 (1967 reissue of 1428), Chess LPs 1535, 1536 (1969); Chess LPs 1537 (1969); 1539 (1969 reissue of 1427), 1540 (1969 reissue of 1434), 1553 (1970); Chess LP 407 (1970), Chess-GRT LPs CHV 416 (1974); CHV 417, CHV 418 (1975). Images right: The European issues of Chess 1444 (“Muddy Waters sings the songs of Big Bill Broonzy”, and 1503 (“Sonny Boy Williamson In Memorium”(.
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THE Blues Giants of the 1950s
Twelve Great Blues Singers – Twelve Favorite Blues Songs rder.
T-BONE WALKER
JOE TURNER
That’s Better For Me
New York October 12, 1946 National 9100 (issued 1950)
T-Bone Walker, vcl/gtr:
Joe Turner, vcl:
Rockin’ At Midnight
JOHN LEE HOOKER
Los Angeles prob early 1955 Modern 966 (issued August 1955)
Roy Brown, vcl;
John Lee Hooker, vcl/gtr; feat Otis Finch, tensax;
feat Leroy “Batman” Rankins, tensax
Bob Thurman, pno; Tom Whithead, dms
“SONNY BOY” WILLIAMSON
HOWLING WOLF
No Nights By Myself
Brown Skin Woman
Sonny Boy Williamson, vcl/hca;
West Memphis, AR February 12, 1952 from Crown CLP 5240 (1961)
Jackson, MS November 2, 1954 Ace 511 (late 1955 purchased from Trumpet)
LITTLE WALTER and his Night Caps
JIMMY REED
Sad Hours
Take Out Some Insurance
Chicago March 26, 1959 Vee-Jay 314 (issued June 1959)
with Rythm Accompaniment
I Can’t Be Satisfied
I Feel Like Going Home Chicago c. December 1947 Aristocrat 1305 (issued 1948) b/w
Muddy Waters, vcl/gtr; Big Crawford, bs
ELMORE JAMES
and his “Broomdusters”
Standing At The Crossroads
(aka Chocolate Drop)
Howling Wolf, vcl/hca; Ike Turner, pno; Wille Johnson, gtr, unknown bs; Willie Steel, dms
Dave Campbell,pno; J.W. Turner,gtr; Johnny Morgan,bs; Junior Blackman, dms
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MUDDY WATERS
Hug And Squeeze
New Orleans January 1949 DeLuxe 3212 (#2 March 1949)
Louis Myers, Dave Myers, Fred Below (or poss. Muddy Waters, Jimmy Rogers, Below)
Lowell Fulson, vcl/gtr; feat Earl Brown, altsax:; Otis Spann, pno; Willie Dixon, bs; prob Fred Below, dms
feat Ike Perkins, pno; Red Saunders, dms
with his Mighty-Mighty Men
Little Walter, hca;
Chicago Jan 13, 1955 Checker 812 (#14 May 1955)
(Wee Baby Blues)
with orchestra lead by George Orendorff (tp). Bumps Myers, tensax; Willard McDaniel, pno; Billy Hadnott, bs; Oscar Lee Bradley, dms.
Chicago October 1952 Checker 764 (#2 January 1953)
Loving You
New Oh-Wee Baby Blues
Los Angeles November 12, 1947 Black & White 126 (issued 1948)
ROY BROWN
LOWELL FULSON
Los Angeles c. August 1954 Flair 1057 (issued late 1954)
Elmore James, vcl/gtr; James Parr, tpt; Maxwell Daivs and Jewl Grant, saxes; Willard McDaniel, pno; Ralph Hamilton, bs; Jesse Sailes, dms
B. B. KING
Don’t You Want A Man Like Me
(the song was re-recorded – totally different – in 1954)
Jimmy Reed, vcl/gtr;
Lefty Bates and Eddie Taylor, gtrs; Earl Phillips, dms
Memphis January 8, 1951 RPM 318 (issued c. March 1951) B. B. King, vcl; E. A. Kamp, tensax; Ford Nelson, pno; James Walker, bs; Solomon Hardy, dms
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THE Blues Giants of the 1950s
Same Twelve Great Blues Singers …. Some More Favorites
T-BONE WALKER and his Orchestra
rder.
Travelin’ Blues
Los Angeles April 7, 1950 Imperial 5094 (autumn 1950) T-Bone Walker, vcl/gtr; with orchestra lead by Jim Wynn (saxophone)
ROY BROWN
Rocking All The Time
Memphis 1960 Home of the Blues 110 (issued 1960) Roy Brown, vcl; feat Willie Mitchell, tp; Jimmy Mitchell, tensax; Joe Hall, pno; Al Jackson, dms
JOE TURNER and his BLUES KINGS
Los Angeles 1965 Kent 431 (#11 Dec 11965)
Johnny Jones, pno; Red Saunders, dms
feat Maxwell Davis, arr/pno
JOHN LEE HOOKER
Muddy Waters, vcl/gtr; Junior Wells, hca; Jimmy Rogers, gtr; Willie Dixon, bs; Fred Below, dms
John Lee Hooker, vcl/gtr;
Chicago January 30, 1960 Chess 1762 (issued 1960)
ELMO JAMES
Fine Little Mama
New York May 23/24 1960 Fire 1031 (issued late 1960)
- image shows reissue -
Howlin’ Wolf, vcl; Abe Locke, tensax; Hosea Lee Kennard, pno; Hubert Sumlin and Abraham Smothers, gtrs; S.P. Leary, dms.
(Mannish Boy)
Chicago May 24, 1955 Chess 1602 (#5 July 1955)
Wliiam “Lefty” Bates, gtr; Quinn Wilson, bs; Earl Phillips, dms; poss. Pops Staples, gtr
Sonny Boy Williamson, vcl/hca;
Chicago December 1959 (unissued) from MCA/Chess CD 2-9357 (1995)
Manish Boy
I’m Going Upstairs
Howlin’ For My Darling
You’re Sweet
MUDDY WATERS and his guitar
Chicago January 4, 1961 Vee-Jay 379 (issued February 1961)
It’s Sad To Be Alone
LITTLE WALTER
Lowell Fulson, vcl/gtr;
Joe Turner, vcl: feat Elmore James, gtr;
HOWLIN’ WOLF
Otis Spann, Robert Jr Lockwood, Luther Tucker, Willie Dixon, Fred Below
Black Nights
TV Mama
Chicago October 7, 1953 Atlantic 1016 (#6 Jan 1954)
SONNY BOY WILLIAMSON
Chicago January 30, 1960 Checker 943 (issued 1959)
LOWELL FULSOM
Elmore James, vcl/gtr; James Parr, tpt; Maxwell Daivs and Jewl Grant, saxes; Willard McDaniel, pno; Ralph Hamilton, bs; Jesse Sailes, dms
JIMMY REED
B. B. KING
Blue Blue Water
(from BluesWay LP 6011 “Blues on Top of Blues”)
Paying The Cost To Be The Boss Chicago September 14, 1967 BluesWay 61015 (#10 April 1968)
(studio recording – not “Carnegie”)
Little Walter, vcl/hca;
Chicago August 24, 1959 from Vee-Jay 2LP 1035 (Oct 1961)
Robert Jr Lockwood and Luther Tucker, gtrs; Willie Dixon, bs; George Hunter, dms
Eddie Taylor and Phil Upchurch, gtrs; Earl Phillips, dms
Jimmy Reed, vcl/hca/gtr;
B. B. King; vcl/gtr;; Johnny Pate, arr/cond Henry Boozier, John Browning, Hobart Dotson, tpts; Pluma Davis, tb; Lawrence Burdine, Johnny Board, Barney Hubert, saxes: Duke Jethro, org; Leo Lauchie, bs; Sonny Freeman, dms
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THE Blues Giants of the 1950s
KING OF CHICAGO BLUES - The Hoochie Coochie Man
Inserted: Robert Palmer’s fine book “Deep Blues” (1981)
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MUDDY WATERS: NEW CDS
Not Now 3CD Box (2015)
SoulJam 1CD (2015) + insert: You Shook Me (Hip-O-Select 2013)
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THE Blues Giants of the 1950s
MUDDY WATERS Essential CDs: The Anthology (2CD) - Chess 112649 - 50 great chronological tracks (2001) or Gold (2CD) – Universal (2007) The Definitive Collection – Geffen CD 6273 (2006) or His Best 1947-1955 - MCA/Chess CHD 9370 and His Best 1955-1964 - CHD 9380 (a total of 40 great tracks, 1997) or The Chess Box (3CD) - MCA/Chess CHD3-80002 (1990) For Collectors: Rollin´ Stone - The Golden Anniversary Collection (1947-1952) - MCA (2CD) 088 112301-2 (2000) and Hoochie Coochie Man - The Complete Chess Masters, Volume Two (1952-1958) - Hip-O Select (2CD) 0002758-02 (2004) You Shook Me – The Complete Chess Masters, Volume Three (1958-1963) Hip-O-Select (2CD) B0017581-02 (2013) One More Mile – Chess Collectibles Vol 1 (2CD) – Chess 9348 (1997) Authorized Bootleg - Geffen/Chess B0012650-02 or 2517-98291 (2009) (live recordings with his band from 1966 feat. George Smith, hca) - you simply have to purchase the above - it's prob the best ever live record
Breakin' It Up, Breakin' It Down - Waters, Winter, Cotton - Epic CD 07283 (great new-found live stuff from BlueSky, 2007) King of Chicago Blues – Properbox #102 (4CD 194157) (2006) "King of Chicago Blues" - "Dreamy Eyes" - Singer/guitarist and Chicago Bar Blues Patriarch, who heavily influenced the British blues boom of the early ´60s. Switched from the harmonica to guitar in the early ´30s. Was stationed near Clarksdale during the ´30s and arrived in Chicago in 1943 calling himself "Muddy Water" (without the s-ending). Was introduced to the Chess brothers Leonard and Phil by "Bluebird" pianist Sunnyland Slim. Muddy modernized (and internationalized) the pre-war Delta country blues, first with his Hoochie Coochie Men in the ´50s and later internationally with his Chicago Blues Band. Some pressings of "I'm Your Hoochie Cooche Man" titled "I'm Your Hoochie Kooche Man" (and later retitled "Hoochie Coochie Man"). Some important members: Little Walter, hca; Jimmy Rogers, gtr; Otis Spann, pno: and later James Cotton, hca; George Smith, hca; Pat Hare, gtr; James Madison, gtr; Sammy Lawhorn, Luther "Georgia Boy" Johnson, gtr; Luther “Guitar Jr.” Johnson, and Pinetop Perkins, pno. His most famous drummers were Elga Edmonds, Fred Below, Francis Clay, S. P. Leary, and Willie Smith. Muddy toured heavily and several of his band members were regular session men for other Chicago acts or made a career as soloists. Charter member of the Blues Foundation Hall of Fame in 1980, and inducted into the Rock and Roll Hall of Fame in 1987. Born: McKinley A. Morganfield, April 4, 1913 (not April 14, 1915 as stated earlier), Jug’s Corner Comm, Issaquena County, near Rolling Fork, Miss. Died April 30, 1983, Chicago, Ill. First recordings: Stovalls Plantation near Clarksdale, 1941 Country Blues / I Be´s Troubled - Library of Congress AAFS 18. First in Chicago: 1946 Mean Red Spider with James Carter - 20th Century 20-51B; and late 1947 Gypsy Woman - Aristocrat 1302 (as Muddy Water with Sunny Land Slim). First Chess: February 1950 Rolling Stone - Chess 1426. Records for: Library of Congress 41-42, Aristocrat 47-50, Chess 50-75, Blue Sky 76-80.
Muddy's harp players on stage: Before 1947: Little Johnny Jones and later Jimmy Rogers; 19471952: Little Walter; 1952: Little Junior Wells; 1953: Big Walter "Shakey" Horton, who also occasionally played with Muddy on later dates; 1953-1954: Henry "Pot" Strong; 1954: Little George "Harmonica" Smith; 1955: Junior Wells and later Elgie "Little Sonny" Willis; 1956-1959: James Cotton, who stayed with Muddy for several dates up to the mid´' 60s - sometimes substituted by Little Walter. Other stand-ins - 1959: Willie Anderson; 1960-1966: George "Mojo" Buford; New players - 1966-1967: George Smith; 1967-1971: Paul Oscher with 1968 and 1970 stand-in Birmingham Jones; 1970 and early 70s: Carey Bell with stand-ins James Cotton, George Smith, and Mojo Buford; 1974-1980: Jerry Portnoy.
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Editor’s Choice: The Complete Muddy Waters 1947-1967 (9CD) - Charly CD RED Box 3 (1992) and The Chronological Muddy Waters 1941-1947 - Classics 5008 (2001)
Reading: Muddy Waters - The Mojo Man by Sandra B Tooze (ECW Press, 1997) and Can´t Be Satisfied - The Life and Times of Muddy Waters by Robert Gordon (Little, Brown and Co, 2002)
First LP: The Best of Muddy Waters – Chess LP 1427 (1957) MUDDY WATERS, vocals/guitar “FINE-NINE” 1. Muddy Waters with Rythm Accompaniment (sic) - Chicago, April 1948: U 7112 I Can't Be Satisfied - Aristocrat 1305 2. Muddy Waters and his Guitar (featuring Little Walter, hca) - Chicago January 23, 1951: U 7304 Long Distance Call - Chess 1452 (#8, 1w total) 3. (featuring Little Walter, hca, Jimmy Rogers, gtr, Otis Spann, pno - Chicago, January 7, 1954: U 7589 I' m Your Hoochie Cooche Man (Hoochie Coochie Man) - Chess 1560 (#3, 13w) 4. (featuring Little Walter, hca; Fred Below, dms) - Chicago, April 13, 1954: U 7630 Just Make Love To Me (I Just Want To Make Love To You) Chess 1571 (#4, 13w) 5. (featuring Junior Wells, hca) - Chicago, May 24, 1955: U 7846 Manish Boy (Mannish Boy) - Chess 1602 (#5, 6w) 6. Muddy Waters (featuring Little Walter, hca plus Pat Hare and Hubert Sumlin, gtrs) - Chicago, December 1, 1956: 8389 Rock Me - Chess 1652 (1957) 7. (feat James Cotton, hca, Otis Spann, pno) - Chicago, June 1959: 9504 Take The Bitter With The Sweet - Chess 1733 8. (featuring Cotton, Spann and Pat Hare, gtr) - Newport, R.I. July 3, 1960 originally recorded in January 1957 with Little Walter on hca for a 1957 single, but this is the live (and greater) version 10544 Got My Mojo Working (Parts 1 and 2) - Chess LP 1449 & pt 1 on single 1774 (1960) 9. (featuring Spann, Buddy Guy or PeeWee Madison, gtr) - Chicago, April 9, 1964: 13151 You Can’t Lose What You Ain’t Never Had - Chess 1895
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THE Blues Giants of the 1950s
R&B Top 10 Hits: (14 of 16 Top 40) 1951 Louisiana Blues #10 1951 Long Distance Call #5 1951 Honey Bee #10 1951 Still A Fool #9 1952 She Moves Me #10 1953 Mad Love (I Want You To Love Me) #6 1954 I´m Your Hoochie Cooche Man #3 1954 Just Make Love To Me #4 (I Just Want To Make Love To You) 1954 I´m Ready #4 1955 Manish Boy (Mannish Boy) #5 1956 Trouble No More #7 1956 Forty Days And Forty Nights #7 1956 Don´t Go No Farther #9 1958 Close To You #9 Muddy´s original Chess LPs: 1427 1444 1449 1483 1501 1507 1511 1539
Some of His Other Best Songs: 1941 Country Blues (as McKinley Morganfield) 1946 Hard Day Blues (as McKinley Morganfield) 1947 Gypsy Woman (as Muddy Water with Sunny Land Slim) 1948 I Can´t Be Satisfied 1948 I Feel Like Going Home 1949 Screaming And Crying 1950 Rolling Stone 1950 You´re Gonna Need My Help (I Said) 1955 Sugar Sweet 1956 Rock Me 1957 Got My Mojo Working 1958 She´s 19 Years Old 1959 South Bound Train 1959 Take The Bitter With The Sweet 1960 I Got My Brand On You 1962 You Shook Me 1963 Five Long Years 1963 My Home Is In The Delta 1964 The Same Thing 1964 You Can´t Lose What You Ain´t Never Had 1966 Making Friends 1966 Black Night 1971 Who´s Gonnna Be Your Sweet Man When I´m Gone
The Best of Muddy Waters (1957) Muddy Waters Sings “Big Bill” (Broonzy) (1960) Muddy Waters At Newport (1960) Folk Singer (1964) The Real Folk Blues (1965) Brass And The Blues (1966) More Real Folk Blues (1966) Sail On (reissue of 1427) (1969)
2-127 Fathers And Sons (1969) (reissued on 50033, 1972) 1553 They Call Me Muddy Waters (1970) 60006 McKinley Morganfield AKA Muddy Waters (2-set, 1971) (reissued as LP 203, 1976) 50012 Live (At Mr. Kelly´s) (1972) 50023 Can´t Get No Grindin´ (1972) 60013 The London Muddy Waters Sessions (1972) 60026 London Revisited (w Howlin' Wolf) (1972) 60031 "Unk" In Funk (1974) (reissued on 915313) 60035 The Woodstock Album (1975) 4000 Muddy Waters – Chess Masters (Charly UK 1981) 4006 Muddy Waters Vol. 2 (Charly UK) 4015 Muddy Waters Vol. 3 (Charly UK) 8202 Rolling Stone (Sugar Hill 1982) 9180 Rare & Unissued (1984) 6-80002 Muddy Waters (6-LP box, 1985) 9291 Trouble No More (1989) Cadet 314 Electric Mud (1968) 320 After The Rain (1969) BlueSky 34449 Hard Again (1977) 34928 I´m Ready 35712 Muddy "Mississippi" Waters Live 37064 King Bee
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THE Blues Giants of the 1950s
MUDDY WATERS – His Very Early Singles from 1948 to “Juke”-session 1952 Note: Muddy Water (or Muddy Waters) was co-credited on some records by Sunny Land Slim, and by Leroy Foster, and recorded as side-man on other labels. The 7/51 session was the first one featuring Jimmy Rogers. The flip on Chess 1514 was a reissue of 1305A now titled “Looking for my baby”.
3/48 (rec 47), 6/48 (both sides), 10/48
2/49, 6/49 (both rec 11/48), 11/49 (rec 7/49), 2/50 (rec 9/49)
4/50, 6/50 (both sides – all three recorded 2/50), 9/50 (first one featuring Little Walter; rec 8/50)
11/50 (rec 8/50), 3/51, 7/51 (both rec 1/51), 10/51 (rec 7/51)
12/51 (rec 7/51), 4/52 (both sides – rec 7/51 and 12/51) ), 6/52 (rec 5/52
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The R&B Pioneers Series .- Volume Five of twelve
– the “Juke” session)
THE Blues Giants of the 1950s
Muddy – The Hoochie Coochie Boy & some of his many “authorized” live CDs Authorized Bootleg – Live at Filmore Auditorium Recorded in San Francisco November 4-6, 1966 Geffen/Chess 98291 (2009)
Mojo – The Live Collection
Demon/Music Club MCCD 425 (2000)
Recorded at Washington and at Oregon University, Nov. 1971
with Muddy Waters, vocals and guitar; George “Harmonica” Smith, harmonica; Luther “Georgia Boy/Snake” Johnson, guitar; Sammy Lawhorn, guitar; Mac Arnold, bass: Francis Clay, drums (no piano present – Otis Spann was not present at this session – although he stayed with Muddy up to 1969)
with Muddy Waters, vocals and guitar: George “Harmonica” Smith, harmonica, Sammy Lawhorn, guitar; James “Pee Wee” Madison, guitar; Joe Wilie “Pinetop” Perkins, piano; Calvin “Fuzz” Jones, bass: Willie “Big Eyes” Smith, drums; Bee Houston; guest guitar (one track) Note: Top Cat BFTC 02982 features 12 tracks from these sessions.
Muddy “Mississippi” Waters Live (Legacy Edition)
and in Monthey, Switzerland, November 4, 1976
Recorded at Harry Hope’s Club, Cary, Illinois March 18, 1977 Epic Legacy CD 86559 (2003) 2CD-set with several bonus tracks with Muddy Waters, vocals and guitar; Joe Willie ‘Pinetop’ Perkins,pno/vcl; Jerry Portnoy hca; Johnny Winter gtr/vcl; Bob Margolin gtr; Luther ‘Guitar Junior’ Johnson, gtr/vcl; Calvin Jones, bass; Willie Smith, drums
with Muddy Waters, vocals and guitar; Luther “Guitar Junior” Johnson, guitar; Bob Margolin, guitar; Jerry Portnoy, harmonica; Joe Willie “Pinetop” Perkins, piano; Calvin “Fuzz” Jones, bass (also vocal one track); Willie “Big Eyes” Smith, drums Note: Jazz Helvetica CD02/Landscape LS2908 features 21 tracks from the 1976 session Monthey is located near Montreaux. Music Club wrongly dates the session in April, and “Guitar Juniot” as vocalist on “Dust My Broom”.
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The important profiles of Muddy Waters’ Legendary Blues Band This is a try to establish a sheet covering the members of Muddy Water’s blues band thru the years. All dates are approximative, and as you can see several of Muddy’s side-men returned to the band after short (or longer) periods out elsewhere. The band had several more “short-termed” members. Only the most important are listed (no famous “guests”). When a band-member dit not record with the band he is marked *. Little George Smith and Harmonica Smith are the same individual, but the two Johnsons are really two. Names in bold indicate main period (brackets indicates not regular member). This indicates: not a band member / probably more among those not indicated.
1953/54 (Muddy, Jerome Green, Spann, Henry “Pot” Strong, Elga Edmonds, and Rogers). 1966 and top 1968 (LPs featuring Victoria Spivey and “Snake” Johnson). 1977/78 (top James Cotton, Muddy, Big Walter Horton, Pinetop Perkins, Bob Margolin; bottom Jerry Portnoy, Johnny Winter, “Big Eyes” Smith) Image bottom right: “Live at Ebbets Field” (May 30, 1973) with B.B. King guesting the Muddy Waters Blues Band – CD issued on Klondike KLCD 5025 in 2015.
Harmonica
Piano
Guitar (I)
Guitar (II)
Muddy Waters and His Blues Combo Homer Harris, vocals Alex Atkins, alto sax Oliver Alcorn, tensax Little Walter (also gtr)
James Clarke Sunnyland Slim Little Johnny Jones
1946 – 1949
Ransom Knowling Ernest “Big” Crawford
1950 - 1952
Jimmy Rogers
Elga Edmonds
The Hoochie Coochie Men Otis Spann
Judge Riley Elga Edmonds (aka Elgin Evans)
Jimmy Rogers
Little Walter Little Junior Wells
Drums
“The Roots”
“Baby Face” Leroy Foster (also dms)
Muddy Waters Blues Boys
Big Walter Horton Henry “Pot” Strong * Little George Smith * (Junior Wells)
Bass
Jimmy Rogers
1953 - 1955
(Eddie Taylor)
(Willie Dixon)
Elga Edmonds Fred Below
Andrew “Stephens” Stephenson
Francis Clay Willie “Big Eyes” Smith
Milton Rector Calvin “Fuzz” Jones Mac Arnold Lawrence Sonny Wimberley
S.P. Leary
Sonny Wimberley Calvin “Fuzz” Jones
Willie “Big Eyes” Smith
1956 - ca 1963 James Cotton (Little Walter)
Otis Spann
Pat Hare
Hubert Sumlin Luther Tucker
(George “Mojo” Buford)
The Chicago Blues Band George “Harmonica” Smith James Cotton George “Mojo” Buford Paul Oscher
Otis Spann
James “Pee Wee” Madison Luther “Georgia Boy Snake” Johnson
1964-1968
Sammy Lawhorn
Willie “Big Eyes” Smith
Francis Clay
1969 - 1973 Paul Oscher Carey Bell (James Cotton) George Smith (Junior Wells)
Joe Willie “Pinetop” Perkins
(George “Mojo” Buford)
James “Pee Wee” Madison (Louis Myers) Luther “Guitar Junior” Johnson
The Muddy Waters Blues Band Jerry Portnoy (Walter Horton) (James Cotton) George “Mojo” Buford
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Joe Willie “Pinetop” Perkins
Sammy Lawhorn (Dave Myers) (Hollywood Fats)
1974 - 1981
Luther “Guitar Junior” Johnson
(Fred Below)
“The Hoochie Coochie Boys”
Bob Margolin (Johnny Winter)
(Charles Calmese) Calvin “Fuzz” Jones Willie “Big Eyes” Smith
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Profiles of Muddy Waters’ Legendary Blues Band
Little Walter, Sunnyland Slim, Little Johnny Jones, “Baby Face” Leroy Foster, Jimmy Rogers, Elga Edmonds
Junior Wells, Big Walter Horton, George Smith, Otis Spann, Fred Below, James Cotton
Pat Hare, Francis Clay, Luther Tucker, Willie “Big Eyes” Smith, S. P. Leary, James “Pee Wee” Madison
Sammy Lawhorn, George “Mojo” Buford, Paul Oscher, Luther “Georgia Boy Snake” Johnson, Sonny Wimberley (not pictured), Calvin “Fuzz” Jones
1966 with “guest” Big Mama Thornton (Otis Spann, Sammy Lawhorn, Luither “Georgia Boy Snake” Johnson, Francis Clay, and James Cotton); plus five albums with Muddy’s band featuring Big Mama, George Smith, John Lee Hooker, Otis Spann, and Luther “Georgia Boy Snake” Johnson. Bottom: Joe Willie “Pinetop” Perkins, Luther “Guitar Junior” Johnson, Jerry Portnoy, Bob Margolin
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One rare Muddy Waters album and his “ultimates” American Muddy-fans had to wait until 1989 to get hold of several of Muddy’s mid/late 1950s singles (if they wanted them on album). Europeans didn’t have to wait. At least three albums on the bootleg label Syndicate Chapter had been issued already in the 1970s. Below you’ll find the rare “Trouble No More” album All recordings made in Chicago.
The Ultimate Muddy Waters Collection: The Hip-O-Select CD Series:
MCA/Chess LP/CD CH/CHD 9291 (1989) Tracks:
Rollin´ Stone - The Golden Anniversary Collection (1947-1952) - MCA (2CD) 088 112301-2 (2000)
Sugar Sweet / Trouble No More / All Aboard / Don’t Go No Further / I Love The Life I Live, I Live The Life I Love / Rock Me // Got My Mojo Working / She’s Got It / Close To You / Mean Mistreater / Take The Bitter With The Sweet / She’s Into Something
Discography:
(note that Muddy does not play gtr on any of the tracks)
Muddy Waters,vcl; Little Walter (or poss Walter Horton),hca; Otis Spann,p; Jimmy Rogers,g; Willie Dixon,b; Fred Below,d November 3, 1955 U 7938 Sugar Sweet Chess 1612 (R&B #11) U 7939 Trouble No More 1612 (R&B #7) Muddy Waters,vcl; Little Walter,hca and James Cotton or Walter Horton, hca overdub; Pat Hare and Hubert Sumlin,gs; Willie Dixon,b; Fred Below,d February 2, 1956 8013 All Aboard 1620 This is the flip of “Forty Days & Forty Nights (R&B 7)”. Muddy Waters,vcl; Little Walter,hca; prob Pat Hare and Hubert Sumlin,gs; Otis Spann,p; Willie Dixon,b; Odie Payne,d June 29, 1956 8148 Don’t Go No Farther 1630 (R&B #9)
Hoochie Coochie Man - The Complete Chess Masters, Volume Two (1952-1958) - Hip-O Select (2CD) 0002758-02 (2004)
Muddy Waters,vcl; Little Walter,hca; Pat Hare and Hubert Sumlin,gs; Otis Spann,p; Willie Dixon,b; prob S.P. Leary,d December 1, 1956 8388 A Love The Life I Live (I Live The Life I Love) 1680 8389 Rock Me 1652 Older discographies list James Cotton,hca on above two. January 12 or 16, 1957 8392 Go My Mojo Working 1652 Muddy Waters,vcl; James Cotton,hca; Otis Spann,p; Pat Hare,g; Willie Dixon,b; prob Fred Below,d ca January 1958 8733 She’s Got It 1692 Muddy Waters,vcl; Little Walter,hca; Otis Spann,p; Pat Hare and Luther Tucker,gs; Willie Dixon,b; Francis Clay or George Hunter,d August 1958 8980 Close To You 1704 (R&B #9) Muddy Watera,vcl; Little Walter,hca; Otis Spann,p; Luther Tucker,g; Andrew Stephens,b; Francis Clay,d January 1959 9194 Mean Mistreater 1718 Muddy Watera,vcl; James Cotton,hca; Otis Spann,p; Luther Tucker,g; Andrew Stephens,b; Francis Clay,d June 1959 9504 Take The Bitter With The Sweet 1733 9505 She’s Into Something 1733
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You Shook Me – The Complete Chess Masters, Volume Three (1958-1963) - Hip-O-Select (2CD) B0017581-02 (2013)
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THE Blues Giants of the 1950s More of Muddy’s many Chess US compilation albums
McKinley Morganfield A.K.A. Muddy Waters Chess 60006 (2-set LP 1971); Chess 8202 Rolling Stone (1982) reissued on Chess LP 9101 (ca 1984); the GreenLine/Sugar Hill Italian (not US) 3CD GLP-460 (1989)
Chess 9180 Rare and Unissued (LP/CD 1984), 6-80002 Muddy Waters Chess Box (6LP/3CD 1985), Chess 9348 One More Mile (1997, 2-set CD)
MCA 9370 His Best 1947-1955 (1997), MCA 9380 His Best 1956-1964 (1997), Chess/MCA 11946 The Best Of Muddy Waters (1999), MCA/Chess 1126492 The Anthology (2001)
Hip-O/Universal 48202 … presents Muddy Waters (2003), Geffen CD 6273 The Definitive Collection (2006), Geffen 1554102 Icon (2011)
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MUDDY WATERS - ONE REPRESENTATIVE RECORD PER YEAR 1947 – 1966
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1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1963
1964
1961
(act 1954)
1965
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Snapper “Complete Blues” Series Snapper Music, who have served us with lots and lots of Charly CDs, in later years has launched a “Complete Blues” series - compilations consisting of lovely public domain” CDs. More will probably come.
Please note that the Sonny Boy CD “Good Morning Little School Girl” is by John Lee Sonny Boy Williamson (not “Sonny Boy” II – although it is “Rice” Miller Sonny Boy, who is shown in the sleeve.
find more details and more great blues CDs at http://www.completeblues.com/catalogue/
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THEIR VERY FIRST LPs
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(note: Joe Turner is Atlantic- not Decca – no image available)
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SOME OF THE EARLY CD COMPILATIONS
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PHOTO GALLERY
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(in order of presentation)
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Little Boy Blue – THE HARMONICA WIZARD
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SONNY BOY WILLIAMSON Essential CDs: His Best - MCA/Chess CHD 9377 (20 great chronological tracks, 1997) or Essential Sonny Boy Williamson (2CD) - MCA/Chess CHD2-9343 (1993) and Blues Masters - Storyville STCD 8012 - 17 great November, 1963 European recordings (2001) Editor´s choice: The Chess Years (4CD) - Charly RED Box 1 (1991) plus King Biscuit Time - Arhoolie CD 310 (1989) and Goin´ In Your Direction - Trumpet AA-801 (1991) or Eyesight To The Blind 1951-1954 - Acrobat ACRCD 210 (25 tracks, 2001) For Collectors: Down And Out Blues – Not Now (2CD) NOT2CD356 (2010) - with 32 Trumpet and 16 early Checker
Eyesight To The Blind - Blue City BCCD 811 (30 Trumpet tracks, (2009) or Cool Cool Blues (4CD) - The Classic Sides 1951-1954 - JSP 7766 incl Elmore, and more Trumpet artists (2006)
"Little Boy Blue" - SBW II - "The Harmonica Wizard" - "Sonny Boy" - Harmonica player and bar and "juke joint" blues singer with true roots in the Mississippi and the Arkansas Delta, where he worked with Robert Johnson, Robert Jnr. Lockwood, the young Elmore James, and the Howlin´ Wolf. Influenced and "tutored" James Cotton, Junior Wells, Junior Parker, and Little Walter. Worked with his own radio show at KFFA, Helena, Arkansas from 1941 or 1942. Lived in West Memphis during 1949-1951. He was making radio shows out of Belzoni in Mississippi - and at KWEM in West Memphis. Spread rumours he made his recording debut for United Artists in 1947. Recorded for Lilian McMurry in Jackson, Miss. from the early ´50s (some Trumpet records issued as “Sonny Boy“ Williamson & His Houserockers). Recorded as side-man with Tampa Red in Chicago in September, 1953 – back to Jackson – and to Detroit in 1954 (recording with Baby Boy Warren). Later settled in Milwaukee, Wisc. (with stints in Cleveland and St. Louis). Joined Chess/Checker in 1955, soon backed by such greats as Otis Spann and Lafayette Leake, pno; Robert Jnr. Lockwood and Luther Tucker, gtr; and Fred Below and Odie Payne, dms. A major harp stylist, who adopted the legendary John Lee Williamson´s name before that artist was murdered in Chicago in 1948. Became a legend during his life-time, spending several periods in Europe. Charter member of the Blues Foundation Hall of Fame in 1980. Sonny Boy’s singles on Checker 1955-1956 were issued as “Sonny Boy” Williamson.
Reading: Fessor Mojo´s "Don´t Start Me To Talkin´" by William E. Donoghue (US, 1997) and Spinning Blues Into Gold - The Chess Brothers and the Legendary Chess Records by Nadine Cohodas (US 2000)
First LP: Down And Out Blues – Chess/Checker LP 1437 (1959)
Born: Aleck (Alex) "Rice" Miller (later also known as Willie Williams and Willie Williamson in official papers - his mother was Millie Ford who later married Sonny's father Miller). Birthdate according to his passport was April 7, 1909 (he gave his birth as December 5, 1897 other files say March 11, 1908 or December 5, 1899 - and the years 1910 and 1912 are also listed, in Glendora, Tallahatchie County, Miss). From Lonesome Cabin website/Bill Donoghue: "His brother Willie was the one who was born in 1897 and whose identity he stole along with Sonny Boy Williamson I's stage name.
Actually Born: Money, LeFlore County, near Glendora December 5, 1912 (according to Bob Eagle and Eric LeBlanc). Died Helena, Arkansas May 25, 1965. His headstone erroneously gives his date of death as June 23, 1965.” First recordings: Jackson, Miss Jan 4, 1951 and re-cut on March 12 Eyesight To The Blind / Crazy About You Baby - Trumpet 129. Records for: Trumpet 51-54, Checker 55-64, Storyville-Denmark 1963.
SONNY BOY WILLIAMSON, vocals/harmonica “HI-FIVE” 1. Sonny Boy Williamson (featuring Willie Love, pno) - Jackson, MS January 4 (and March 12), 1951: DRC 15 Eyesight To The Blind – Trumpet 129 2. ”Sonny Boy” Williamson (featuring Dave Campell, pno) - Jackson, MS, November 2, 1954: DRC 213 No Nights By Myself – US Ace 511 3. (featuring Muddy Waters and Jody Williams, gtrs; Otis Spann, pno) - Chicago, August 12, 1955: U 7890 Don’t Start Me Talkin’ – Checker 824 (#3, 11w total) 4. Sonny Boy Williamson (featuring Lafayette Leake, pno; Robert Lockwood Jr, gtr) - Chicago, March 27, 1958: U 8753 Your Funeral And My Trial – Checker 894 5. (featuring Leake or Billy Emerson, org; Matt Murphy, gtr) - Chicago, January 11, 1963: 12115 Help Me – Checker 1036
R&B Top 10 Hit: (1 of 3 Top 40) 1955 Don´t Start Me Talkin’ #3
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For Your Pleasure: 1951 Eyesight To The Blind 1952 West Memphis Blues 1953 Mighty Long Time 1953 Gettin´ Out Of Town 1954 No Nights By Myself 1956 Keep It To Yourself 1956 The Key To Your Door 1957 Fattening Frogs For Snakes 1957 I Don´t Know 1957 Born Blind (Eyesight To The Blind) 1957 Ninety Nine 1958 Your Funeral And My Trial 1959 It´s Sad To Be Alone 1959 Cool Disposition 1959 The Goat 1959 I Never Do Wrong 1960 Checkin´ Up On My Baby 1960 Open Road 1960 Too Close Together 1961 Down Child 1962 Nine Below Zero 1963 Got To Move (Please Let Me Come Back Home) 1963 Help Me 1963 One Way Out 1964 I Want You Close To Me 1965 I Can´t Be Alone 1965 Bring It On Home 1965 Don´t Send Me No Flowers
Sonny Boy's original Chess LPs Down And Out Blues - LP 1437 (1959) issued as Checker LP 1437 The Real Folk Blues (UK: In Memorium) - LP 1503 (1965) More Real Folk Blues - LP 1509 (1966) Bummer Road - LP 1536 (1969) This Is My Story - 2LP 2CH50027 (1972) One Way Out - CHV 417 (1975) Sonny Boy Williamson - 2LP 2ACBM-206 (1976) SBW Chess Masters Vol 1 - 2LP Charly CXMD 4001 (1981 UK) SBW Chess Masters Vol 2 - 2LP Charly CXMD 4012 (1983 UK)
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“SONNY BOY” Checker Recordings in Chicago A complete Checker/Chess discography of SBW II
LP 1437
General note: Discography based on Les Fancourt’s entry in “Blues Discography – the classic years” (Eyeball 2012) and his “Chess Labels Discography” (1989). All recordings done in Chicago with Leonard Chess, Willie Dixon, and later Ralph Bass, producers. Only original Checker singles and original LP or CD albums listed (Chess – except for LP 1437 which had the Checker banner, but a Chess catalogue number). Some recordings were originally issued on “bootleg” LPs (noted). Most of the tracks on Japan PLP 6023 (and all of the bootlegs) later on Charly’s Chess RED Box 1 (6LP and 4CD withdrawn after MCA claim). Of the 95 tracks listed here 89 are included in that box – covering all songs – tracks not on Chess RED Box 1 marked *). LP 206 is a double-LP “Sonny Boy Williamson” and 2LP 50027 ”This Is My Story” has no tracks previously unissued (poss. the alternate of “Wake Up Baby”). CD 9343 titled “The Essential” (tracks marked #). CDs 9330 and 9340 are V.A. “His Best” is a CD with cat no. 9377.
SONNY BOY WILLIAMSON, vcl/hca with same musicians as above February 8, 1957 8408-2 Hurts me so much Blues Ball LP 2004 8408-3 al.t take o.a. “ 8408-4 alt. take o.a. “ 8409 Fattening frogs for snakes 864, LP 1437, # alt. take o.a. Blues Ball LP 3004, (poss CD 9343#) 8410 I don’t know 854, LP 1437, # alt. take o.a. CD 9330 * 8411 Like Wolf LP 417, # 8412 This is my apartment LP 417 add Spann, pno September 1, 1957 8593 Cross my heart 910, LP 1437, # 8593-1/2 alt. take o.a. Japan PLP 6023 8593-3 alt. take o.a. “ 8594 Born blind 883, LP 417, # 8595 Ninety nine (Ninety-nine) 883, LP 1437, # 8595-1 99 Japan PLP 6023 8595-2/3 alt. take o.a. (“99”) LP 206 8596 Dissatisfied 910, LP 1437 8596-1/3 alt. take o.a. Japan PLP 6023 Note: 8594 is a remake of Sonny’s Trumpet recording Eyesight to the blind. 8595 titled 99 on LP 1437 and Ninety Nine on ChessBox1. same session 18030 Little village (tks 1 to 11) LP 1536 18030-2 Little village (included above) Italian LP 2-92519, # * 18031 Unseen eye LP 1536, #
2-set LP 50027
“SONNY BOY” WILLIAMSON, vcl/hca with Otis Spann,pno; Muddy Waters & Jody Willliams,gtrs; Willie Dixon,bs; Fred Below,dms August 12, 1955 7889 Work with me LP 417 7890 Don’t start me talkin’ 824 (R&B #3), LP 1437, # 7891 All my love in vain 824, LP 1437, # 7892 Good evening everybody LP 417, # 7893 You killing me (on my feet) LP 417, # Note: 7890 titled “Don’t start me to talkin’” on LP. with Otis Spann,pno; Robert Jr Lockwood & Luther Tucker,gtrs; Dixon, Below January 24, 1956 7980 Let me explain 834, LP 1437, # 7981 I know what love is all about LP 417 7982 I wonder why LP 417 7983 Your imagination 834, LP 206, # 7984 Don’t lose your eye LP 417, # omit pno 8205 8206 8207
August 7, 1956 Keep it to yourself 847 (R&B #14), LP 417, # Please forgive LP 1437 The key (to your door) 847, LP 1437 alt. take o.a. CD 9343(#) 8208 Have you ever been in love LP 417, # Note: 8206 wrongly titled “Keep it to yourself” on the LP.
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LP 1503
with Lafayette Leake,pno; Robert Jr Lockwood Willie Dixon,bs; Fred Below,dms 8753 Your funeral and my trial 8753-2/4 alt. take o.a. 8753-5 alt. take o.a.
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& Eugene Pearson,gtrs; March 27, 1958 894, LP 1437, # Japan PLP 6023 “
THE Blues Giants of the 1950s 8754 8755 8755-2 8756
She got next to me LP 1536 alt. take o.a. LP 206 Wake up baby 894, LP 1437 alt. take o.a. Japan PLP 6023 * Keep your hands out of my pocket LP 1536, #
with Otis Spann,pno; Robert Jr Lockwood & Luther Tucker,gtrs; Willie Dixon,bs/&vcl on-1; Odie Payne,dms December 14, 1960 10569 Too young to die LP 1503, # 10570 She’s my baby LP 1509, # 10571 Stop right now 975, LP 1509, # 10572 The hunt -1 975, LP 1509 same with Fred Below,dms 11224 Too old to think 11225 That’s all I want 11226 One way out 11226-1/4 alt. take o.a. 11227 Nine below zero alt. take o.a. 11227-1/3 alt. take o.a.
September 8, 1961 LP 1503, # LP 1503 1003, LP 417, # Japan PLP 6023 * 1003, LP 1509, # LP 206 Japan PLP 6023
LP 1509
with Otis Spann,pno; Robert Jr Lockwood & Luther Tucker,gtrs; Willie Dixon,bs; Odie Payne,dms 1959 9479 Let your conscience be your guide 927, LP 417, # 9480 Unseeing eye 927, Chess Box1, # same with Fred Below,dms January 30, 1960 9829 The goat 943, LP 1509, # 9829-1 alt. take o.a. Japan PLP 6023 The goat (band track) “ , CD 9340 * 9830 Cool disposition LP 417, # 9830-1 alt. take o.a. Japan PLP 6023 9830-3 alt. take o.a. “ 9831 I never do wrong LP 206 9832 It’s sad to be alone 943, LP 1503 Note: 9832 titled “Sad to be alone” on LP. with Otis Spann,pno: Robert Jr Lockwood & Luther Tucker,gtrs; unkn bs; Fred Below,dms April 14, 1960 10105 Open road LP 1536 10106 Santa Claus LP 1536, # 10107 I can’t do without you LP 1536 10108 Checkin’ up on my baby LP 1503, # alt. take o.a. ChessBox 1 with Otis Spann,pno; Eddie King Milton & Luther Tucker,gtrs; Willie Dixon,bs, Fred Below,dms June 1960 10266 Temperature 110 956, LP 1536, # 10267 Peach tree LP 1503 10268 Lonesome cabin 956, LP 1536, # 10269 Somebody help me LP 1509, #
LP 417
with Lafayette Leake or Billy Emerson,org; Matt Murphy,gtr; Milton Rector,bs; Al Duncan,dms January 11, 1963 12113 Got to move LP 1503 12114 Bye bye bird 1036, LP 1509, # 12115 Help me 1036 (R&B 24), LP 1509; # 12116 Bring it on home 1134, LP 1503, # Note: Crowd noise added on 12116 on a VA-LP. A more correct title for 12113 would have been “Baby let me please come home”.
with Jarrett Gibson,tsax, Donald Hankin,bsax; Lafayette Leake,pno; Buddy Guy,gtr; Jack Meyers,bs; Clifton James,dms September 3, 1963 12663 One way out ChessBox 1 12664 My younger days 1080, LP 1509 12665 Trying to get back on my feet 1065, LP 1509, # 12666 Decoration day 1065, LP 1509, # with Lafayette Leake,pno; Buddy Guy,gtr; Jack Meyers,bs; Fred Below,dms April 30, 1964 13210 Stop crying LP 206 13211 I want you close to me 1080, LP 1509, # 13212 One way out LP 1503 Note: 13211 titled “Close to me” on LP. with Jarrett Gibson,tsax (not on -1); Donald Hankins,bsax (not on-1); Lafayette Leake, org-2/pno-3; Buddy Guy,gtr (not on -1): possibly Jack Meyers;bs; possibly Clifton James,dms August 1964 15171? I can’t be alone -3 LP 206, # 15172-1/3 Don’t make a mistake Blues Ball LP 2004, (Mattie is my wife) -3 Blue Knight LP 1668 15172-2/4 alt. take o.a. -3 as above * 15173 Understand my life -2 LP 206 15174 Find another woman Blues Ball LP 2004, (Gonna find somebody else) -1 Blue Knight LP 1668 unkn no. My name is Sonny Boy -2 Blue Knight LP 1668
CDs 9377 and 9343, plus Chess 2-set LP 206 LP 1536
with Lafayette Leake,pno; Robert Jr Lockwood & Luther Tucker,gtrs; Willie Dixon,bs/&vcl on-1; Fred Below,dms September 15, 1960 10415 Down child 1134, LP 1503, # 10416 Trust my baby 963, LP 1503, # 10417 This old life LP 1536 10418 Too close together -1 963, LP 417, #
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SONNY’S original Chess CDs (except for the LPs reissued on CD)
Here are the best if you can’t get the Charly Box: A 45-tracks collection of singles and LP-tracks released on the Checker and Chess labels 1955 through 1964. ”The Key” is the alternate and ”Little Village” has a false start.
Check pages 62-63 for tracks! Includes a booklet with a biographical profile.
The Essential – Universal/Chess (2-set 1993)
His Best – MCA/Chess (1997)
The Best Of… – Spectrum/Chess (2000)
Blues Greats – Geffen/Universal (2011)
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CHESS RECORDS’
Muddy Waters Howlin’ Wolf
(for Chess 1947 – 1975) (for Chess 1951 – 1975)
Sonny Boy Williamson Little Walter
“BIG FOUR”
(for Checker 1955 – 1965)
(for Checker 1952 – 1967)
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SONNY BOY & THE WOLF – TEN REPRESENTATIVE SINGLES EACH
1951
1954
1955
1956
1957
1958
1959
1960
1963
1954
1960
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1959
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THE MIGHTY WOLF
Inserted: One of the most interesting books on some of the great Mississippi Legends (from the 1920s up ’til today). Featuring detailed stories on Charley Patton, Son House, Tommy Johnson, Robert Johnson, Muddy Waters, John Lee Hooker, Howlin’ Wolf, B.B.King – and more (published 2008). Some main storys of the greats are missing (Sonny Boy and Jimmy Reed…).
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HOWLIN’ WOLF Essential CDs: Smokestack Lightning: The Complete Chess Masters 1951-1960 – Hip-O Select 4CD-set 1530902 or The Definitive Collection – Geffen 8784 (2007) or The Genuine Article – MCA/Chess 11073 (1997) or His Best - MCA/Chess CHD 9375 (1997) and His Best Vol. 2 - Chess 12026 (1999) or The Chess Box (3CD) - MCA/Chess CHD3-9332 (1991) and The Back Door Wolf - MCA/Chess CD CHD 9358 (1995) - his great last Chess sides prod by Ralph Bass with a great bonus track.
Editor´s choise: The Complete Recordings 1951-1969 (7CD) - Charly RED Box 7 (1993) - including all 54 Chess/Phillips Memphis recordings and:
Howling Wolf Sings The Blues (all the RPM-Modern-Crown recordings 1951-1952) - Ace CDCHM 1013 (2004) GET IT or its pre-issue Howling Wolf Rides Again - Ace CDCHD 333 (1991) For Collectors: Memphis Days: The Definitive Edition Vol 1 and Vol 2 Bear Family BCD 15460 AH (1990) and 15500 AH (1991) - 40 of the Chess/Phillips tracks; also found on the first two volumes of "The Complete" above. Wolf''s Memphis recordings are simply terrific!
Reading: Moanin´ At Midnight - The Life and Times of Howlin´ Wolf by James Segrest & Mark Hoffman (Pantheon, 2004) and Chicago Breakdown by Mike Rowe (Edison Bluesbooks, 1973) First LPs: Moanin' In The Moonlight – Chess LP 1434 (1958) Howling Wolf Sings The Blues – Crown LP 5240 (1961)
"The Mighty Wolf", "Big Foot", "John D" - Electrifying guitarist/harmonica player and Delta/Chicago blues singer, who modernized the pre-war country blues traditions of the Delta. Learned the guitar from Charley Patton and the harmonica from Sonny Boy II in Mississippi and Arkansas. Started his own band in West Memphis in 1948 - the Houserockers. Worked as a DJ and was introduced to record makers by Ike Turner in 1951. Recorded in Memphis for Sam Phillips (who leased the masters to Chess), and in West Memphis for the Bihari brothers (issued on RPM). Nowadays there is material enough for three full-packed CDs covering Wolf's early period - and a truly powerful one! Moved to Chicago and Chess in 1953. Some famous members of his Chicago band of the ´50s and early ´60s: Willie Johnson, gtr (who also worked with him in Memphis/West Memphis); Hubert Sumlin, gtr; Hosea Lee Kennard and later Henry Grey and Johnny Jones, pno; and Earl Phillips and later S.P. Leary, dms (some blues fans even think Wolf's band was better than Waters'). One of the Chess labels´ important blues legends - "The Big Four" (Muddy, Wolf, Little Walter, and Sonny Boy). Charter member of the Blues Foundation Hall of Fame in 1980, and inducted into the Rock and Roll Hall of Fame in 1991.
HOWLIN’ WOLF, vocals/harmonica/guitar “BIG-SIX” 1. The Howlin’ Wolf (featuring Ike Turner or poss. Albert Williams, pno; Willie Johnson, gtr) - Memphis, Tenn, July 1951: U 84 How Many More Years – Chess 1479 (#4, 11w total) 2. Howlin’ Wolf (featuring Hosea Lee Kennard, pno; Willie Johnson and Hubert Sumlin, gtrs) - Chicago, January 1956: U 7985 Smoke Stack Lightnin’ – Chess 1618 (#8, 3w) 3. (featuring Hubert Sumlin, gtr) - Chicago, July 1959: U 7890 Howlin’ For My Darling – Chess 1762: 4. (featuring Johnny Jones, pno; Hubert Sumlin, gtr) - Chicago, June 1961: 10938 The Red Rooster – Chess 1805 5. (featuring Henry Grey, pno) - Chicago, December 1961: 11379 I Ain’t Superstitious – Chess 1823 6. (w Leake, pno; Sumlin and Buddy Guy, gtrs) - Chicago, August 1964: 13418 Killing Floor – Chess 1923
R&B Top 10 Hits: (4 of 5 Top 40) 1951 Moanin´ At Midnight #10 (as The Howlin´ Wolf) 1951 How Many More Years #4 (as The Howlin´ Wolf) 1956 Smoke Stack Lightnin´ #8 1956 I Asked For Water #8
To Get You Excited:
Born: Chester Arthur Burnett, June 10, 1910, White Station (4 miles northeast of West Point - northeast of the Delta region), Clay County, Miss. Died of cancer January 10, 1976 Chicago, Illinois. First recordings: Memphis, Tenn May 14, 1951 Baby Ride With Me (aka Ridin' In The Moonlight) and How Many More Years - unissued acetates for Sam Phillips); as above or June, 1951 (new acetates from Sam Phillips Baby Ride With Me aka Riding In The Moonlight and How Many More Years (sent to RPM/Modern) and further originally unissued alternates; Memphis July, 1951 Moanin´ At Midnight / How Many More Years - Chess 1479 - issued on August 15 (this session, produced by Phillips); West Memphis September, 1951 Riding In The Moonlight / Morning At Midnight - RPM 333 (plus Dog Me Around and Keep What You Got - all four produced by Joe Bihari). First in Chicago: March, 1954 No Place To Go - Chess 1566.
Records for: RPM and Chess 51-52, Chess 53-75.
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1951 1952 1952 1952 1952 1954 1954 1955 1957 1957 1957 1958 1958 1959 1960 1960 1961 1961 1961 1962 1963 1964 1965 1973
Ridin´ In The Moonlight (on RPM as The Howling Wolf) House Rockin' Boogie (Crown, 1961) Brownskin Woman (Crown) Bluebird Come Back Home Evil Is Going On Forty Four I´lll Be Around The Natchez Burnin´ Tell Me Sittin´ On Top Of The World I´m Leaving You Howlin´ Blues (I´m Going Away) Howlin´ For My Darling Back Door Man Spoonful The Red Rooster Goin´ Down Slow I Ain´t Superstitious Tail Dragger Built For Comfort Killing Floor I Walked From Dallas Coon On The Moon
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Wolf's original Chess LPs Moanin' In The Moonlight - LP 1434 (1958) Howlin' Wolf ("Rocking Chair") - LP 1469 (1962) The Real Folk Blues - LP 1502 (1965) More Real Folk Blues - LP 1512 (1967) Evil - LP 1540 (reissue of 1434) (1969) The Howlin' Wolf Album - Cadet 319 (1969) Message To The Young - LP 50002 (1971) The London Sessions - LP 60008 (1971) Live And Cookin' - LP 50015 (1972) The Back Door Wolf - LP 50045 (1973) A.K.A. Chester Burnett - 2LP 60016 (1972) (reissued as LP 201) Muddy Waters & Howlin' Wolf: London Revisited - LP 60026 (1974) Change My Way - LP 418 (1975) Chess Masters – 2LP CXMD 4004 (Charly UK 1981) Chess Masters vol 2 -2LP 4007 (Charly UK 1982) Chess Masters vol. 3 - 2LP 4014 (Charly UK 1983)
A terrific album (Wolf’s last recordings, still in his prime) recorded on August 14 and 17, 1973 with one (alternate) bonus track on MCA CD CHD-9358 (1995).
Wolf,vcl/hca; Eddie Shaw,tensax/bandleader; Emory “Detroit Jr” Williams,p/ harpsichord; Hubert Sumlin and Willie Harris,gtrs; James Green or Andrew McMahon,basses; S.P. Leary,dms; Ralph Bass,prod. Chess LP 50045 – The Back Door Wolf
THE HOWLING WOLF’s RPM / Crown recordings Ike Turner, pno; Wille Johnson, gtr; Willie Steele, dms, Calvin Newborn, extra gtr-1; unknown bs-2. Producer: Joe Bihari Memphis, Tennessee May 14 or ca June 1951: (prod Sam Phillips) Baby Ride With Me (Riding In The Moonlight) – Ace LP CH 52 Baby Ride With Me – Ace CDCHD 333 West Memphis, Arkansas, September 1951: Riding In The Moonlight – RPM 333 (as Howling Wolf) Morning (Moanin’) At Midnight (no pno) – RPM 333 (as Howling Wolf) Keep What You Got -1 – Crown LP 5240 Dog Me Around (How Many More Years) – Crown LP 5240 West Memphis (-2), October 2, 1951: Passing By Blues – RPM 340 (as Howlin’ Wolf) Crying At Daybreak (Daylight) (Smokestack Lightnin’) – RPM 340 My Baby Stole Off – RPM 347 (as The Howling Wolf) I Want Your Picture – RPM 347 West Memphis (-2), February 12, 1952 (poss two sessions): Worried About My Baby – Crown LP 5240 House Rockin’ Boogie – Crown LP 5240 Brownskin Woman - Crown LP 5240 Chocolate Drop (alt of above) – Ace LP CH 52 Driving This Highway - Polydor LP 2383 257 The Sun Is Shining – Kent LP 9002 Stealing My Clothes (My Friends) – Kent LP 9002 I’m The Wolf – Kent LP 9002 Note. During this period Wolf also recorded several singles for Chess plus originally unissued tracks for Sam Phillips in Memphis, first with Ike Turner and later mostly with Albert Williams (and L.C. Hubert or Bill Johnson), pno (May 14 and c. June, plus July and December 18, 1951; an later January 23, April 17, and October 7, 1952).
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SOME OF THE WOLF’S LATER CDs
Not Now Music 3CD (2015), Acrobat 3CD (2014)
Big 3 3CD (2015), Hip-0-Select 4CD (2011), and Four Classic Albums on Avi 2CD (2015)
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The Howlin’ Wolf Gallery
Ace CDCHD 333 (1991 – 18 great RPM tracks), Ace CHCHM 1013 (2004 – all his 20 RMP/Modern recordings), plus his original LP on Crown CLP 5240 (1962), and the Custom reissue CM 2055 (ca 1966)
– United/Superior 7717 (same cover on British Ember), United 717 (ca 1970), Kent KST 516 (1968), and United 7747 (ca 1977)
The Charly CD RED Box 7 (1993 out of catalogue – featuring 151 sides made for Sam Phillips in Memphis and for Chess Records in Chicago)
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THE Blues Giants of the 1950s The HOWLIN’ WOLF Memphis (Chess) and West Memphis (RPM) Singles Note: Dates indicated issue dates and recording dates. Any of A-B-side may be the plug side.
Chess 1479 (A- and B-sides) issued August 15, 1951 (rec July 1951); RPM 333 (A- and B-sides) September 1951 (rec September 1951)
RPM 340 (A- and B-sides) December 1951 (rec October 2, 1951); Chess 1497 (A- and B-sides) January 14, 1952 (rec December 18, 1951)
RPM 347 (A- and B-sides) late January 1952 (rec October 2, 1951); Chess 1510 (A- and B-sides) April 15, 1952 (rec January 23, 1952)
Chess 151 (A- and B-sides) ca July 1952 (rec April 17, 1952); Chess 1528 (A- and B-sides) November 1952 (rec October 7, 1952)
Chess 1557 (A- and B-sides) January 23, 1954 (rec late 1952/early 1953)
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THE Blues Giants of the 1950s THE R&B PIONEERS Series
The Great R&B-files Created By Claus Röhnisch http://www.rhythm-and-blues.info/ Read And Enjoy! - © Claus Röhnisch 2015 - Managed by Thomas Jarlvik
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THE Blues Giants of the 1950s Original label credits on some famous blues singles
THE Blues Giants of the 1950s - Twelve Great Legends
Compiled by Claus Röhnisch
also see: “Top Rhythm & Blues Records”, “Top Ten Vocal Groups”, and “Hooker Session Discography”.
Sources (and acknowledgments) All books listed in the presentations (and the inlay album notes of the LPs and CDs presented, plus fans’ and official artist websites) were consulted in compiling “THE Blues Giants”. Below you will find some other worthwhile blues books from my collection. Thank you – all authors listed.
* BLUES – A Regional Experience: Bob Eagle and Eric S. LeBlanc (US, UK 2013) * Boogie Chillen - A Guide to John Lee Hooker on Disc: Les Fancourt (UK 1992) * Blues Records 1943 - 1970 Vol One: Mike Leadbitter, Neil Slaven; Vol Two: Mike Leadbitter, Leslie Fancourt and Paul Pelletier (Record Information Services, London 1994) * The Blues Discography 1943 - 1970 by Fancourt and McGrath (the new edition publ 2006!) - this is followed by The Soul Discography (in three volumes - se below). * All Music Guide to the Blues - The Definitive Guide to the Blues (3rd edition): Vladimir Bogdanov et al (Backbeat Books, US 2003) * The Penguin Guide to Blues Recordings: Tony Russell and Chris Smith (UK 2006) * The History of the Blues - The Roots, The Music, The People: Francis Davis (US 1995, 2003) (Davis' book is in my opinion the best read u can get in understanding the blues and its roots) * The Blues - A Very Short Introduction: Elijah Wald (Oxford 2010) (Wald's little book is highly recommended - read it and you will really be in touch with the true blues and a perfect companion to Davis') * The Big Book of Blues: Robert Santelli (UK 1994) * Delta Blues - The Life and Times of the Mississippi Masters who Revolutionized American Music: Ted Gioia (W. W. Norton, US 2008) * Chicago Breakdown: Mike Rowe (UK 1973) retitled Chicago Blues - The City and the Music: (US 1975) * Deep Blues: Robert Palmer (Penguin, New York, 1981) * Trumpet Records - An Illustrated History with Discography: Marc Ryan (Big Nickel, US 1995) * Spinning Blues Into Gold - The Chess Brothers and the Legendary Chess Records: Nadine Cohodas (US 2000) * Chess Records - Machers and Rockers: Rich Cohen (US 2005) * The Story of Chess Records: John Collis (1998) * I Am The Blues - The Willie Dixon Story: Willie Dixon with Don Snowden (US 1989) * South To Louisiana - John Broven (UK) * Encyclopedia of the Blues (Volumes 1 & 2): Edward Komara, editor (Routledge Taylor & Francis Group - (1100 A4 pages in two volumes, publ 2006) * Urban Blues: Charles Keil (US and UK, 1966) * Conversation with the blues: Paul Oliver (US 1965, reprint 1997) * Feel Like Going Home - Portraits In Blues and Rock 'n' Roll: Peter Guralnick (US 1971, 1989, 2003) * Rhino's Cruise Through The Blues: Barry Hansen (UK, US 2000) * Rollin´ And Tumblin´ - The Postwar Blues Guitarists: Jas Obrecht, editor (US 2002) * Damn Right I´ve Got The Blues: Buddy Guy and Donald Wilcock (US 1993) * Blues For Dummies: Lonnie Brooks, Cub Koda, Wayne Baker Brooks (IDG Books 1988) * A Blues Bibliography - The International Literature of an Afro-American Music Genre: Robert Ford (Paul Pelletier, publisher) (UK 1999) * Blues Who's Who - A Biographical Dictionary of Blues Singers: Sheldon Harris (US 1981) * Martin Scorsese Presents the Blues: Guralnik, Santelli, George-Warren Farley, eds (US 2003) * Harmonica, Harps and Heavy Beathers: Kim Field (US 1993) * The Virgin Encyclopedia of The Blues: Colin Larkin (Virgin UK 1998) * The Rough Guide to Blues: Nigel Williamson (US 2007) * The Devil's Music - A History of the Blues: Giles Oakley (UK 1976, 1983, 1997) - mostly pre-war * The Country Blues: Sam Charters (US 1959) * The Golden Age of the Blues: Richard Havers & Richard Evans (UK 2009) w 20-tracks CD * First Pressings - The History of Rhythm & Blues - Ten Volumes of 1950 - 1959: Galen Gart (Big Nickel, US, 1991 - 2002) * The R&B Book - A Disc-History of Rhythm & Blues: Big Al Pavlow ( Music House Publ. US 1983) reprinted 2009 - get it at Music House Publishing * The Real Rhythm And Blues: Hugh Gregory (UK 1998) * Blue Rhythms - Six Lives in Rhythm and Blues: Chip Deffaa (US 1996) * Midnight at the Barrelhouse - The Johnny Otis Story: George Lipsitz (US 2010) * King of the Queen City - The Story of King Records: Jon Hartley Fox (US 2009) * Takin´ Back My Name - The Confessions of Ike Turner: Ike Turner with Nigel Cawthorne (UK 1999) * Let The Good Times Roll - The Story of Louis Jordan & His Music: John Chilton (US 1994) * Rock Mr. Blues - The Life and Music of Wynonie Harris: Tony Carlins (Big Nickel, US 1995) * Upside Your Head! - Rhythm & Blues on Central Avenue: Johnny Otis (US 1993) * The Gangster of Love - Johnny "Guitar" Watson - Performer, Preacher, Pimp: Vincent Bakker (Createspace, US 2009) * Feel Like Going Home - Portraits in Blues and Rock ´n´ Roll: Peter Guralnik (US 1971, reprint 1989, 2003) * Dinah Washington - Queen of the Blues: James Haskin (US 1987) * Brown Sugar - Eighty Years of America´s Black Female Super Stars: Donald Bogle (US 1980) * Record Makers and Breakers - Voices of the Independent Rock 'n' Roll Pioneers: John Broven (US 2009)
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Not Now Music “public domain” blues series Not Now Music has a fine series of double- and triple- CDs featuring classic post-war electric blues
Below you’ll find some of their extensive catalogue. Check for more at
http://www.notnowmusic.co.uk/blues.htm
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The Blues Foundation: BLUES HALL OF FAME Below you’ll find inductions of Literature, Albums, and Singles to the Blues Hall of Fame 1982-2012 (it started in 1982). For 2013-2015 and Performers 1980-2015, see The Blues Foundation website http://www.blues.org/
1982 Classics of Blues Literature Blues and Gospel Records 1902-1942, by Robert M.W. Dixon and John Godrich (imaged above is the revised edition 1890-1943) Blues Unlimited magazine, founded by Simon Napier and Mike Leadbitter Living Blues Magazine, founded by Bruce Iglauer, Jim O'Neal, Amy van Singel, Paul Garon, et al. Classics of Blues Recordings - Album King of the Delta Blues Singers--Robert Johnson (Columbia, 1961) 1983 Classics of Blues Literature Blues Who's Who: A Biographical Dictionary of Blues Singers, by Sheldon Harris Classics of Blues Recordings - Album Founder of the Delta Blues--Charley Patton (Yazoo) King of the Delta Blues Singers Vol. II – Robert Johnson (Columbia, 1970) Live at the Regal--B.B. King (ABC-Paramount, 1965) McKinley Morganfield A.K.A. Muddy Waters--Muddy Waters (Chess, 1971) The Best of Muddy Waters--Muddy Waters (Chess, 1958) Classics of Blues Recordings - Single Call it Stormy Monday (But Tuesday is Just as Bad) --T-Bone Walker (Black & White, 1947) Dust My Broom – Elmore James (Trumpet , 1951) Hell Hound On My Trail -- Robert Johnson (ARC/Vocalion, 1937) Sweet Home Chicago -- Robert Johnson (Vocalion, 1936) Worried Life Blues -- Big Maceo (Bluebird ,1941) 1984 Classics of Blues Literature Deep Blues, by Robert Palmer Classics of Blues Recordings - Album Boss Blues Harmonica--Little Walter (Chess, 1972) Hoodoo Man Blues--Junior Wells (Delmark, 1966) West Side Soul--Magic Sam Blues Band (Delmark, 1968) Classics of Blues Recordings - Single Got My Mojo Working--Muddy Waters (Chess album track ,1960) I'm Your Hoochie Coochie Man--Muddy Waters (Chess 1954) The Things That I Used to Do--Guitar Slim (Specialty, 1953) 1985 Classics of Blues Literature Blues Records 1943-1966, by Mike Leadbitter & Neil Slaven Classics of Blues Recordings - Album Born Under a Bad Sign--Albert King (Stax) Chester Burnett A.K.A Howlin' Wolf--Howlin' Wolf (Chess, 1972) Howlin' Wolf ("rocking chair" album)--Howlin' Wolf (Chess, 1962) Classics of Blues Recordings - Single Boogie Chillen--John Lee Hooker (Modern, 1948) Smokestack Lightnin'--Howlin' Wolf (Chess 1956) The Thrill is Gone--B.B. King (ABC Bluesway 1969) 1986 Classics of Blues Literature Chicago Breakdown (Chicago Blues), by Mike Rowe Classics of Blues Recordings - Album I Am The Blues--Willie Dixon (Columbia) Ice Pickin'--Albert Collins (Alligator, 1978) Live Wire--Blues Power--Albert King (Stax)
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1986 (cont’d) Classics of Blues Recordings - Single Cross Road Blues--Robert Johnson (ARC/Vocalion, 1936) Juke--Little Walter (Checker, 1952) Mannish Boy--Muddy Waters (Chess 1955) 1987 Classics of Blues Literature The Story of the Blues, by Paul Oliver Classics of Blues Recordings - Album Blues Before Sunrise--Leroy Carr (Columbia) Hide Away--Freddie (Freddy) King (King, 1969) Two Steps From the Blues--Bobby "Blue" Bland (Duke) Classics of Blues Recordings - Single Big Road Blues--Tommy Johnson (Victor, 1928) Help Me--Sonny Boy Williamson #2 (Checker 1963) Please Send Me Someone to Love--Percy Mayfield (Specialty 1950) 1988 Classics of Blues Literature The Blues Fell This Morning (The Meaning of the Blues), by Paul Oliver Classics of Blues Recordings - Album Down on Stovall's Plantation--Muddy Waters (Testament, 1966) The Chess Box--Muddy Waters (P-Vine Special, 1985) The Original Flair & Meteor Sides--Elmore James (Ace) Classics of Blues Recordings - Single Born Under a Bad Sign--Albert King (Stax, 1967) How Long, How Long Blues--Leroy Carr (Vocalion, 1928) Pony Blues--Charley Patton (Paramount 1929) 1989 Classics of Blues Literature Feel Like Going Home, by Peter Guralnick Classics of Blues Recordings - Album Live on Maxwell Street--Robert Nighthawk (Rounder) Showdown--Albert Collins, Robert Cray & Johnny Copeland (Alligator) The World's Greatest Blues Singer--Bessie Smith (Columbia, 1970) Classics of Blues Recordings - Single Come On In My Kitchen -- Robert Johnson (ARC/Vocalion, 1936) Drifting Blues -- Charles Brown with Johnny Moore's Three Blazers (Philo/Aladdin, 1945) Long Distance Call -- Muddy Waters (Chess, 1951) 1990 Classics of Blues Literature Big Bill Blues, by Big Bill Broonzy & Yannick Bruynoghe Classics of Blues Recordings - Album Black Magic--Magic Sam Blues Band (Delmark, 1969) The Chess Box--Willie Dixon (Chess) The Complete 1931 Session--Skip James (Yazoo) Classics of Blues Recordings - Single Big Boss Man--Jimmy Reed (Vee-Jay, 1960) Good Morning, School Girl--Sonny Boy Williamson #1 (Bluebird 1937) Terraplane Blues--Robert Johnson (ARC/Vocalion, 1936) 1991 Classics of Blues Literature Big Road Blues, by David Evans Conversation with the Blues by Paul Oliver The Country Blues by Samuel Charters Classics of Blues Recordings - Album Can't Get No Grindin'--Muddy Waters (Chess, 1973) Chicago/The Blues/Today! Vol. 1-3--Various Artists (Vanguard, 1966)) The Best of Little Walter--Little Walter (Checker, 1958) Classics of Blues Recordings - Single Killing Floor--Howlin' Wolf (Chess 1964) Nine Below Zero--Sonny Boy Williamson #2 (Trumpet 1951) Rocket 88 - Jackie Brenston and His Delta Cats (Chess, 1951) The Sky is Crying--Elmore James (Fire 1959) 1992 Classics of Blues Literature I Am the Blues: The Willie Dixon Story, by Willie Dixon with Don Snowden Classics of Blues Recordings - Album Blues From the Gutter--Champion Jack Dupree (Atlantic, 1958) Father of the Folk Blues--Son House (Columbia) Parchman Farm--Bukka White (Columbia, 1970) The Complete Recordings--Robert Johnson (Columbia/Legacy, 1990) Classics of Blues Recordings - Single Baby Please Don't Go--Big Joe Williams (Bluebird, 1935) Statesboro Blues--Blind Willie McTell (Victor 1928) 1993 Classics of Blues Literature Urban Blues by Charles Keil Classics of Blues Recordings - Album Chicago Bound--Jimmy Rogers (Chess) Classics of Blues Recordings - Single Reconsider Baby--Lowell Fulson (Checker, 1954) 1994 Classics of Blues Literature Nothing But the Blues, Lawrence Cohn, editor Classics of Blues Recordings - Album T-Bone Walker--The Complete Recordings of T-Bone Walker 1940-1954 (Mosaic, 1990) Classics of Blues Recordings - Single I Can't Quit You Baby--Otis Rush (Cobra 1956) Texas Flood--Larry Davis (Duke, 1958)
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1995 Classics of Blues Literature Searching for Robert Johnson, by Peter Guralnick The Land Where the Blues Began, by Alan Lomax Classics of Blues Recordings - Album Boss of the Blues--Big Joe Turner (Atlantic) Otis Spann is the Blues--Otis Spann (Candid) Classics of Blues Recordings - Single Wang Dang Doodle--Koko Taylor (Checker 1965) 1996 Classics of Blues Literature Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom, by Peter Guralnick Classics of Blues Recordings - Album Hound Dog Taylor & the Houserockers--Hound Dog Taylor & the Houserockers (Alligator) Classics of Blues Recordings - Single Don't Start Me Talkin'--Sonny Boy Williamson #2 (Checker 1955) 1997 Classics of Blues Literature Honkers and Shouters:The Golden Years of Rhythm & Blues , by Arnold Shaw Classics of Blues Recordings - Album Paul Butterfield Blues Band - Paul Butterfield Blues Band (Elecktra) Classics of Blues Recordings - Single Baby Scratch My Back--Slim Harpo (Excello 1965) 1998 Classics of Blues Literature Blues from the Delta - Dr. William Ferris Classics of Blues Recordings - Album I'll Play the Blues for You--Albert King (Stax) Classics of Blues Recordings - Single Messin' With the Kid - Junior Wells (Chief 1960) 1999 Classics of Blues Literature The World Don't Owe Me Nothing, by David "Honeyboy" Edwards Classics of Blues Recordings - Album Blues Hit Big Town--Junior Wells (Delmark) Classics of Blues Recordings - Single Dark Was The Night--Blind Willie Johnson (Columbia, 1927) 2000 Classics of Blues Literature The Country Blues, by Samuel Charters Classics of Blues Recordings - Album Mississippi Delta Blues-Mississippi Fred McDowell (Arhoolie) Classics of Blues Recordings - Single Down Home Blues - Z.Z. Hill (Malaco, 1982) 2001 Classics of Blues Literature Stormy Monday: The T-Bone Walker Story, by Helen Dance Classics of Blues Recordings - Album The Complete Plantation Recordings--Muddy Waters (MCA Chess, 1993) Classics of Blues Recordings - Single Shake, Rattle and Roll--Big Joe Turner (Atlantic, 1954) 2002 Classics of Blues Literature Spinning Blues Into Gold: The Chess Brothers and the Legendary Chess Records, by Nadine Cohodas Classics of Blues Recordings - Album Live in Cook County Jail--B.B. King (ABC, 1971) Classics of Blues Recordings - Single Going Down Slow--St. Louis Jimmy Oden (Bluebird 1941) 2003 Classics of Blues Literature Can't Be Satisfied: The Life and Times of Muddy Waters, by Robert Gordon Classics of Blues Recordings - Album It's My Life Baby!--Junior Wells (Vanguard, 1966) Classics of Blues Recordings - Single Part Time Love--Little Johnny Taylor (Galaxy 1963) 2004 Classics of Blues Literature Juke Blues magazine Classics of Blues Recordings - Album Raining In My Heart – Slim Harpo Classics of Blues Recordings - Single Baby What You Want Me To Do--Jimmy Reed (Vee-Jay)
2005 Classics of Blues Literature Blues People, by LeRoi Jones (Amiri Baraka) Classics of Blues Recordings - Album Down Home - Z.Z. Hill (Malaco Records, 1982) Classics of Blues Recordings - Single Black Night - Charles Brown (Aladdin Records, 1951) 2006 Classics of Blues Literature Blues & Rhythm magazine Chasin' That Devil's Music, by Gayle Dean Wardlow; edited by Edward Komara Classics of Blues Recordings - Album I Do Not Play No Rock 'n' Roll - Mississippi Fred McDowell (Capitol) Screamin' and Hollerin' the Blues: The Worlds of Charley Patton (Revenant) Tell Mama - Etta James (Cadet) Classics of Blues Recordings - Single Devil Got My Woman - Skip James (Paramount) Honky Tonk, Parts 1 & 2 - Bill Doggett (King) Hound Dog - Big Mama Thornton (Peacock) 2007 Classics of Blues Literature Blues With a Feeling: The Little Walter Story, by Tony Glover, Scott Dirks & Ward Gaines Classics of Blues Recordings - Album Angola Prisoners' Blues - Robert Pete Williams & others (Louisiana Folklore Society, 1959/Arhoo Down and Out Blues - Sonny Boy Williamson #2 (Checker, 1960) Driving Wheel - Little Jr. Parker (Duke, 1962) Classics of Blues Recordings – Single Black Angel Blues -- Robert Nighthawk (The Nighthawks) (Aristocrat, 1949) Death Letter -- Son House (Columbia album track, 1965) Hide Away (Hideaway) -- Freddie (Freddy) King (Federal, 1961) 2008 Classics of Blues Literature 7 Guitars, by August Wilson Moanin' at Midnight: The Life and Times of Howlin' Wolf -- James Segrest & Mark Hoffman Classics of Blues Recordings - Album Freddy King Sings (King LP, 1961) Freddy King I'm Jimmy Reed (Vee-Jay LP, 1958) Jimmy Reed Members Only (Malaco LP, 1985) Bobby Bland Piney Woods Blues (Delmark LP, 1958) Big Joe Williams Rocks the House (Argo LP, 1964; Chess CD with bonus tracks, 1994) Etta James Classics of Blues Recordings - Single Back-Water Blues -- Bessie Smith (Columbia, 1927) Double Trouble -- Otis Rush (Cobra, 1958) My Babe -- Little Walter (Checker, 1955) 2009 Classics of Blues Literature I Hear You Knockin, by Jeff Hannusch Classics of Blues Recordings - Album Amtrak Blues (Columbia, 1978) - Alberta Hunter Blues With a Feeling: Newport Folk Festival Classics (Vanguard 2-CD set, 1993) - Various Artists T-Bone Blues (Atlantic, 1959) -- T-Bone Walker Classics of Blues Recordings - Single Boom Boom -- John Lee Hooker (Vee-Jay, 1962) Caldonia -- Louis Jordan (Decca, 1945) Sitting on Top of the World -- Mississippi Sheiks (Okeh, 1930) 2010 Classics of Blues Literature The Bluesme, by Samuel Charters Classics of Blues Recordings - Album Hung Down Head by Lowell Fulson (Chess LP, 1970; CD, 1996) I Hear Some Blues Downstairs by Fenton Robinson (Alligator LP, 1977; CD, 1991) Strong Persuader by Robert Cray (Mercury LP/CD, 1986) Classics of Blues Recordings - Single All Your Love (I Miss Loving) -- Otis Rush (Cobra, 1958) Fever -- Little Willie John (King, 1956) Key to the Highway -- Big Bill Broonzy (OKeh, 1941) Match Box Blues -- Blind Lemon Jefferson (OKeh and Paramount, 1927) Spoonful -- Howlin' Wolf (Chess, 1960) 2011 Classics of Blues Literature Walking to New Orleans: The Story of New Orleans Rhythm & Blues, by John Broven Classics of Blues Recordings - Album False Accusations - Robert Cray (HighTone 1985) Night Beat - Sam Cooke (RCA Victor 1963) The Real Folk Blues - Howlin' Wolf (Chess 1965) Classics of Blues Recordings - Single Ain't Nobody's Business -- Jimmy Witherspoon (Supreme, 1947) Five Long Years -- Eddie Boyd (J.O.B., 1952) Hard Time Killin' Floor Blues -- Skip James (Paramount, 1931) Love in Vain -- Robert Johnson (Vocalion, 1937) 2012 Classics of Blues Literature Bessie, by Chris Albertson The Voice of the Blues, edited by Jim O'Neal & Amy van Singel Classics of Blues Recordings - Album Damn Right, I've Got The Blues -- Buddy Guy (Silvertone, 1991) Bad Influence -- The Robert Cray Band (HighTone, 1983) Classics of Blues Recordings - Single All Your Love -- Magic Sam (Cobra, 1957) It Hurts Me Too -- Tampa Red (Bluebird, 1940) Pine Top's Boogie Woogie - Pine Top Smith (Vocalion, 1928)
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Don’t miss these classic “Electric Blues” - Part I (1949-1959) Here are listed just a tiny wee of all the great Blues Recordings. They are selected from my personal collection – but taste changes every minute. A great inspiration to the list has been Nick Duckett’s super series “The History of Rhythm & Blues” (2009-2011), and Bear Family’s great “Electric Blues” series (2012), as well as “The Blues Discography” (by Fancourt-McGrath. 2012 edition).
1949
T-Bone Shuffle T-Bone Walker and his Guitar Vcl/gtr (Bumps Myers, tensax) Los Angeles Nov 13, 1947 (#7, Comet)
1949
1950
1950
Boogie Guitar Pete “Guitar” Lewis and
3 x 7 = 21 Jewel King (vcl) (with Dave Bartholomew’s orchestra)
Hey! Las Bas Boogie Fats Domino (vcl/pno) (with Dave Bartholomew’s orchestra) New Orleans, Jan 1950 (Imperial)
Johnny Otis Orch (gtr instr)
(Walter Henry, bars, Lewis +two gtrs)
New Orleans, Nov 29, 1949 (Imperial)
Los Angeles Nov 10, 1949 (Savoy CD 1999)
1950
1951
Notoriety Woman
Long Distance Call - 1452 & Still A Fool - 1480 Muddy Waters and his Guitar
John Lee Hooker and his guitar
Detroit April 28, 1950 (Regal)
Street Walking Woman T-Bone Walker (vcl/gtr)
(feat Ike Turner, pno: Wille Johsnon, gtr)
Chicago Jan 23 & July 11, 1951 (1452 #8 – 1480 #9,
Memphis July 1951 (#4, Chess) 1954
Blues With A Feeling Little Walter and his Jukes
Chicago Bound Jimmy Rogers and his Rocking Four (vcl/gtr)
(w Louis Myers, Dave Myers, Dixon, Below)
Los Angeles Dec 1951 (Imperial)
Chicago July 23, 1953 (# 2, Checker)
You Can’t Be Lucky All The Time Roosevelt Sykes (vcl/pno) (f Herb Hardesty,tensax; Walter Nelson,gtr) New Orleans Jan 1955 (Imperial LP 1968)
1952
The Lord’s Gospel Train Mary DeLoatch (aka Marylin Scott)
New York Nov 1951 (Regent)
1953
(f Maxwell Davis,ts, Willard McDaniuiel,pno)
1955
How Many More Years The Howlin’ Wolf (vcl/hca)
(with Little Walter, hca 1452/gtr 1480; Big Crawford, bs 1452, Jimmy Rogers, gtr 1480) Chess)
1952
1951
(with Little Walter, Henry Grey or Johnny Jones, Muddy Waters, Odie Payne)
1954
’Bout The Break Of Day / Lawdy! Lawdy! Junior Wells (vcl/hca) (with Otis Spann, Muddy Waters, Louis Myers, Willie Dixon, Fred Below)
Chicago April 15, 1954 (States)
Chicago Jan 7, 1954 (Chess)
1956
1956
1957
Dimples John Lee Hooker
You Got Me Where You Want Me John Brim and his Gary Kings
The Pick-Up Etta James
(vcl/gtr w Eddie Taylor, George Washington, Tom Whitehead)
Chicago March 27, 1956 (Vee-Jay)
(vcl/gtr with Little Walter, Robert Jr Lockwood, Dixon, Below)
Chicago April 5, 1956 (Chess)
(f. Harold Battiste, tensax)
New Orleans 1957 (Modern)
1957
1958
1959
1959
Honest I Do Jimmy Reed (vcl/gtr/hca)
Your Funeral And My Trial Sonny Boy Williamson (vcl/hca)
Say Man Bo Diddley (vcl/gtr)
I Want To Walk You Home Fats Domino (vcl/pno)
(w Remo Biondi, Eddie Taylor, Earl Phillips)
(f. Lafayette Leake, Robert Jr Lockwood)
Chicago April 3, 1957 (#4, Vee-Jay)
Chicago March 27, 1958 (Checker)
(f. Jerome Green, vcl/mrcs & Lafayette Leake. pno)
(feat two of Walter Nelson, Roy Montrell and Ernest McLean, gtrs)
Chicago Jan 29, 1958 (#3, Checker 1959)
New Orleans June 18, 1959 (Imperial) (1 week at #1 in Aug, Imperial)
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THE Blues Giants of the 1950s
Don’t miss these classic “Electric Blues” - Part II (1960-1969) 1960
1960
1961
1961
Baby What You Want Me To Do Jimmy Reed (vcl/hca/gtr)
The Sky Is Crying Elmo James and his Broomdusters (vcl/gtr)
Chicago Aug 7, 1959 (#10, Vee-Jay 1960)
Chicago Nov 1959 (#15, Fire 1960)
I Just Want To Make Love To You c/w At Last Etta James (LP arr/cond by Riley Hampton) Chicago May c/w Aug, 1960 “At Last”: #2 Jan, 1961 (Argo)
Mojo Hand Lightnin’ Hopkins (vcl/gtr) (f. Delmar Donnell, dms) New York Nov 1960 (Fire 1961)
1961
1961
1962
I’ve Got News For You Ray Charles (vcl/org)
Shake Your Moneymaker Elmore James (vcl/gtr)
I Ain’t Superstitious Howlin’ Wolf (vcl/poss gtr)
(arr/cond by Ralph Burns) Englewood Cliffs, NJ Dec 26, 1960 (#8, June 1961, Impulse)
New Orleans Aug 1961 (Fire)
(feat Mama Reed, co-vcl; Lefty Bates, Eddie Taylor, Earl Phillips)
1962
You Can’t Judge A Book By The Cover c/w I Can Tell Bo Diddley (vcl/gtr) (f. Jerome Green, mrcs)
Chicago June 27, 1962 (#21, Checker)
(feat Johnny Jones, pno)
(f. Big Moose Walker, pno)
1963
Down Hearted
(from LP Blues In My Heart)
B. B. King (vcl/gtr)
(f. Maxwell Davis, pno; Plas Johnson, tensax) Los Angeles, prob Jan 9, 1962 (Crown, early 1963) The song was re-recorded for ABC-Par. in New York as “”How Blue Can You Get” Sept 30, 1963
1964
1965
Killing Floor Howlin’ Wolf (vcl) (feat. Lafayette Leake, Hubert Sumlin, Buddy Guy) Chicago Aug 1964 (Chess)
It Serves Me Right John Lee Hooker (vcl/gtr) (poss. feat Wayne Bennett, gtr) Chicago mid 1964 (Vee-Jay, Nov 1965)
1966
1967
House Rent Blues (from CD More Real Folk Blues-The Missing Album)
John Lee Hooker (vcl/gtr)
(f. Lafayette Leake,pno; Eddie Burns, gtr)
Chicago May 1966 (issued 1991 Chess-MCA)
(f Henry Grey, pno; poss Jimmy Rogers, Willie Dixon, Sam Lay) Chicago, Dec 1961 (Chess 1962)
1962
I’m A Woman Christine Kittrell (f. Red Holloway, tensax; Lefty Bates, gtr; Al Duncan, dms)
Chicago 1962 (Vee-Jay)
1963
1964
Part Time Love Little Johnny Taylor (vcl)
You Can’t Lose What You Ain’t Never Had c/w The Same Thing
Los Angeles 1963 (1 week at #1 in Aug, Galaxy)
(f. Otis Spann, pno; Buddy Guy or PeeWee Madison, gtr; Wille Dixon, S.P. Leary)
1965
1966
(f. Ray Shanklin, arr; Arthur Wright, gtr)
Got To Move – from Chess LP 1503 & Bring It On Home – Checker 1134 Sonny Boy Williamson (vcl/hca) (f. Lafayette Leake or Billy Emerson, org; Matt Murphy, gtr; Ralph Bass, prod)
Chicago Jan 11, 1963
Muddy Waters (vcl/gtr)
Chicago April 9, 1964 (Chess)
Baby Scratch My Back Slim Harpo (vcl/hca) Crowley, LA Oct 1965 (2 weeks at #1 Jan 1966, Excello)
(LP and single, late 1965 and early 1966)
Born Under A Bad Sign Albert King (vcl/gtr)
(f. Wayne Jackson, Andrew Love, Booker T. Jones, Steve Cropper, Duck Dunn, Al Jackson)
Memphis May 17, 1967 (#49 Aug, Stax)
1968
Cummins Prison (Farm) Calvin Leavy (vcl/gtr) Little Rock, AR 1968 (Soul Beat)
The R&B Pioneers Series .- Volume Five of twelve
1969
Price For Love Lowell Fulsom (vcl/gtr)
(feat George “Harmonica” Smith)
Los Angeles late 1968 (Kent)
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THE Blues Giants of the 1950s
KING OF SLIDE GUITAR
BLUES - A Regional Experience – published 1 May 2013 by Bob Eagle and Eric S. LeBlanc Publisher: Praeger (US and UK), Hardback 630 pages Featering accurate birth and death data on more than 1.500 blues and R&B performers. (although missing the vocal group singers)
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ELMORE JAMES
"King of Slide Guitar" - Guitarist/Delta blues singer and the most important slide guitar stylist and “disciple” of the legendary Robert Johnson. Toured with Sonny Boy II and Robert Jnr Lockwood in the Delta during the ´30s. Worked in Mississippi, Arkansas and came to Chicago in 1952. Debuted recording in Jackson, Miss 1951 and later was recorded by Ike Turner for the Biharis, (led by Joe Bihari, who also recorded him in the South, Chicago, L.A. and N.O.). Bad health kept Elmore from recording more than he did. His famous band were the Broom Dusters, featuring members of the legendary Tampa Red´s band: Little Johnny Jones, pno; J.T. Brown, sax; Odie Payne, dms. Joined Bobby Robinson's labels in 1959 (recording in Chicago, New York and Jackson, MS). Several of Elmore’s records were issued as Elmo James and as Elmo(re) James and His Broomdusters. Charter member of the Blues Foundation Hall of Fame in 1980, and inducted into the Rock and Roll Hall of Fame in 1992.
ELMORE JAMES, vocals/guitar “BIG-SIX” 1. Elmo James (featuring Sonny Boy Williamson, hca) - Jackson, MS August 5, 1951: DRC 53 Dust My Broom – Trumpet 146 (#9,1w total) 2. Elmore James and the Broomdusters (featuring J. T. Brown, sax; Johnny Jones, pno) - Chicago, August 1953: FL 162 Make My Dreams Come True – Flair 1031 3. Elmore James and His Broomdusters (featuring Maxwell Davis, sax) - Los Angeles, ca August 1954: FL 217 Standing At The Crossroads – Flair 1057 4. Elmo James and His Broomdusters - Chicago, November 3-4, 1959: FM 133 The Sky Is Crying – Fire 1016 5. Elmore James (featuring Johnny “Big Moose” Walker, pno) - New Orleans, ca August 1961: FM 194 Shake Your Moneymaker – Fire 504 6. (featuring Johnny Acey, pno; prob. Jimmy Spruill, gtr) - New York City, May 23-24, 1960: 8316 Something Inside Me – Fire 5001 (issued 1965)
R&B Top 10 Hits: (2 of 4 Top 40) 1951 Dust My Broom # 9 (as Elmo James) 1953 I Believe #9
Born: Elmore Brooks (stepfather James), January 27, 1918, Richland, Miss. (near Canton). Died May 24, 1963, Chicago, Ill (heart attack). First recordings: Jackson, Miss August 1951 Dust My Broom Trumpet 146; and Chicago, October 1952 I Believe / I Held My Baby Last Night - Meteor 5000. Records for: Meteor 1952, Checker 1953, Flair 53-56, Chief 1957, Chess 1960, Fire/Fury/Enjoy 59-63 Essential CD: The Sky Is Crying - The History of... - Rhino R2 71190 (1993) or The Very Best of Elmore James – Rhino R2 79803 (2000) Editor´s choice: The Classic Early Recordings (3CD - the Modern years) - Ace ABOX 4 (1993) and King of the Slide Guitar - Charly (4CD Chess-Chief-Fire 19521963) CD RED Box 4 (1992) or: (same title) Charly (3CD Chief-Fire) SNAJ722CD (2004) For Collectors: Blues After Hours - Ace CDCHM 1043 (2005) - reissue of Crown LP plus bonus tracks First LPs: Blues After Hours – Crown CLP 5168 (1960) The Sky Is Crying – Sphere Sound LP SR-7002 (1965) Reading: The Amazing Secret History of Elmore James by Steve Franz (BlueSource Publ, 2003) and Elmore James - The Ultimate Guide to the Master of Slide: Steve Franz (US 1994)
. Important Gems: 1952 Please Find My Baby 1953 I Held My Baby Last Night 1953 Whose Muddy Shoes 1953 Hawaiian Boogie (instr) 1954 Make My Dreams Come True 1954 Sho´ Nuff I Do 1954 Sunnyland 1954 Standing At The Crossroads 1955 Late Hours At Midnight 1955 Blues Before Sunrise 1956 Long Tall Woman 1957 The Twelve Year Old Boy 1959 The Sky Is Crying (as Elmo James) 1960 Madison Blues 1960 Stormy Monday Blues 1960 Fine Little Mama 1961 Anna Lee 1961 Look On Yonder Wall 1961 Shake Your Moneymaker 1962 I Need You (Baby) 1963 Mean Mistreatin´ Mama 1963 It Hurts Me Too 1963 Something Inside (Of) Me
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ELMORE JAMES – REPRESENTATIVE CLASSICS 1951-1966
1951
1952
1954
1955
1957
1961
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1953
1959
1965
(rec 1961)
1956
1960
/ 1965
The R&B Pioneers Series .- Volume Five of twelve
1966 (rec 1960)
THE Blues Giants of the 1950s
Elmo’s Original “International” LPs 1960-1970
(slightly selected; and a great CD)
Crown CLP 5168 (two versions, 1960), and the reissues: Custom CM-2054, United 7716 (two versions)
BYG 529 004 (Fr, 1969) Kent KLP-5022 (mono, KST 522 stereo, 1967), United/Superior US 7743 (reissue), Kent KST-9001 (1969), United Superior US-7778 (reissue 1976)
Kent KST-9010 (1970), United/Superior 7787 (reissue)
Ace CDCHM 1043 (2005 - great CD with bonus tracks)
Sue ILP-918 (UK 1964), Sphere Sound SSR-7002 (1965), Sue ILP-927 (UK 1965). Sphere Sound ”I Need You” LP SSR-7008 (1966), Bell MBLL-104 (UK 1968)
Ember EMB 3397 (UK 1968), Blue Horizon “To Know A Man” S7-66230 (UK, 1969), Bell “Elmore James” LP 6037 (UK 1970), Chess 1537 (1969 – Elmore James and John Brim), UpFront 122 (1970)
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THE Blues Giants of the 1950s
Some interesting new CDs
3CD-set on Not Now (2015)
Universal Music Group (2014)
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Acrobat (2CD) 2015 (54 tracks)
The R&B Pioneers Series .- Volume Five of twelve
THE Blues Giants of the 1950s
KING OF HARMONICA
The R&B Pioneers Series .- Volume Five of twelve
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THE Blues Giants of the 1950s
LITTLE WALTER Walter's pre-"Juke"-recordings Little Walter J - Chicago 1947 vcl with Othum Brown and Jimmy Rogers, gtrs 711B I Just Keep Loving Her - Ora Nelle 711/Chance 1116 (flip by Othum Brown) 711B I Just Keep Loving Her (alt) - unissued Sunny Land Slim And Muddy Water - Little Walter vocal - Chicago, May 14, 1949 vcl/hca with Sunnyland Slim, pno/vcl-1; Muddy Water(s), gtr; Leroy Foster, gtr; Elga Edmonds, dms 1002A Blue Baby - TempoTone 1002 1002B I Want My Baby -1 - Tempo Tone 1002 Little Walter Trio - Chicago January, 1950 (for Herald, also incl recordings by Foster) vcl/hca-1/gtr with Muddy Waters and Jimmy Rogers, gtrs; Leroy Foster, gtr/dms H 511 Just Keep Loving Her -1 - Parkway 502/Herald 403 H 517 Moonshine Blues (Moonshine Baby) - Parkway 502/Savoy 1122 R1356 Muskadine Blues (Take A Little Walk With Me) - Regal 3296/Herald 403 R1357 Bad Acting Woman - Regal 3296 Muddy Waters - Chicago October 23, 1950 hca with Muddy Waters, gtr; Big Crawford, bs U 7276 Evan’s Shuffle - Chess 1441 (flip by Muddy Waters) Note: Walter also did several sessions as sideman for Jimmy Rogers, Muddy Waters, Johnny Shines, Eddie Ware, and Floyd Jones prior to his "Juke" recording.
"King of Harmonica" – One of the Chess labels’ “Big Four” (Muddy, Wolf, Sonny Boy and Little Walter). The most influental harmonica player and a successful Chicago Bar Blues singer and sometimes guitarist. Worked with Jimmy Rogers and Baby Face Leroy and joined Muddy Waters during the late ´40s. Arrived in Chicago in 1946 after stints in New Orleans; Helena, Arkansas, and St. Louis. Started his own band in 1952 - the Night Cats - later famous as the Jukes, featuring brothers Louis and David Meyers, gtrs; and Fred Below, dms (who actually were Junior Wells´ "Little Muddy Waters" band). Was later accompanied by a.o. Robert Jnr. Lockwood and Luther Tucker, gtrs. Continued to back Muddy Waters on several occasions during the ´50s (especially on most of Muddy´s hit records). Charter member of the Blues Foundation Hall of Fame in 1980, and inducted into the Rock and Roll Hall of Fame in 2008.
Born: Marion Walter Jacobs, May 1, 1930 (not May 2, 1931, and prob not 1923), Marksville, Louisiana. Raised in Alexandria, Louisiana. Died February 15, 1968, Chicago at home (from street fight, shot). First recordings: Chicago 1947 I Just Keep Loving Her - Ora Nelle 711; Checker: May 12, 1952 Juke - Checker 758. Records for: Checker 52-66. LITTLE WALTER, vocals/harmonica “HI-FIVE” 1. Little Walter & His Night Cats (featuring Muddy Waters, Jimmy Rogers, gtrs) – Chicago, May 12, 1952: U 7437 Juke – Checker 758 (#1 for 8w, 20w total) 2. Little Walter and His Jukes (featuring Jimmy Rogers, Louis Meyers, gtrs; Fred Below, dms) - Chicago, July 23, 1953: U 4398 Blues With A Feeling – Checker 780 (#2, 11w) 3. (featuring Robert Jnr Lockwood, Luther Tucker, gtrs) - Chicago, October 5, 1954: U 4416 Last Night – Checker 805 (#6, 4w) 4. (featuring Lockwood, Willie Dixon, bs; Below) - Chicago, January 25, 1955: 7777 My Babe – Checker 811 (#1 for 5w, 19w) 5. Little Walter (featuring Lockwood, Tucker) - Chicago, December 1959: 9891 You’re Sweet – unissued, released on Chess CD 9357 in 1995
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Essential CDs: His Best - MCA/Chess CHD 9384 (1997) or Essential Little Walter (2CD) - MCA/Chess CHD2-9342 (1993) Editor´s choice: The Chess Years, 1952-1963 (4CD) - Charly CD RED Box 5 (1992) or more recently: The Complete Chess Masters (1950-1967) (5CD) - Hip-O Select 126360-2 (2009) For collectors: Blues with a Feeling (2CD with rare Chess) - MCA CHD2-9357 (1995) The Blues World of Little Walter – Delmark DD-648 (1993) with 1950 recordings
Reading: Blues with a feeling - The Little Walter Story by Tony Glover, Scott Dirks & Ward Gaines (Routledge, 2002) First LP: The Best of Little Walter - Chess LP 1428 (1957)
The R&B Pioneers Series .- Volume Five of twelve
THE Blues Giants of the 1950s
R&B Top 10 Hits: (14 of 15 Top 40) 1952 Juke (instr) #1 for 8w (and His Night Cats) 1952 Sad Hours (instr) #2 (and Hist Night Caps) 1953 Mean Old World # 6 (and His Night Caps) 1953 Tell Me Mama #10 (and His Jukes) 1953 Off The Wall (instr) #8 1953 Blues With A Feeling #2 1953 You´re So Fine #2 1954 Oh, Baby #8 1954 You Better Watch Yourself #8 1954 Last Night #6 1955 My Babe #1 for 5w 1955 Roller Coaster (instr) #6 1956 Who #7 1958 Key To The Highway #6
The Ultimate Entertainment: 1948 Blue Baby (Sunnyland Slim & Muddy Water) 1950 Muskadine Blues 1951 Evan´s Shuffle (by Muddy Waters) 1952 Boogie (instr) 1952 Driftin´ 1952 That´s It (instr) 1952 Tonight With A Fool 1953 Quarter To Twelve (instr) 1954 I Gotta Find My Baby 1954 Mellow Down Easy 1954 Big Leg Mama 1956 Hate To See You Go 1956 Just A Feeling 1957 Everybody Needs Someboday 1958 Everything´s Gonna Be Alright 1959 You´re Sweet 1960 Just Your Fool 1960 Blue Midnight (instr rec 1952) 1961 You Don´t Know 1963 Dead Presidents
Charly R&B "Red Box" CD Box Set Series Chess/Vee-Jay: RED BOX 1 - The Chess Years - Sonny Boy Williamson 1955-1964 [1992] 4CD - reissue of the 6-LP box set CHESS BOX-1, from 1986. RED BOX 2 - The Chess Years - Chuck Berry 1955-1974 [1992] 9CD RED BOX 3 - The Complete Muddy Waters 1947-1967 - Muddy Waters [1992] 9CD RED BOX 4 - King of the Slide Guitar - Elmore James 1957-1963, plus [1992] 4CD RED BOX 5 - The Chess Years 1952-1963 - Little Walter [1993] 4CD RED BOX 6 - The Vee-Jay Years 1955-1964 - John Lee Hooker [1993] 6CD RED BOX 7 - The Complete Recordings 1951-1969 - Howlin' Wolf [1993] 7CD RED BOX 8 - The Chess Years - Bo Diddley 1955-1970 [1994] 12CD RED BOX 9 - The Vee-Jay Years – Jimmy Reed 1953-1965 [1994] 9CD
Little Walter's Original Chess LPs The Best of - Chess LP 1428 (1957) / also on Checker 3004 (1964) Hate To See You Go - LP 1535 (1969) Boss Blues Harmonica - 2LP 60014 (1972) (reissued as 2LP 202, 1976) Confessin' The Blues - LP 416 (1974) Chess Masters – 2LP 4002 (1981 UK Charly) Little Walter Vol 2 - 2LP 4011 (1982 UK Charly) The Best of, vol. 2 - MCA/Chess LP 9292 (1986)
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LITTLE WALTER Chess/Checker LP Gallery
Chess LP 1428 (1957), Chess LP 1535 (1969), LP 1542 planned for Walter-but was unissued, Chess (GRT) CHV 416 (1975)
Checker LP 3004 (reissue of 1428 – 1967), Chess (GRT) 2CH-60014 (1972), CH 50056 (Walter unissued), All Platinum 2ACMB-202 (reissue of 60014 – 1976)
Europe: Chess International PAR 207 (1967), Charly CXMD 4002 (1980), Charly CXMD 4011 (1982)
CH2-92503 / CH2-9209 (reissue of 2CH-60014 – 1984), Japan Pioneer 2-set LP PLP 6036-7 (1985), MCA CH-9192 (reissue of 1428 - 1986) Note: Chess was subsequently sold to GRT, All Platinum, Sugar Hill, and then finally to MCA/Universal (even Charly thought for a while they had license).
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LITTLE WALTER Chess/Checker Gallery -Bootleg LPs & Regular CDs-
Bootlegs: Red Lightnin’ RL 002 (1969), Syndicate Chapter “Thunderbird” SC004 (1971), LeRoi De Blues 2007, 2012 and 2017 (all 1978)
MCA/Chess CDs: 9292 ”The Best of… vol 2” (1989), 9321 – reissue of 1535 (1990), 9342 (2CD 1993)
MCA/Chess US and Europe versions of 9357 (2-set CD 1995), 9366 (1997 reissue of 416), “His Best” 9384 (1997)
Charly RED Box 5 (4CD 1992), Universal/Geffen: The Complete Chess Masters (1950-1967) (5CD) on Hip-O Select 126360-2 (2009, top left)
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LITTLE WALTER Checker Recordings – all in Chicago A complete Checker/Chess discography session cont’d U 4401 Fast Boogie -1 U 4402 Lights Out -1 U 4403 Fast Large One -1 U 4404 You’re So Fine (#2) -My Kind Of Baby
CD 9342, # 786, LP 416, # CD 9342, # 786, LP 1428, # CD 9357
with David Myers and Robert Jr Lockwood,gs; Willie Dixon,b; Fred Below,d Febr 22, 1954 U 7603 Come Back Baby CD 9357 U 7604 Rocker -1 793, LP 416 U 7605 I Love You So (aka Oh Baby) CD 9357 U 7608 Oh Baby (alt o.a) (#8) 793, LP 1535, # U 7609 Blue Light (first version) -1 unissued add Otis Spann,p May 22, 1954 U 7653 I Got To Find My Baby 1013, LP 1535, 416?, # alt. take o.a. LP 416?, CD 9340 U 7654 Big Leg Mama -1 CD 9357 omit Spann July 1, 1954 U 7669 Mercy Babe (aka My Babe) CD 9357 U 7670 Last Night (first version) Argo LP4042, CD9342 (#)
General note: Discography based on “Blues Discography – the classic years” (Fancourt-McGrath - Eyeball 2012), Les Fancourt’s “Chess Labels Discography” (1989); Glover-Dirks-Glaines book “Blues With A Feeling – the Little Walter Story” (2002), and their presentation on Hip-O-Select’s terrific 5CD-set 126360-2 “The Complete Chess Masters 1950-1967” (2009). All listed recordings are on that set (unless marked unissued). All recordings done in Chicago for Checker (LPs on Chess). Only original Checker singles and original US LP or CD albums are listed. Cat nos. not given on previous two pages feature v.a. Tracks on Essential Little Walter (2CD) - MCA/Chess CHD2-9342 (1993) marked #. All recordings Little Walter, vcl/hca (-1= instrumental)
MUDDY WATERS, gtr with Little Walter,hca; Big Crawford,b U 7276 Evan’s Shuffle (aka Ebony Boogie) -1
October 23, 1950 Chess 1441, LP 8202
LITTLE WALTER & His Night Cats with Muddy Waters and Jimmy Rogers,gs; Elga Edmonds,d May 12, 1952 U 7437 Juke (aka Your Cat Will Play) (#1) -1 Checker 758, LP 1428 alt. take o.a. CD 9357, # U 7438 Can’t Hold On Much Longer 758, LP 1428 alt. take o.a. CD 9357, # LITTLE WALTER & His Night Caps with Louis Myers and David Myers,gs, Fred Below,d (some indications give same line up as above) October, 1952 1050 Blue Midnight -1 955, LP 1535 alt. take o.a. CD 9357, # 1051 Boogie -1 CD 9342 (#) 1052 Mean Old World (#6) 764, LP 1428, # 1053 Sad Hours (#2) -1 as above, # LITTLE WALTER & His Jukes with Louis Myers and David Myers,gs, Big Crawford,b; Fred Below,d ca January 1953 4318 Fast Boogie -1 CD 9340 alt. take o.a. CD 1226360 alt. take o.a. CD 1226360 alt. take o.a. CD 9357 4319 Don’t Need No Horse -1 CD 9340, # 4320 Driftin’ CD 9357 alt. take o.a. CD 1226360
with David Myers,g; Robert Jr Lockwood or Luther Tucker,g; Willie Dixon,b; Fred Below,d July 14, 1954 U 7673 You’d Better Watch Yourself (#8) 799, LP 1428, # U 7674 Blue Light (aka Blue Lights) -1 as above with Robert Jr Below,d U 4416 U 4417 U 4415
Lockwood and Luther Tucker,gs; Willie Dixon,b; Fred October 5, 1954 Last Night (#6) 805, LP 1428 Mellow Down Easy 805, LP 1535, # Instrumental -1 CD 1226360
with Robert Jr Lockwood,g; Willie Dixon,b; Fred Below,d (Leonard Gaston also listed as guitarist in early discos) January 25, 1955 7776 Thunderbird -1 811, LP 2-60014 7777 My Babe (#1) 811, 1428, # 7777R My Babe (overdubbed chorus) 955, CD 1226360 with Luther Tucker,g; Bo Diddley,g-2; Robert Jr Lockwood,g-3; Willie Dixon,b; Fred Below,d April 28, 1955 U 7827 Roller Coaster (#6) -1,-2 817, LP 1535, # U 7828 I Got To Go -3 817, LP 416 U 7888 I Hate To See You Go -2 825, LP 1535, # Note: Last title aka “My Desire”; edited on August 12, 1955 and is extended on CD 9357. with Luther Tucker and Robert Jr Lockwood,gs; Willie Dixon,b; Fred Below,d July 14, 1955 U 7674 Little Girl CD 9342 (#) U 7675 Crazy For My Baby 986, CD 9357 U 7676 Can’t Stop Loving You CD 9357 December 1955 U 7966 One More Chance With You 838, LP 416 U 7967 Who (#7) 833, CD 9357 U 7368 Boom, Boom Out Goes The Lights 867, LP 2-60014, # U 7969 It Ain’t Right 833, LP 416, # March 9, 1956 8068 Flying Saucer -1 838, LP 2-60014 Note: From single 845 the Jukes were no longer credited.
with Henry Gray,p-2; Louis Myers and David Myers,gs, Willie Dixon,b; Fred Below,d March 1953 U 4343 Don’t Have To Hunt No More -1 (aka Don’t Need To Hurt No More) 767, REDBox5 (UK) U 4344 Crazy Legs (aka Latin Beat) -1 986, LP 416 U 4345 Tonight With A Fool -2 (aka I Wished A Had Someone) 767, CD 9357 U 4348 Off The Wall -1 (#8) 770, LP 1428, # alt. take o.a. Argo LP 4034 U 4349 Tell Me Mama (#19) 770, LP 1428, # with Louis Myers and David Myers,gs; Willie Dixon,b; Fred Below,d; Louis Jimmy Rogers replaces Louis on -2 July 23, 1953 U 4394 Quarter To Twelve -2 780, LP 416, # U 4397 That’s It -1 CD 9357 U 4398 Blues With A Feeling (#2) 780, LP 1428, # alt. take o.a. CD 9357 U 4399 Last Boogie -1 CD 9357 U 4400 Too Late 825, CD 9357, #
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LITTLE WALTER with same acc. 8191 It’s Too Late Brother 8192 Teenage Beat -1 8193 Take Me Back 8194 Just A Feeling
The R&B Pioneers Series .- Volume Five of twelve
July 852, 845, 852, 845,
27, 1956 LP 2-60014, # LP 2-60014 LP 1535 LP 2-60014, #
THE Blues Giants of the 1950s with Luther Tucker and Fred Robinson,gs; Willie Dixon,b; George Hunter,d August 12, 1959 9654 One Of These Mornings CD 9357 9655 Blue And Lonesome 1117, LP 1535, # alt. take o.a. CD 9357
Little Walter disco cont’d
with Otis Spann,p; Luther Tucker and Fred Robinson,gs; George Hunter,d November 1959 9810 Me And Piney Brown 938, CD 9357 9811 Break It Up as above with Luther Tucker and poss. Fred Robinson,gs; Willie Dixon,b; George Hunter,d December 1959 9889 Going Down Slow CD 9357 9890 My Desire unissued 9891 You´re Sweet CD 9357 Note: These recordings may be from the April 28, 1955 session, edited and poss dubbed.
LITTLE WALTER with Robert Jr Lockwood,g; Luther Tucker,g/b-2; Fred Below,d March 5, 1957 8433 Nobody But You -2 859, LP 1535 8435 Temperature (first version) REDBox5 (UK) 8436 Shake Dancer -1,-2 1071, LP 2-60014 8437 Everybody Needs Somebody 859, LP 1535 with Luther Tucker and Jimmie Lee Robinson,gs; Willie Dixon,b; Fred Below,d June 20, 1957 8525 Temperature 867, LP 416 alt. take o.a. CD 9357 alt. take o.a. CD 1226360 take 30 of above REDBox5 (UK) take 35-38 of above REDBox5 (UK) 8526 Ah’w Baby 945, CD 9357, # alt. take o.a. LP 2-60014 8527 I’ve Had My Fun 945, LP 1535, # alt. take o.a. CD 9242 alt. take o.a. CD 1226360 with Lafayette Leake,p; Luther Tucker and Jimmie Willie Dixon,b; Francis Clay,d 8644 The Toddle (aka The Tottle) -1 8645 Confessin’ The Blues
Lee Robinson,gs; January 1958 890, LP 416 as above, #
with Otis Spann,p; Muddy Waters and Luther Tucker,gs; Willie Dixon,b; George Hunter or poss. Francis Clay,d August 1958 8981 Key To The Highway (#6) 904, LP 1535, # 8982 Rock Bottom -1 904, LP 416 alt. take o.a. CD 9357 9141 Walkin’ On (alt o.a.) CD 9342 (#)
with Otis Spann,p; Luther Tucker and Fred Robinson,gs; Willie Dixon,b; George Hunter,d December 1960 10593 I Don’t Play 968, CD 9342 (#) 10594 As Long As I Have You 968, LP 1535, # 10595 You Don’t Know CD 9357 10596 Just Your Fool CD 9357, # with Jarret Gibson and Donald Hankins,saxes; Billy Emerson,org (not on2); Buddy Guy,g; Jack Myers,b; Al Duncan,d Febr 5, 1963 12168 Up The Line -2 1043, LP 416, # 12169 I’m A Business Man 1081, CD 9357 12170 Dead Presidents 1081, CD 9342 (#) 12171 Southern Feeling -1 1043, CD 9342 (#) with J.T. Brown,tensax; Lee Jackson,g; Junior Pettis,b; George Cook,d February 1966 14573 Back In The Alley -1 CD 1226360 14574 I Feel So Bad (take 1) as above 14575 I Feel So Bad (take 2) as above 14576 Chicken Shack -1 CD 9357
with Otis Spann,p; Luther Tucker,g; Andrew Stephens,b; George Hunter,d January 1959 9196 You Gonna Be Sorry (Someday) CD 9342 (aka Someday Baby You Gonna Be Sorry) alt. take o.a. (aka Someday Baby) CD 9357, # alt. take o.a. CD 1226360 9197 One Of These Mornings -1 CD 1226360 with Luther Tucker and Fred Robinson,gs; Willie Dixon,b; George Hunter,d Febr 25, 1959 9243 Baby CD 9357 9244 My Baby Is Sweeter (alt o.a.) 919, LP 1535 alt. take o.a. CD 9357 9245 Crazy Mixed Up World 919, LP 416, # alt. take o.a. CD 9357 9246 Worried Life (aka Someday Baby) CD 9342, # alt. take o.a. CD 9357 with Otis Spann,p; Luther Tucker and Fred Robinson,gs; Willie Dixon,b; Bill Stepnney,d July 21, 1959 9619 Everything Gonna Be Alright (#25) 930, LP 1535, # alt. take o.a. (take 1) CD 1226360 alt. take o.a. CD 9357 alt. take o.a. CD 1226360 9620 Mean Old Frisco 1117, LP 416 alt. take o.a. CD 9357 9621 Back Track -1 930, LP2-60014, #
Hip-O-Select CD 1226360 ”The Complete Chess Masters” Note: Little Walters also recorded on the “Super Blues” Checker LP 3008 with Muddy Waters and Bo Diddley; featuring Otis Spann, Buddy Guy, Sonny Wimberley, and Frank Kirkland on January 4, 1967. That session also featured “Juke”, “Feel So Bad”, and “Make It Alright” (issued on CD 1226360). Peak positions on any of Blllboard’s R&B Charts noted
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Two great later CDs
Jasmine 2CD (of 2011) and Hip-O-Select’s great 5CD “box” The Complete Chess 1950-1967 (issued 2009).
Inserted: A great little book (140 pages) covering an overview on The Blues by Elijah Wald.
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LITTLE WALTER & JIMMY REED – TEN REPRESENTATIVE SINGLES EACH
1952
1952
1953
1953
1954
1955
1956
1957
1958
1955
1959
1960
1957
1960
1953
1957
1962
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BOSS MAN OF THE BLUES
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JIMMY REED First LP: I’m Jimmy Reed – Vee-Jay LP 1004 (1958) JIMMY REED, vocals/harmonica/guitar “BIG-SIX” 1. Jimmy Reed and His Trio (featuring Eddie Taylor, John Littlejohn, gtrs; Albert King, dms) – Chicago, December 29-30,1953: 53-120 You Don’t Have To Go – Vee-Jay 119 (#5, 10w total) 2. Jimmy Reed (featuring Eddie Taylor, gtr; Earl Phillips, dms) - Chicago, October 3, 1956: 56-551 You’ve Got Me Dizzy – Vee-Jay 226 (#3, 9w) 3. (featuring Mary Reed,co-vcl; Lefty Bates, Eddie Taylor, gtrs) - Chicago, August 7, 1959: 59-1211 Baby What You Want Me To Do – Vee-Jay 333 (#10, 6w) 4. (featuring Mary Reed, co-vcl; Lee Baker, Lefty Bates, gtrs; Willie Dixon, bs) - Chicago, March 29, 1960: 60-1418 Big Boss Man – Vee-Jay 380 (#13, 8w) 5. (featuring Mary, Bates, Phillips) – Chicago, 1961: 61-2070 Bright Lights Big City – Vee-Jay 398 (#3, 13w) 6. (featuring Jimmy Reed Jnr, Lefty Bates, gtrs; Al Duncan, dms) - Chicago, 1963: 63-3067 Shame Shame Shame – Vee-Jay 509
"Boss Man of the Blues" - "Cousin Peaches". Popular and distinctive guitarist/harmonica player and Chicago blues singer in the Down South Louisiana/Mississippi "swamp" style. Came to Chicago from Mississippi in 1948 (after having lived in Chicago before the war and returned to Leland after military services), and settled in Gary, Indiana in 1949. Worked with San Francisco as base from 1970. Especially worked with Eddie Taylor, Lefty Bates and later Phil Upchurch and Wayne Bennett, gtrs; Earl Phillips and later Al Duncan, dms in Chicago. Was Vivian Bracken-Carter´s (of Vee-Jay) most consistent act, produced by Jimmy Bracken and Calvin Carter and later by manager Al Smith. Jimmy actually sings “Baby Why You Wanna Let Go” on his hit “Baby What You Want Me To Do” Became the most successful of the blues singers during the late ´50s and early ´60s. Charter member of the Blues Foundation Hall of Fame in 1980, and inducted into the Rock and Roll Hall of Fame in 1991. Born: Mathis James Reed, September 6, 1925, Dunleith, Miss. (near Leland). Died from epileptic seizure August 29, 1976, Oakland, Calif. First recordings: as hca-playing sideman (with Eddie Taylor) on John Brim's Gary Stomp (instrumental)/Tough Times - Parrot (1953); himself: Chicago June 6, 1953 High And Lonesome / Roll And Rhumba - Chance 1142/VeeJay 100. Records for: VeeJay 53-65, Bluesway 66-68, Blues on Blues 69-70.
R&B Top 10 Hits: (10 of 20 Top 40) 1954 You Don´t Have To Go #5 1955 Ain´t That Lovin´ You Baby #3 1956 Can´t Stand To See You Go #10 1957 You’ve Got Me Dizzy #3 1957 Little Rain #7 1957 Honey, Where You Going #10 1957 Honest I Do #4 1958 I´m Gonna Get My Baby #5 1959 Baby What You Want Me To Do #10 1961 Bright Lights Big City #3 Listen and Enjoy : 1953 High And Lonesome 1955 I Don´t Go For That 1958 Goin´ To New York 1959 Take Out Some Insurance 1959 Hush Hush 1960 Big Boss Man 1961 What´s Wrong Baby 1962 Too Much 1962 Down In Mississippi 1963 I´ll Change My Style 1963 Shame Shame Shame 1964 Wear Something Green 1964 I´m Going Upside Your Head 1965 I´m The Man Down There 1966 Crazy ´Bout Oklahoma 1968 Down In Virginia
Jimmy's original Vee-Jay albums: Essential CD: Blues Masters/The Very Best of... - Rhino R2 79802 (2000) or Best of the Vee-Jay Years - Shout!Factory 8266631063 (2007) or Boss Man (2CD) - Recall (UK) SMCD 232 (1999) - 36 great VeeJay tracks in chronoorder Editor´s choice: The Vee-Jay Years (6CD 1953-1965) - Charly CD RED Box 9 (1994) or The Essential Boss Man (3CD) – Charly SNAJ728CD (2004) For Collectors: Jimmy Reed at Carnegie Hall - Shout!Factory (Vee-Jay) VF 826663-10645 (2007) Reading: Big Boss Man - The Life and Music of Bluesman Jimmy Reed by Will Romano (Backbeat, US 2006) Deep Blues by Robert Palmer (Penguin 1981)
1004 - I'm Jimmy Reed (1958) 1008 - Rockin' With Reed (1959) 1022 - Found Love (1960) 1025 - Now Appearing (1961) 1035 - At Carnegie Hall (1961) 1039 - The Best Of (1961) 1050 - Just Jimmy Reed (1962) 1067 - T' Ain't No Big Thing (1963) 1072 - Sings The Best of The Blues (1963) 1073 - Plays 12 String Guitar Blues (1963) 1080 - The Bossman of The Blues with more of the Best (1963) 1095 - At Soul City (1964) 8501 - The Legend, The Man (1965) 7303 - Blues Is My Business (Dynasty 1976) 74762 – Bright Lights, Big City (Chameleon 1988) 705 - Speak the Lyrics to Me, Mama Reed (Vee-Jay Ltd 1993)
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JIMMY REED’S original LPs from mid 1963 to 1969+ Note: Earlier Vee-Jay LPs – see pages 40-41. LP 1035 2-set reissued on Exodus EX2-307 (1966). LP 1039 reissued on Buddah 4004 in 1969. Several Jimmy Reed LPs appeared on different Vee-Jay “sub-labels” during the 60s and 70s. Charly Records in the UK have ever since the 1980s issued lots and lots of LPs and CDs (also featuring in US unissued recordings).
Vee-Jay LPs 1073, 1080 (both 1963) and 1095 (1964)
Vee-Jay LP 8501 (1965), Dynasty LP 7303 (1974), and Chameleon LP/CD 74762 (1988)
BluesWay LPs 6004 (1967), 6009 (1967, featuring several Exodus recordings), 6015 (1968)
BluesWay LPs 6024 (1969), 6054 (1974), 6067 (ca 1970, featuring Vee-Jay recordings)
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JIMMY REED’S US Albums after 1969
BluesWay BLX 6073-2 (1973, reissue of Vee-Jay 1035), Blues On Blues LP 10001 (ca 1971? or later), Roker LP 4001 (1980), Vee-Jay Ltd CD 705 (1993)
Photo above by Burton Wilson. Inserted image: Jimmy with Eddie Taylor in Copenhagen 1968.
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Some of the later JR CDs
Real Gone 4CD-set (2014), Jasmine 2CD-set (2013), Not Now 2CD (2011), SPV Blue 1CD (2011); and Charly 3CD-set (2008)
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TWO EARLY CLASSIC BLUES LPs Little Walter and Howlin’ Wolf presented, with their first LPs on Chess, some of the most famous and most important Blues albums. Both albums were compilations of their most famous early singles. Here they are with track order and sessions. Walter’s singles’ cat.no. are Checker, and Wolf’s are Chess. All recordings made in Chicago (unless otherwise noted).
Chess (Checker) LP 1428 (1957)
Chess LP 1434 (1958)
Tracks:
Tracks:
My Babe / Sad Hours / You're So Fine / Last Night / Blues With A Feeling / Can't Hold Out Much Longer // Juke / Mean Old World / Off The Wall / You Better Watch Yourself / Blue Lights / Tell Me Mamma
Moanin' At Midnight / How Many More Years / Smokestack Lightnin' / Baby How Long / No Place to Go / All Night Boogie // Evil / I'm Leavin' You / Moanin' For My Baby / I Asked For Water (She Gave Me Gasoline) / Forty- Four / Somebody In My Home
Discography: The Howlin’ Wolf,vcl/hca; Ike Turne),pno-1; Willie Johnson,gtr; Willie Steele,dms Memphis July 1951 U 83 Moanin’ At Midnight Chess 1479 (R&B #10) U 84 How Many More Years -1 1479 (R&B #4) The Howlin’ Wolf,vcl/hca; poss Albert Williams,pno-1; poss Willie Johnson,gtr; unknown bs and dms Memphis 1953 U 7565 All Night Long 1557 Note the differing title contra the LP.
Discography: Little Walter;vcl-1/hca and His Night Cats; Muddy Waters and Jimmy Rogers,gtrs; Elga Edmonds,dms May 12, 1952 U 7437 Juke (Your Cat Will Play) Checker 758 U 7438 Can’t Hold Out Much Longer -1 758 Little Walter;vcl-1/hca and His Night Caps; Louis Myers and David Myers,gtrs; Fred Below.dms (there is a slight possibility that the accomp is the same as above) October 1952 C1052-2 Mean Old World -1 764 C1053-2 Sad Hours 764 Little Walter;vcl-1/hca and His Jukes; Louis Myers and David Myers,gtrs; Willie Dixon,bs; Fred Below.dms ca March 1953 U 4348 Off The Wall 770 U 4349 Tell Me Mama -1 770 Little Walter;vcl/hca and His Jukes; Louis Myers and David Myers,gtrs; Fred Below.dms July 23, 1953 U 4398 Blues With A Feeling 780 U 4404 You’re So Fine 786 Little Walter;vcl-1/hca and His Jukes; Louis Myers and David Myers,gtrs; Fred Below.dms July 14, 1954 U 7673 You’d Better Watch Yourself -1 795 U 7674 Blue Light 795 Note the differing spellings contra the LP on 4349, 7673 and 7674.
The Howlin’ Wolf,vcl/hca; Otis Spann,pno; Lee Cooper,gtr; Willie Dixon,bs; Earl Phillips,dms Chicago March 1954 U 7518 No Place To Go 1566 The Howlin’ Wolf,vcl/hca; Otis Spann,pno; Jody Williams and Hubert Sumlin,gtrs; Willie Dixon,bs; Earl Phillips,dms May 25, 1954 U 7657 Baby How Long 1575 U 7658 Evil Is Going On 1575 7658 titled “Evil” on LP. Howlin’ Wolf,vcl/hca; with same as previous session U 7741
Forty Four
October 1954 1584
Howlin’ Wolf,vcl/hca; Hosea Lee Knnard,pno; Willie Johnson and Hubert Sumlin,gtrs; Willie Dixon,bs; Earl Phillips,dms January 1956 U 7985 Smoke Stack Lightnin’ 1618 (R&B #8) Note the differing spelling contra the LP. Howlin’ Wolf,vcl/hca; Hosea Lee Kennard,pno; Willie Johnson and Smokey Smothers,gtrs; Willie Dixon,bs; Earl Phillips,dms January 1956 8175 I Asked For Water (She Gave Me Gasoline) 1632 (R&B #8) Howlin’ Wolf,vcl/hca; Adolph “Billy” Duncan,tensax; Hosea Lee Kennard,pno; Willie Johnson and Smokey Smothers,gtrs; Alfred Elkins,bs; Earl Phillips,dms June 24, 1957 8530 Somebody In Me Home 1668
Little Walter;vcl/hca and His Jukes; Robert Jr Lockwood and Luther Tucker,gtrs; Wilie Dixon,bs; Fred Below.dms October 5, 1954 U 4416 Last Night 805 This song was also recorded at the previous session.
Howlin’ Wolf,vcl/hca; Abe Locke,tensax; Hosea Lee Kennard,pno; Jody Williams and Hubert Sumlin,gtrs; Alfred Elkins,bs; Earl Phillips,dms April 3, 1958 8775-1 Moanin’ For My Baby 1695
Little Walter;vcl/hca and His Jukes; Leonard Gaston,gtr; Robert Jr Lockwood,gtr/bsg; Wilie Dixon,bs; Fred Below.dms; ensemble vcl January 25, 1955 7777 My Babe 811
Howlin’ Wolf,vcl/hca; Hosea Lee Kennard,pno; L.D. McGhee and Hubert Sumlin,gtrs; S.P. Leary,dms ca September 1958 9150 I’m Leaving You 1712
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the “KING” & the “BOSS” of Chicago Blues – their first LPs Muddy and Jimmy hit the LP-market with a Big Bang – presenting two classic Blues LPs, which still are among their fans’ most appreciated albums. Here they are with track order and sessions. Muddy on Chess and Jimmy on Vee-Jay. The four bonus tracks on Reed’s re-issue on Charly (UK) SNAP 131 CD (2003) are marked *. All recordings made in Chicago. Note differing spellings.
Vee-Jay LP 1004 (1958)
Chess LP 1427 (1957) Tracks:
Tracks:
Hoochie Coochie Man / I'm Ready / Rollin' Stone / I Just Want To Make Love To You / Honey Bee / She Moves Me // I Can't Be Satisfied / I Want You To Love Me / Long Distance Call / Standing Around Crying / Still A Fool / Louisiana Blues (Note the differing titles on some single issues)
Honest I Do / Go On To School / My First Plea / Boogie In The Dark / You Got Me Crying / Ain't That Lovin' You Baby // You Got Me Dizzy / Little Rain / Can't Stand To See You Go / Roll And Rhumba / You're Something Else / You Don't Have To Go
Discography: Muddy Waters;vcl/gtr with Rythm (sic) Accompaniement; Ernest Big Crawford,bs ca December 1947 U 7112 I Can’t Be Satisfied Aristocrat 1305 Muddy Waters;vcl/gtr U 7237 Rollin’ Stone
February 1950 Chess 1426
Muddy Waters;vcl/gtr; Little Walter,hca, Ernest Big Crawford,bs October 23, 1950 U 7275 Louisiana Blues 1441 (R&B #10) Muddy Waters;vcl/gtr and his Guitar; Little Walter,hca/or gtr-1, Ernest Big Crawford,bs January 23, 1951 U 7304 Long Distance Call 1452 (R&B #8) U 7306 Honey Bee -1 1468 (R&B #10) Muddy Waters;vcl/gtr and his Guitar; Little Walter,hca/or gtr-1; Jimmy Rogers replaces Muddy,gtr-1; Ernest Big Crawford,bs; Elga Edmonds or Len Chess,dms July 11, 1951 U 7358 She Moves Me 1490 (R&B #10) U 7360 Still A Fool -1 1490 (R&B #9) Muddy Waters;vcl/gtr and his Guitar; Junior Wells,hca; Jimmy Rogers,gtr; Elga Edmonds,dms September 17, 1952 U 7477 Standing Around Crying 1526 Muddy Waters;vcl/gtr and his Guitar; Otis Spann,pno: Little Walter,hca; Jimmy Rogers,gtr; Elga Edmonds,dms September 24, 1953 U 7552 Mad Love 1550 (R&B #6) Titled “I Want You To Love Me” on LP. Muddy Waters;vcl/gtr and his Guitar; Otis Spann,pno: Little Walter,hca; Jimmy Rogers,gtr; Elga Edmonds,dms January 7, 1954 U 7589 I’m Your Hoochie Cooche Man 1560 (R&B #3) Some pressings titled “I’m Your Hoochie Cooche Man”. On LP it is titled “Hoochie Coochie Man”. Muddy Waters;vcl/gtr and his Guitar; Otis Spann,pno: Little Walter,hca; Jimmy Rogers,gtr; Elga Edmonds,dms January 7, 1954 U 7630 Just Make Love To Me 1571 (R&B #4) Titled “I Just Want To Make Love To You” on LP. Muddy Waters;vcl/gtr and his Guitar; Otis Spann,pno: Little Walter,hca; Jimmy Rogers,gtr; Willie Dixon,bsFred Below,dms September 1, 1954 U 7697 I’m Ready 1597 (R&B #4)
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Discography: Jimmy Reed,vcl-1/hca/gtr and His Trio; John Brim,gtr; unkn bs; Albert King or Morris Wilkerson,dms Poss June 6, 1953 53-104 * High And Lonesome -1 Chance 1142/Vee-Jay 100 53-107 Roll And Rhumba Chance 1142/Vee-Jay 100 Jimmy Reed,vcl-1/hca/gtr and His Trio; Eddie Taylor and John Littlejohn,gtrs; Albert King,dms Poss December 29/30, 1953 53-120 You Don’t Have To Go -1 Vee-Jay 119 (R&B #5) 53-121 Boogie In The Dark 119 Jimmy Reed,vcl/hca/gtr; Henry Gray,pno; W.C. Dalton,gtr; Milton Rector,bs; Earl Phillips,dms July 18, 1955 55-294 * She Don’t Want Me No More 153 55-295 * Come On Baby issued on VJ LP 7303 (1976) Jimmy Reed,vcl/hca/gtr; Eddie Taylor,gtr; Vernell Fournier,dms December 5, 1955 55-383 Ain’t That Lovin’ You Baby 168 (R&B #3) 55-384 Can’t Stand To See You Go 186 (R&B #10) Jimmy Reed,vcl/hca/gtr; Eddie Taylor,gtr; Vernell Fournier,dms June 11, 1956 56-486 My First Plea 203 Jimmy Reed,vcl/hca/gtr; Eddie Taylor,gtr; Earl Phillips,dms October 3, 1956 56-551 You’ve Got Me Dizzy 226 (R&B #3) 56-552 * Honey Don’t Let Me Go 226 January 9, 1957 57-593 Little Rain 237 (R&B #7) Jimmy Reed,vcl/hca-1/gtr; Remo Biondi and Eddie Taylor,gtrs; Earl Phillips,dms January 9, 1957 57-663 Honest I Do -1 253 (R&B #4) December 12, 1957 57-810 You’re Something Else 270 March 12, 1958 58-861 Go On To School -1 275 58-862 You Got Me Crying -1 275
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Three MORE of the EARLY CLASSIC BLUES LPs Jimmy Reed issued seven LPs up to and including 1962 (with a majority of earlier singles issues). Here are his third and fourth (1025 mainly an “LP-session”). Howlin’ Wolf issued three up to and including 1965. Here is his second. Track order and sessions are listed. Reed’s are on Vee-Jay, and Wolf’s are Chess. Note differing spellings. All recordings made in Chicago.
Vee-Jay LP 1022 (mid/late 1960) and 1025 (early 1961)
Tracks: 1022 Baby What You Want Me To Do / Found Love / Meet Me / I Was So Wrong / Going By The River Part 2 / Big Boss Man // HushHush / Where Can You Be / I'm Nervous / Going By The River Part 1 / I Ain't Got You / Come Love. 1025 Close Together / Got Me Chasing You / Want To Be With You Baby / Jimmy's Rock / Tell The World I Do // You Know You're Looking Good / I've Got The Blues / Laughing At The Blues / Down The Road / Ain't Gonna Cry No More / You're My Baby
Chess LP 1469 (1962) Tracks: Shake For Me / The Red Rooster/ You'll Be Mine / Who's Been Talkin' / Wang-Dang-Doodle / Little Baby // Spoonful / Going Down Slow / Down In The Bottom / Back Door Man / Howlin' For My Baby / Tell Me
Discography: Jimmy Reed,vcl/hca/gtr; Henry Grey,pno; W.C. Dalton,g; Milton Recotr,b; Earl Phillips,d Chicago July 18, 1955 55-293 I Ain’t Got You not on single Jimmy Reed,vcl/hca/gtr; William Lefty Bates and Eddie Taylor,gs; Earl Phillips,d March 26, 1959 59-1103 I’m Nervous not on single Jimmy Reed,vcl/hca/gtr; Mary Lee “Little Mama” Reed,vcl; Lefty Bates and Eddie Taylor,gs; Marcus Johnson,b; Earl Phillips,d August 7, 1959 59-1211 Baby What You Want Me To Do Vee-Jay 333 (R&B #10) 59-1212 Going By The River part 1 not on single 59-1213 Going By The River part 2 357 1211 ahould have been titled “Baby Why You Wanna Let Go”.
Jimmy Reed,vcl/hca/gtr; Eddie Taylor and Phil Upchurch,gs; Earl Phillips,d August 25, 1959 59-1248 Where Can You Be 347 59-1249 Hush-Hush 357 (R&B #18) 59-1250 I Was So Wrong not on single Jimmy Reed,vcl/hca/gtr; Lefty Bates and Eddie Taylor,gs; Earl Phillips,d December 15, 1959 59-1319 Found Love 347 (R&B #16) Jimmy Reed,vcl/hca/gtr; Mama Reed,vcl-1; Lee Baker and Lefty Bates,gs; Willie Dixon or Louie Brooks,b; Earl Phillips,d March 29, 1960 60-1418 Come Love -1 not on single 60-1418 Big Boss Man -1 380 (R&B#13) 60-1419 Meet Me not on single
Discography: Howlin’ Wolf,vcl/hca; Adolph “Billy” Duncan,tensax; Hosea Lee Kennard,pno; Willie Johnson and Otis “Smokey” Smothers,gs; Alfred Elkins,b; Earl Phillips,d Chicago June 24, 1957 8528 Who’s Been Talking Chess 1750 8529 Tell Me 1750 Howlin’ Wolf,vcl/hca; Abe Locke,tensax; Hosea Lee Kennard,pno; Hubert Sumlin and Abraham Smothers,gs; S.P. Leary,d July 1959 9584 Howlin’ For My Darling 1762 Note the differing spellings single contra LP. Howlin’ Wolf,vcl; Otis Spann,pno; Freddy Robinson and/or Freddy King, and Hubert Sumlin,gs; Willie Dixon,b; Fred Below,d June 1960 10263 Wang-Dang-Doodle 1777 10263 Back Door Man 1777 10264 Spoonful 1762
Jimmy Reed,vcl (no vcl on -1) /hca/gtr; Lefty Bates and Phil Upchurch,gs; Earl Phillips,d June 29, 1960 60-1544 I’ve Got The Blues only LP 60-1546 Got Me Chasing You 60-1547 Down The Road 60-1548 Want To Be With You Baby 60-1549 Jimmy’s Rock -1 60-1550 Tell The World I Do 60-1551 You’re My Baby 60-1553 Ain’t Gonna Cry No More -
Howlin’ Wolf,vcl/gtr-1; Little Johnny Jones,pno; Hubert Sumlin and Jimmy Rogers,gs; Willie Dixon,b; Sam Lay,d May 1961 10913 Little Baby 1793 10917 Down In The Bottom -1 1793
Jimmy Reed,vcl/hca/gtr; Mama Reed,vcl-1; Lefty Bates and Eddie Taylor,gs; Earl Phillips,d; chorus -1 December 13, 1960 60-1709 Close Together -1 Vee-Jay 373 (R&B #12) 60-1710 You Know You’re Looking Good only LP 60-1711 Laughing At The Blues 373
Howlin’ Wolf,vcl/gtr-1; Henry Grey,pno; Hubert Sumlin,g; unknown elbs; Willie Dixon,b/speech-2; Sam Lay,d December 1961 11377 You’ll Be Mine -1 1813 11380 Goin’ Down Slow -2 1813
Howlin’ Wolf,vcl/gtr-1; Little Johnny Jones,pno; Hubert Sumlin,g; unknown elbs; Willie Dixon,b; Sam Lay,d June 1961 10937 Shake For Me 1804 10938 The Red Rooster -1 1804
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The original “REAL FOLK BLUES” LPs Cashing in on the successful European tours of “The American Folk Blues Festival” (the first tour was originally acuelly titled “The American Negro Blues Festival”), Chess issued their first two “Folk Blues” LPs by their most popular blues performers – Muddy and Wolf. Here they are, with track order and singles discography, plus the bonus tracks from later CD issue (only Wolf had bonus). The LPs covered the two giants’ whole careers on Chess. All recordings made in Chicago. Note differing spellings. Imaged are the CD re-issues.
Chess LP 1501 (1965) - CHD 9274, 1988
Chess LP 1502 (1965) - CHD 9273, 1988
Tracks:
Tracks:
Mannish Boy / Screamin' And Crying / Just To Be With You / Walking In The Park / Walking Blues / Canary Bird // Same Thing / Gypsy Women / Rollin' And Tumblin' / Forty Days And Forty Nights / Little Geneva / You Can't Lose What You Ain't Never Had
Killing Floor / Louise / Poor Boy / Sittin' On Top Of The World / Nature / My Country Sugar Mama // Tail Dragger / Three Hundred Pounds Of Joy / Natchez Burnin' / Built For Comfort / Ooh Baby Hold Me / Tell Me What I've Done (bonus tracks marked * )
Discography:
Discography: Muddy Water;vcl/gtr with Sunny Land Slim,pno; Ernest Big Crawford,b Chicago ca September 1947 U 7058 Gypsy Woman Aristocrat 1302 Muddy Waters;vcl/gtr; Big Crawford,b July 12, 1949 U 7199 Little Geneva Aristocrat 1311 U 7200 Canary Bird Aristocrat 1311 Muddy Waters;vcl/gtr and His Guitar; Little Johnny Jones,pno; Jimmy Rogers,g; Leroy Foster,d ca September 1949 U 7215 Screamin’ And Cryin’ Aristocrat 406 Muddy Waters;vcl/gtr; Big Crawfor,b U 7235 U 7238
Rollin’ And Tumblin’ Part 1 Walkin’ Blues
February 1950 Aristocrat 412 Chess 1426
7235 is pt 1 issued on the LP, the single had two parts (just as the Baby Face Leroy Trio record for Parkway – recorded in January with Foster, Muddy and Little Walter).
Muddy Waters;vcl/no gtr and His Guitar; Junior Wells,hca, Jimmy Rogers,gtr; Willie Dixon,b; Fred Below,d; chorus Chicago May 24, 1955 U 7846 Manish Boy Chess 1602 (R&B #5) Note the differing spelling on LP.
Muddy Waters;vcl/no gtr and his Guitar; Little Walter,hca; Otis Spann,pno; Pat Hare and Hubert Sumlin,gs; Willie Dixon,b, Fred Below,d February 2, 1956 8012 Forty Days & Forty Nights 1620 (R&B #7) Muddy Waters;vcl/no gtr and his Guitar; Otis Spann,pno; Pat Hare and Hubert Sumlin,gs; Willie Dixon,b, Odie Payne,d June 29, 1956 8147 Just To Be With You 1644
Howlin’ Wolf,vcl/hca; Hosea Lee Kennard,pno; Willie Johnson and Hubert Sumlin,gs; Willie Dixon,b; Earl Phillips,d Chicago January 1956 U 7985 * Smoke Stack Lightnin’ Chess 1618 (R&B #8) Titled “Smokestack Lightnin’” on the CD. Howlin’ Wolf,vcl/hca; Hosea Lee Kennard,pno; Willie Johnson and Otis “Smokey”Smothers,gs; Willie Dixon,b; Earl Phillips,d Chicago July 19, 1956 8178 The Natchez Burning Chess 1744 Howlin’ Wolf,vcl/hca; Adolph “Billy” Duncan,tensax; Hosea Lee Kennard,pno; Willie Johnson and Otis “Smokey”Smothers,gs; Alfred Elkins,b; Earl Phillips,d June 24, 1957 8531 Nature 1668 Howlin’ Wolf,vcl/hca; Hosea Lee Kennard,pno; Hubert Sumlin,g; Alfred Elkins,b; Earl Phillips,d December 1957 8616 Poor Boy 1679 8618 Sittin’ On Top Of The World 1679 Howlin’ Wolf,vcl; J.T. Brown and unknon,tensax; Little Johnny Jones,pno; Hubert Sumlin,g; Jerome Arnold,b; Junior Blackman,d September 28, 1962 11916 Tail Dragger 1890 Howlin’ Wolf,vcl; J.T. Brown,tensax; Donald Hankins,barsax; Lafayette Leake,p; Hubert Sumlin and Buddy Guy,gs; prob Jerome Arnold,b; Sam Lay,d August 14, 1963 12617 * Hidden Charms 1890 12618 Three Hundred Pounds Of Joy 1870 12620 Built For Comfort 1970
Muddy Waters;vcl; Little Walter,hca; Otis Spann,pno; Pat Hare and Luther Tucker,gs; Willie Dixon,b, Francis Clay or George Hunter,d August 1958 9140 Walking Thru The Park 1718
Howlin’ Wolf,vcl/hca-1; Arnold Rogers,tensax; Donald Hankins,barsdax; Lafayete Leake,p; Hubert Sumlin and Buddy Guy,gs; Andrew Palmer,b; Sam Lay,d August 1964 13418 Killing Floor 1923 13419 My Country Sugar Mama -1 1911 13420 Louise 1923
Muddy Waters;vcl/gtr; Otis Spann,pno; Buddy Guy or James “Pee Wee” Madison,gtr; Willie Dixon,b; S.P. Leary,d April 9, 1964 13150 The Same Thing 1895 13151 You Can’t Lose What You Ain’t Never Had 1895
Howlin’ Wolf,vcl; Eddie Shaw,tensax; Lee Eggleston,p; Hubert Sumlin and Buddy Guy,gs; unknown,b; Sam Lay,d April 15, 1965 13883 Tell Me What I’ve Done 1928 13885 Ooh Baby, Hold Me 1928
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LOUISIANA SWAMP BLUES (producer: Jay Miller) SLIM HARPO (1924-1970)
LIGHTNIN’ SLIM (1913-1974)
Otis V. Hicks (born in St. Louis, Missouri) Recording 1954-ca 1974 (mostly in Crowley, Louisiana). Famous hits: Bad Luck (1954), Rooster Blues (1959).
James Isaac Moore (born in Lobdell, Louisiana) Recording 1957-1969 (mostly in Crowley, Louisiana). Famous hits: I’m A King Bee (1957), Rainin’ In My Heart (1961), Baby Scratch My Back (1966).
I’m A Rolling Stone (1954-19162) - Jasmine CD JASMCD 3045 (2015)
LAZY LESTER (*1933)
Leslie Johnson (born in Torras, Louisiana) Recording 1956-2010+ (mostly in Crowley, Louisiana). Famous songs: I’m A Lover Not A Fighter, Sugar Coated Love (both 1958).
Buzzin’ The Blues/The Complete Slim Harpo – Bear Family 5CD BCD 17339 (2015)
I’m A Lover Not A Fighter (1954-19162) - Ace CDCHD 518(1994)
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Some Excellent Exponents of CHICAGO, TEXAS & CALIFORNIA BLUES JUNIOR WELLS (1934-1998)
Amos Wells Blakemore Jr (born in Memphis Tenneesee or poss West Memphis, Arkansas). Recording from 1953 in Chicago (mostly for States, Chief, Vanguard, Delmark). Famous songs: Hodo Man (1953), Little By Little (1959).
CLARENCE BROWN (1924-2005)
Clarence “Gatemouth” Brown (born in Vinton, Louisiana; raised in Orange, Texas). Recording from 1947 (first session for Aladdin in Los Angeles, and 1948-1960 for Peacock in Houston, Texas; later ao. for Cinderella and Chess). Famous songs: Mary Is Fine (1949), Boogie Rambler
(1949), Dirty Work At The Crossroads (1952), Okie Dokie Stomp (1954).
Blues Hit Big Town (1953 States) – Delmark CD 640 (2008) Hoodoo Man Blues (1965) – Delmark CD DD-612 (2008)
Dirty Work at the Crossroads 1947-1953 – Acrobat ACRCD216 (2006) The Original Peacock Recordings (1948-1960) – Rounder CD 2039 (1990)
JIMMY ROGERS (1924-1997) JIMMY McCRACKLIN (1921-2012)
James A. Lane (born in Ruleville, Mississippi) Raised in Atlanta, Georgia and in Memphis. Recording from 1948 in Chicago (mostly for Chess). Famous songs: That’s All Right (1950), Chicago Bound (1954), Walking By Myself (1956), My Last Meal (1959).
The Complete Chess Recordings (1950-1960) - MCA/Universal/Chess MCD 09372 (1997)
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James David Walker (born in St. Louis, Missouri or poss Helena, Arkansas). Settled in Richmond, California during the early 1940s. Recorded in Oakland (foremost), San Francisco and Los Angeles from 1945 for ao, Globe, Trilon, DownTown/SwingTime, RPM/Modern; and in Houston, Chicago; New York and Los Angeles again for Peacock, Checker, ArtTone, Imperial, Minit. Famous songs and hits: Miss Mattie Left Me (1946), Rockin All Day (1949), Blues For The People (1950), Couldn’t Be A Dream (1954), The Walk (1958), Just Got To Know (1961), Think (1965).
Blues Blastin’/The Modern Recordings Vol 2 (1954) – Ace CDCHD 932(2004) Blues Blasters Boogie (1945-1955, 4 CD) – SPV 7789 (2013)
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KING OF THE BLUES
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B. B. KING Early members of the B. B. King touring Orchestra from 1955 were recruited from the Harvey band Coleman, Joyner, Curry and Forrest, and probably also Crosby. Pianist Millard Lee became bandleader in the first line-up. Other original band members were Kenny Sands and Calvin Owens, trumpets (Owens later became band leader), Lawrence Burdine and Floyd Newman, baritone saxes. Soon also Johnny Board, tensax joined and later Pluma Davis, tbn; Bobby Forte, tenorsax; Sonny Freeman, dms; Duke Jethro, pno; Hugh McCracken and Milton Hopkins, gtrs; and Cato Walker, altosax (who had been bus driver and "extra tour manager"). The Maxwell Davis orchestra during 1954-1957 variously comprised: Davis, Bumps Myers, Charles Waller, Lorenzo Holden, Maurice Simon, Jack McVea, Floyd Turnham, and Jewel Grant (saxophones), Jake Porter (tpt), McDaniel (pno), Ralph Hamilton, Billy Hadnott and Red Callender (bass), Jesse Sailes and Jessie Price (drums). King worked in Texas, California, Chicago and later New York, settling in Los Angeles during the late 1960s. King switched from Kent to ABC in 1962 but made his last session for Kent on December 28, 1965 ("Rock Me Baby" may have been recorded March 18, 1964). During the early/mid ´60s King’s band was for a while reduced to Sands, tp; Bobby Forte, ts; Duke Jethro, pno; Wilbert Freeman, bsg; and Sonny Freeman, dms.
“Mr. Blues” - "The Beale Street Blues Boy" - "King of the Blues" "Bee Bee". The most famous and internationally successful blues singer/guitarist and the greatest of the "industrial" city blues guitar stylists. Charter member of the Blues Foundation Hall of Fame in 1980, and inducted into the Rock and Roll Hall of Fame in 1987. King mixed the traditions of Texas and Mississippi (with origins in Blind Lemon Jefferson, Lonnie Johnson, TBone Walker; his three most favorites; and Lowell Fulson, and Roy Brown - all last three partly Indian descents). Was also influenced by Charlie Christian, Django Reinhardt, and Bukka White (a distant cousin). Started his career, singing gospel, in Indianola, Miss and came to Memphis, Tenn in 1948. Had his own radio show in Memphis during 1949-50 and formed The Beale Street Blues Boys, featuring Johnny Ace, pno; and Earl Forrest, dms. His early RPM recordings produced by Sam Phillips, and soon by Ike Turner. Later toured the South with Bill Harvey´s Band (featuring Evelyn Young and George Coleman, saxes; Floyd Jones, tpt; Connie Mack Booker, pno; George Joyner and James Walker, bs; Ted Curry and sometimes also Earl Forrest, drums; and Charles Crosby, congas) and recorded in Houston. The last session with Harvey's band is of uncertain date, but there is a session noted February 6, 1954 (at Universal Recorders, Hollywood), featuring "The Woman I Love", "Everything I Do Is Wrong", "Whole Lotta Meat", and "Whole Lotta Love" of which "Everything..." really sounds like Harvey's band - although Maxwell seems to have written "Whole Lotta Love". Some of the Houstonsessions were brought to Los Angeles studios for editing/ mastering. From 1954 he mostly made his studio recordings in L.A. led by Maxwell Davis (with Willard McDaniel on piano and Bumps Myers on tenorsax) starting with the great session done at Capitol Studios in L.A. March 2, 1954 featuring the re-recording of "Take A Little Swing With Me" as "Love You Baby", the second (jump) recording of "Don't You Want A Man Like Me", "When My Heart Beats Like A Hammer" and the hit "Every Day I Have The Blues" (The next session in August, done at Modern's own studios, featured "You Upset Me Baby"). Billed as B. B. "Blues Boy" King & His Orchestra from his mid ´50s RPM releases through 1957 (the first single: "Love You Baby"). King got a new manager in the late 1960s - Sid Seidenberg.
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Born: Riley B. King, September 16, 1925, Bear Creek, Berclair (near Itta Bena and later moved to Kilmichael), Mississippi (although B.B. called Indianola, where he lived during the early 40s, his home). Died in Las Vegas, Nevada May 14, 2015. First recordings: Memphis late 1949 Miss Martha King and Take A Swing With Me - Bullet 309 and 315; September 1950 B.B. Boogie - RPM 304. Records for: RPM 50-57, Kent 58-62 (possibly longer) plus one session 1965, ABC/Bluesway 62-74, from 1980 MCA. Essential CDs. The Best of the Early Years – Ace CDCHD 1160 (2007) with 25 super songs from 1950-1965 on RPM/Crown/Kent or Blues King Pins – Virgin 82712 (2003) - RPM/Kent recordings and Anthology (2CD) – MCA 12410 (2000) reissued as Gold on Geffen 658702 (2006) The Best CDs: The Vintage Years (4CD) - Ace ABOXCD 8 (2002) - the legendary RPM and Kent recordings and King of The Blues (4CD) - MCA D4-10677 (1991) - mostly ABC/MCA recordings For Collectors: Singing The Blues/The Blues - Ace CDCHD 320 (also on Flair V286296) (1991) The RPM Hits 1951-1957 - Ace CDCHD 712 (1999) The Best of the Kent Singles 1958-1971 - Ace CDCHD 760 (2000) The Modern Recordings 1950-1951 - Ace (2CD-set) CDCHM2 835 (2002) Live at the Regal - MCA MCAD-11646 (1997) Ace in U.K. have reissued eleven old Crown LPs on CDs with bonus tracks (2003-2006) – terrific stuff Reading: The Arrival of B.B. King - The Authorized Biography by Charles Sawyer (US 1980, UK 1981) Blues All Around Me - The Autobiography of B.B. King by B.B. King & David Ritz (US, 1996) The B.B. King Treasures by B.B. King with Dick Waterman and Charles Sawyer (Bulfinch 2005 incl a 16-track CD) Blues Boy - The Life and Music of B.B. King by Sebastian Danchin (University Press of Mississippi, 1998) Every Day I Sing The Blues: The Story of B. B. King by David Shirley (US, 1995) Lives In Music - B. B. King: There Is Always One More Time by David McGee (Backbeat, US 2005) The B.B. King Reader by Richard Kostelanetz (1997 & 2005) First LP: Singin´ The Blues – Crown LP 5020 (spring 1957)
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THE Blues Giants of the 1950s B. B. KING, vocals/guitar “LUCKY-SEVEN” 1. B. B. King and his Orchestra (featuring Ike Turner or poss Johnny Ace, pno, Earl Forest, dms) - Memphis, ca September 1951: MM 1682 3 O'Clock Blues - RPM 339 (#1 for 5w, 17w tot, 1952) 2. B. B. "Blues Boy" King and His Orchestra (featuring Maxwell Davis, sax, Willard McDaniel, pno, Bumps Myers, sax) - Los Angeles Modern Studios, August 18-19, 1954: MM 2121 You Upset Me Baby - RPM 416 (#1 for 2w, 12w) 3. Hollywood Capitol Studios, March 2, 1954: MM 2140 Every Day I Have The Blues - RPM 421 (#8, 5w 1955) 4. (featuring Millard Lee, pno, Floyd Newman, sax, Kenny Sands, tpt) - Little Rock, April/May 1956: MM 3057-2 Sweet Little Angel - RPM 468 (#6, 5w) This song was also recorded with Maxwell Davis, McDaniel, pno; and Johnny Board, sax in Los Angeles November 19, 1955 for Crown LP 5020 5. B. B. King and his Orchestra (featuring Johnny Board, sax and Sonny Freeman, dms) - Los Angeles, October 26, 1959: MM Sweet Sixteen (Parts 1 & 2) - Kent 330 (#2, 14w in 1960) 6. B. B. King (featuring Charles Brooks, pno; Lawrence Burdin, sax; Sands, Freeman) - New York, September 30, 1963: 11796 How Blue Can You Get - ABC-Par 10527 (#23, 5w)
Other Important Ones: 1949 Take A Swing With Me 1950 B.B. Boogie 1951 Don´t You Want A Man Like Me 1951 She´s Dynamite 1955 Crying Won´t Help You 1956 Sneakin´ Around 1957 You Don´t Know 1957 Troubles Troubles Troubles 1958 Why Do Everything Happen To Me 1959 Sweet Thing (LP - issued on single 1971) 1961 Baby, Look At You (rec earlier) 1961 I´m King 1962 Gonna Miss You Around Here 1962 Easy Listening Blues 1962 Blues At Midnight - ABC 1963 Downhearted (How Blue Can You Get) - Kent 1963 Down Now - Kent 1964 Rock Me Baby (R&B # 12, Pop # 34) - Kent 1964 Never Trust A Woman 1965 Got Em Bad - Kent 1968 I´m Gonna Do What They Do To Me 1968 Lucille 1969 Why I Sing The Blues 1971 The Thrill Is Gone 1973 To Know You Is To Love You
This song was also recorded with Maxwell Davis as arranger in Los Angeles around December, 1961 as “Downhearted” for Crown LP 5309.
7. (featuring Jimmy McCracklin, pno; Sonny Freeman, dms) - Los Angeles, ca 1962 or poss. March 18, 1964: 393 Rock Me Baby – Kent 393 (#12, 7w in 1964)
B.B. King´s original Crown and Kent LPs
R&B Top 10 Hits: (24 of 68 Top 40) 1952 3 O´ Clock Blues #1 for 5w 1952 You Know I Love You #1 for 2w 1952 Story From My Heart And Soul #9 1953 Woke Up This Morning #3 1953 Please Love Me #1 for 3w 1953 Please Hurry Home #4 1954 When My Heart Beats Like A Hammer #8 1954 You Upset Me Baby # 1 for 2w 1954 Whole Lotta´ Love #8 1955 Every Day I Have The Blues #8 1955 Ten Long Years #9 1956 Bad Luck #3 1956 Sweet Little Angel #6 1956 On My Word Of Honor #3 1958 Please Accept My Love #9 1960 Sweet Sixteen #2 1960 Got A Right To Love My Baby #8 1960 Partin´ Time #8 1961 Pease Of Mind #7 1966 Don´t Answer The Door #2 1968 Paying The Cost To Be The Boss #10 1970 The Thrill Is Gone #3 1970 Chains And Things #6 1973 I Like To Live The Love #6
The Crown albums were issued between early 1957-late1963 - the Kent LPs during from 1964 – the early 1970s. The reissues are on Custom and United (issued during the very late ‘60s and in the 1970s - Custom 10xx / United 77xx). The Ace CDs (2003-2006) include 8 bonus tracks each (897 has 10). Crown 5020 Singin´ The Blues (1071 / 7726) Ace CDCHM 1041 5063 The Blues (1077 / 7732) Ace CDCHM 1084 5115 B.B. King Wails (1049 / 7711 as I Love You So) Ace CDCHM 882 5119 Sings Spirituals (1059 / 7721 as Swing Low Sweet Chariot) Ace CDCHM 1093 5143 The Great B.B. King (1073 / 7728) Ace CDCHM 1049 5167 King Of The Blues (1075 / 7730) Ace CDCHM 897 5188 My Kind of Blues (1069 / 7724) Ace CDCHM 881 5230 More B.B. King (1046 / 7708 as Blues For Me) Ace CDCHM 1034 5248 Twist With B.B. King (not on Custom/United) not on Ace 5286 Easy Listening Blues (1043 / 7705) Ace CDCHM 1011 5309 Blues In My Heart (1040 / 7703 as A Heart Full Of Blues) Ace CDCHM 996 5359 B. B. King (1052 / 7714 as The Soul Of B.B. King) Ace CDCHM 986 Kent 5012 Rock Me Baby - 14 Great Hits (7733) 5013 Let Me Love You (7734) 5015 Live On Stage (7736) 5021 The Jungle (7742) 5029 Boss Of The Blues (7750) 2-533 From The Beginning (2-set with dubbed brass) 9011 Anthology of The Blues - B.B. King 1949-1950 (7788 as Original Folk Blues) 539 The Incredible Soul Of BB. King (7756) 548 Turn On To B.B. King (w. extra rhythm) (7763 as Turn On With ..) 552 The Greatest Hits of Vol 1 (7766) identical to first half of 2-533 561 Better Than Ever (7771 reissue of 5167 +"That Evil Child") 563 Doing My Thing, Lord (reissue of 5119) 565 B.B. King Live (reissue of 5015) (7772) 568 The Original Sweet Sixteen (7773 -reissue of Rock Me Baby) Note: Later Kent issued Kent 2002 Just Sweet Guitar (Spotlight on Lucille) - which was originally (circa 1973) intended for United 7792 Below are listed the tracks of the 2-set album by B.B. which has his old hits and some new ones with overdubbed brass and rhythm (directed by Maxwell Davis): KST 2-533 - From the Beginning - B.B. King [1967/68] Album 1: Please Love Me/Rock Me Baby/Everyday I Have the Blues/Woke Up This Morning/My Own Fault/5 Long Years//You Upset Me/Blue Shadows/The Woman I Love/You Know I Love You/Sweet Little Angel/Treat Me Right. Album 2: Sweet Sixteen/Eyesight to the Blind/Beautician Blues/Bad Luck/Troubles Troubles/Sneakin' Around//Sweet Thing/3 O'Clock Blues/The Jungle/Let Me Love You/The Worst Thing in My Life/Shot Gun Blues.
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B. B. KING on CROWN Records Here are the Bihari brothers’ original B. B. King LPs on the budget series CLP- on the label Crown (not all of the the “stereo” series had a CST-prefix and only three digits, and the covers of the stereo records could differ minor in layout). Rec dates indicate ”main” dates and are approx. If no rec date, the album is a compilation.
Crown LPs CLP: 5020 (spring 1957; originally RPM LP 3005), 5063 (6/58), 5115 (4/59, rec January-April 1959, some poss Houston)
Crown LPs CLP: 5119 (10/59, rec April 3, 1959), 5143 (early 1960), 5167 (5/60, rec March 16, 1960)
Crown LPs CLP: 5188 (8/60, rec March 3, 1960, poss Chicago), 5230 (comp – mostly 1960-1961 recordings), 5248 (1962)
Crown LPs CLP: 5286 (1962, rec March 22, 1961), 5309 (early 1963, rec Dec 1961 or early 1962), 5359 (10/63, rec late 1961 +comp tracks)
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…. and its counterparts on UNITED Records (United/Superior) B. B King’s United/Superior albums (yet another Bihari-label) were issued during the 1970s. There are almost always differing covers on the albums different pressings, although often very similar but in changed colors and layout. This may be due to that the label often called itself simply United on further reissue sleevea and some album covers were printed under that banner. This label started as United/Superior, and the label was technically named this the entire time, but on the jackets and labels, the label name was shortened to "United" in the early 1970s. Although the front of the jackets and the later purple labels said "United Records," the early labels and the back slicks of the album covers always said "United/Superior Records". Please note that the LPs were not issued in the same chronological order as Crown, and that all these albums also had been issue issued on the Custom-label - again with some minor cover changes in mid late ‘60s, and not as widespread as the later United.
United-United/Superior LPs US-: 7725, 7732, 7711
United-United/Superior LPs US-: 7721, 7726, 7730
United-United/Superior LPs US-: 7724, 7708, 7721 (alternate stereo cover – Crown CLP 5248 “Twist” not issued on United)
United-United/Superior LPs US-: 7705, 7703, 7714
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THE Blues Giants of the 1950s B. B. King’s original Kent LPs 1964 - 1971
Here they are – B. B.’s Kent LPs started being issued in 1964. Catalogue numbers were in the 500-series (except foldable 9011 “Anthology”), starting with 5012-mono / 512-stereo. All but two were reissued in the United 77xx-series (mostly with changed covers). Check for details in the B. B. King feature. “Turn On To B.B. King” was titled “Turn On With …” on United-United/Superior. Imaged right: two of the United reissues.
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B. B. King’s original LPs on ABC-Paramount and BluesWay 1963-69
ABC-Paramount 456 (1963), 509 (1965) and 628 (1965)
Bluesway 6001 (1967), 6011 (1968) and 6016 (1968)
Bluesway 6022 (1969), 6031 (1969) and 6047 (1969)
BluesWay “reissue” 6050 “Back In The Alley” of ca 1973; and Kent’s“reissues: LP 565 “B.B. King Live” (reissue of 515 “Live On Stage”), and Kent LP 568 “The Original Sweet Sixteen” (reissue of “Rock Me Baby”); with its United/Superior re-release US-7773. Note: Later Kent issued Kent cassette 2002 Just Sweet Guitar (Spotlight on Lucille) - which was originally (circa 1973) intended for United 7792
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B. B. KING – some fine CDs Six great CD-sets: Real Gone (4CD 2014), Acrobat (5CD 2015), Universal (2CD 1999), Jasmine (2CD 2015) Enlightment (6CD 2015). And a new Ace CD.
Ace CDTOP 1457 feat 25 unissed alternate RPM/Kent rec. (Nov. 2015)
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B. B. KING’s EARLY SESSIONS IN MEMPHIS Here are B.B.’s early Memphis-sessions (based on “The Blues Discography” by Fancourt and McGrath, 2012; Fancourt’s Retrack booklet of 1993; “The Vintage Years” on Ace Box 2002; and original RPM singles credits).
WDIA Radio Studio ca June 1949 with B.B. King vcl/g; Thomas Branch,tp; Sammie Jett,tb; Ben Branch,ts; Phineas Newborn Jr,p; Richard “Tuff” Green,b; Phineas Newborn Sr,d. Miss Martha King – When Your Baby Packs Up And Goes (Bullet 309) Got The Blues – Take A Swing With Me (Bullet 315) Memphis Recording And Sound Service ca July 1950 with B.B. King (Singing Star of Station WDIA, Memphis),vcl; Phineas Newborn Jr,p; Calvin Newborn,g; Tuff Green,b; Earl Forest,d Mistreatred Woman – B. B. Boogie (RPM 304) The Other Night Blues – Walkin’ And Cryin’ (aka You Don’t Love Me No More) (RPM 311) Note: Six alternates on Kent LP 9011, Ace CD LP CH 50 and CD 265 Memphis Recording And Sound Service January 8, 1951 with B.B. King vcl/g(not gtr on -1); E.A. Kamp,ts; Ford Nelson,p; James Walker,b; Solomon Hardy,d My Baby’s Gone – Don’t You Want A Man Like Me -1 (RPM 318) Questionnaire Blues – A New Way Of Driving (Kent LP KST 9011) B. B. Blues (RPM 323) - Fine Lookin’ Woman (RPM 348 -x) Note: Five alternates on Ace CD 835 Memphis Recording And Sound Service May 27, 1951 with B.B. King vcl/g; Richard Sanders,ts; prob Calvin Newborn, extra g; poss Phineas Newborn Jr,p; poss Phineas Newborn Sr,d She’s Dynamite (RPM 323) Memphis Recording And Sound Service June 18, 1951 with B.B. King vcl/g; and unknown accomp featuring ts, p, b, d She’s A Mean Woman – Hard Working Woman (RPM 330) Pray For You (Ace LP CH 50) – Darling I Love You (unissued) Note: Three alternates on Ace CD 835 YMCA Memphis ca September, 1951 with B.B. King vcl/g; Adolph Billy Duncan and Richard Sanders,tss; Johnny Ace,p; Ike Turner (not Ace) on-1; James Walker,b; Earl Forest,d; omit saxes and add unknown g on -2. 3 O’Clock Blues -1 – That Ain’t The Way To Do It -2 (RPM 339) She Don’t Move Me No More (RPM 348 -x) Note: Alternate of “Ain’t..” on Kent LP 9011. x: 348 issued as B .B. King And His Orchestra Tuff Green’s house January 24, 1952 with B.B. King (And His Orchestra) vcl/g; Richard Sanders,ts; unknown,second ts; George Joyner,b; Earl Forest,d; Onzie Horne,vb; omit saxes on -1 Shake It Up And Go* – My Own Fault, Darlin’ -1 (RPM 355) Someday Some Where – Gotta Find My Baby (RPM 360) Note: Two alternates on Crown LP 5143 and Kent LP 9011. *may have been recorded earlier. Unknown Studio Memphis (poss Tuff Green’s house) 1952 with B.B. King,vcl/g; Raymond Hill,as; unknown p, b, d; Onzie Horne,vb Low Down Dirty Baby – I’m So Glad (Ace CD CHD 201) I Got A Girl Who Lives Up On The Hill (Ace CD CHD 201) Unknown Studio Memphis poss April 1952 with B.B. King (And His Orchestra -x) vcl/g(only on -1); as (poss Hank Crawford), ts (poss Ben Branch), unknown bs; prob. Ike Turner,p; unknown, g, d. unknown congas on -2 (Charles Cosby?) You Didn’t Want Me – You Know I love You (RPM 363 -x) Story From My Heart And Soul -2 – Boogie Woogie Woman -1 (RPM 374) Note: Alternate of “Story” on Ace CDCHM 1093 with no congas The best CD covering the Memphis sessions 1950-51 (plus *) is Ace 2-set CDCHM2 835 (2002), which includes the alternates.
After this session B.B. recorded from October 1952 and in 1953 in Houston (Texas), Covington (Tennessee), and Cincinnati with Bill Harvey’s band (featuring Floyd Jones,tp; George Coleman,sax; Harvey.ts; Connie Mack Booker,p; James Walker,b; Ted Curry,d; Charles Cosby,cg). The records were issued as B.B. King And His Orchestra. In February 1954 he started recording in Los Angeles (Capitol Studios and Modern’s own studios in Culver City) – now with the orchestra arranged and conducted by Maxwell Davis, although King also recorded with his own orchestra when on tour (featuring “leftovers” from Harvey’s band and newcomers). RPM now started releasing King’s records as B.B. “Blues Boy” King And His Orchestra.
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A NEW B. B. KING PUBLIC DOMAIN
Documents 10 CD package issued November 2015. Find it at amazon.co.uk
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B. B. KING - ONE SINGLE PER YEAR 1949 – 1968
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
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B B King - NEW Japan P-Vine CD Box The Complete RPM-Kent Recording Box 1950-1965 -The Life, Times and the Blues of B.B. in All His Glory PCD-LP-3/20 - 17CDs, 1 LP, and LP sized booklet, hardcover book (THE ARRIVAL OF B.B. KING by Charles Sawyer) and bonus glossy photos and postcard - 623 tracks – issued 16 Dec 2015
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B B King – limited edition
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THE BLUES GIANTS Chess Records’ ”Big Four”
The ”Blues Guitar Kings”
The “Confederate Legends”
The Mississippi “Delta Idols”
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TWO FAMOUS VEE-JAY BLUES LPs John Lee Hooker’s very first LP was “I’m John Lee Hooker” - the same happened with Jimmy Reed’s first a year earlier, “I’m Jimmy Reed”. Both albums were (just like Chess’ first ones) in principal compilations of earlier singles. Here are Hooker’s first and Reed’s second LP. The four bonus tracks on Charly’s (UK) Hooker reissue SNAP 130 CD (2003) are marked *. Master numbers and original Vee-Jay single catalogue numbers are given (with issue date). All recordings done in Chicago.
Vee-Jay LP 1007 (ca August, 1959)
Vee-Jay LP 1008 (September, 1959)
Tracks:
Tracks:
Dimples / Hobo Blues / I'm So Excited / I Love You Honey / Boogie Chillun / Little Wheel // I'm In The Mood / Maudie / Crawlin' King Snake / Every Night / Time Is Marching / Baby Lee
Going To New York / A String To Your Heart / Ends And Odds / Caress Me Baby / Take Out Some Insurance / The Moon Is Rising // Down In Virginia / I Know It's A Sin / Wanna Be Loved / Baby, What's On Your Mind / My Bitter Seed / Rockin' With Reed
Discography: John Lee Hooker,vcl/gtr; Jimmy Reed,hca-1; Eddie Taylor,gtr; George Washington,bs; Tom Whitehead,dms Chicago October 19, 1955 55-336 * Unfriendly Woman Vee-Jay 265 (2/58) 55-339 Time Is Marching -1 Vee-Jay 164 (11/55)
Discography:
John Lee Hooker,vcl/gtr; Eddie Taylor,gtr; George Washington,bs; Tom Whitehead,dms March 27, 1956 56-443 * I’m So Worried Baby alt on 233 (1/57) 56-444 Baby Lee 205 (8/56) 56-445 Dimples 205 56-446 Every Night 188 (4/56) 56-448 * Trouble Blues 188
Jimmy Reed,vcl/hca/gtr; Eddie Taylor,gtr; Earl Phillips,dms April 3, 1957 57-662 Baby, What’s On Your Mind 248 (1957)
John Lee Hooker,vcl/gtr; Eddie Taylor,gtr; Quinn Wilson,bs; Tom Whitehead,dms March 1, 1957 57-634 I’m So Excited 245 (4/57) John Lee Hooker,vcl/gtr; Frankie Bradford,pno; Eddie Taylor,gtr; Everett McCrary,bs; Richard Johnson,dms June 23, 1957 57-717 Little Wheel 255 (9/57) 57-720 * You Can Lead Me Baby 265 (2/58) John Lee Hooker,vcl/gtr; Joe (Edward) Hunter (or poss Bob Porter),pno; Eddie Taylor,gtr; Everett McCrary,bs; Richard Johnson,dms June 10, 1958 58-927 I Love You Honey 293 (9/58) R&B #29 John Lee Hooker,vcl/gtr; with Eddie Taylor,gtr-1; Earl Phillips,dms-2 January 22, 1959 59-1067 Maudie -1, 2 308 (2/59) 59-1069 I’m In The Mood -1 308 59-1070 Boogie Chillun 319 (6/59) 59-1071 Hobo Blues 331 (10/59) 59-1072 Crawlin Kingsnake 331 Note the spellings of 1070 and 1072. The last four are quality remakes of some of Hooker’s hits for Modern Records.
Jimmy Reed,hca/gtr; Eddie Taylor and John Littlejohn,gtrs; Albert King,dms Poss December 29/30, 1953 53-123 Rockin’ With Reed 186 (1956)
Jimmy Reed,vcl-1/hca/gtr; Eddie Taylor,gtr; Earl Phillips,dms September 5, 1957 57-737 My Bitter Seed -1 unissued on single 57-738 Ends And Odds 304 (1959) Jimmy Reed,vcl/gtr; Remo Biondi and Eddie Taylor,gtrs; Earl Phillips,dms December 12, 1957 58-811 A String To Your Heart 270 (1958) Jimmy Reed,vcl/hca-1/gtr; Remo Biondi and Eddie Taylor,gtrs; Earl Phillips,dms March 12, 1958 58-863 The Moon Is Rising unissued on single 58-864 Down In Virginia -1 287 (1958) Jimmy Reed,vcl/hca/gtr; Remo Biondi and Eddie Taylor,gtrs; Earl Phillips,dms May 28, 1958 58-921 I Wanna Be Loved 326 (1959) 58-922 Caress Me Baby 333 (1959) 58-923 I Know It’s A Sin 287 (1958) September 11, 1958 58-994 Going To New York 326 (1959) Jimmy Reed,vcl/gtr; William “Lefty” Bates and Eddie Taylor,gtrs; Earl Phillips,dms March 26, 1959 59-1101 Take Out Some Insurance 314 (1959) Note. This LP does not feature any R&B hit.
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THE Blues Giants of the 1950s
TWO FAMOUS CROWN BLUES LPs – reissued on Ace, UK Crown Records’ budget LP series in Los Angeles, managed by the Bihari brothers, was initiated in 1957. We had to wait until issue number 20 (after som pop, jazz and rock ‘n’ roll releases), for the blues. Crown LP 5020 was (naturally) B.B. King’s first LP. Elmore’s first came in 1960. Both albums were in principal compilations of earlier singles. Here they are: presented on Ace Records’ (UK) CD re-releases with bonus tracks. The bonus tracks on Ace are marked *. The covers of the Ace CDs are the same as the original Crown LPs (although now with an Ace logo added – these logos are not shown below). Tracks list is Crown. Master numbers were insignificant, but listed are the original singles.
Crown CLP 5020 (spring 1957)
Crown CLP 5168 (mid/late 1960)
– originally intended for RPM RLP 3005) - Ace CDCHM 1041 (2005)
- Ace CDCHM 1043 (2005)
Tracks:
Tracks:
Please Love Me / You Upset Me Baby / Every Day I Have the Blues / Bad Luck / 3 O'clock Blues / Blind Love // Woke Up This Morning / You Know I Love You / Sweet Little Angel / Ten Long Years / Did You Ever Love A Woman / Crying Won't Help You
Dust My Blues / Sunnyland / Mean and Evil / Dark and Dreary / Standing at the Crossroads // Happy Home / No Love in My Heart / Blues Before Sunrise / I Was a Fool / Goodbye Baby
Discography: B. B. King,vcl/gtr; Adolph “Billy” Duncan,,ts; Richard Sanders,bs; Ike Turner,p; James Walker,b; Earl Forest,d; (first King song produced by Joe Bihari – ealier ones on RPM were produced by Sam Phillips) Memphis ca September 1951 3 O’Clock Blues RPM 339 (R&B #1) B. B. King,vcl and His Orchestra; unknown accomp – prob Ike Turner,p; and poss Hank Crawford,as; Ben Branch,ts; bars, b, g, d. Memphis ca April 1952 You Know I Love You RPM 363 (R&B #1) B. B. King,vcl/gtr and His Orchestra; Floyd Jones,tp; George Colmen,as/ts; Bill Harvey,ts; Connie McBooker,p; James Walker,b; Ted Curry,d; Charles Crosby,cga Houston, Texas late 1952 Woke Up This Morning RPM 380 (R&B #3) Please Love Me RPM 386 (R&B #1) Blind Love RPM 395 B. B. “Blues Boy” King,vcl/gtr and His Orchestra; with tp, saxes including Jewel Grant,as; Maxwell Davis and Hubert “Bumps” Myersl,tss; Willard McDaniel,p; Jesse Sailes,d, prob Charles Crosby,cga-1 Los Angeles, February 6, 1954 * Whole Lotta Meat alt on RPM 416 (R&B #8) The alternate, was itled “Whole Lotta Love” .
* When My Heart Beats Like A Hammer Every Day I Have The Blues -1 You Upset Me Baby
Los Angeles March 2, 1954 alt on RPM 412 (R&B #8) RPM 421 (R&B #8) Los Angeles August 18/19, 1954 RPM 416 (R&B #1)
B. B. “Blues Boy” King,vcl/gtr (no gtr on -1) and His Orchestra; with tp, saxes including Maxwell Davis and Johnny Board,tss; Willard McDaniel,p; Ted Curry or Jesse Sailes,d; prob Charles Crosby,cga-2 Los Angeles December 1954 * Lonely And Blue -1 alt on RPM 425 * Jump With You Baby RPM 425 Los Angeles 1955 Ten Long Years RPM 437 (R&B #9) Los Angeles ca October 1955 * I’m Cracking Up Over You alt on RPM 450 * Ruby Lee RPM 450 Los Angeles November 19, 1955 Bad Luck RPM 468 (R&B #3) Sweet Little Angel Kent 340 (1960) The original “Sweet Little Angel” single, RPM 468, was recorded in Little Rock, Arkansas April/May 1956 with King’s road band (R&B #6).
Did You Ever Love A Woman * Dark Is The Night Pt 1 -2
Los Angeles December 10, 1955 RPM 457 alt on RPM 459
B. B. “Blues Boy” King,vcl/gtr and His Orchestra; prob with his road band featuring Calvin Owens and Kenneth Sands,tps; Lawrence Burdine and Johnny Board,tss; Floyd Newman, Fred Ford or Henry Green,bs; Millard Lee,p; Jymie Merritt,b: Ted Curry,d prob Chicago 1955 Crying Won’t Help You RPM 451 (R&B #15) B. B. “Blues Boy” King,vcl/gtr and His Orchestra; featuring Plas Johnson,ts Los Angeles September 16, 1956 * I Stay In The Mood alt on Kent 450 (ca 1965)
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From left: Homesick James, J.T. Brown, and Elmore James (ca 1960)
Discography: Elmore James,vcl/gtr and The Broomdusters -1 or and His Broomdusters; J.T. Brown,ts; Boyd Atkins,as/ts; Johnny Jones,p; prob Ransom Knowling,b; Odie Payne,d Chicago August 1953 * Make My Dreams Come True alt on Flair 1031 * Strange Kinda Feeling alt on Flair 1022 -1 Dark And Dreary Flair 1048 Elmore James,vcl/gtr; poss Raymond Hill or Oliver Sain,ts; Johnny Jones,pno; Ike Turner,g; Odie Payne,d Chicago early 1954 * Quarter Past Nine issued on Kent LP 9010 (1970) Elmore James,vcl/gtr and His “Broomdusters”; James Parr,tp; Maxwell Davis,ts; Jewell Grant,bs; Willard McDaniel,p; Jesse Sailes,d. Omit brass on-1 Los Angeles ca August 1954 Sunny Land -1 (titled “Sunnyland” on LP) Flair 1057 Standing At The Crossroads Flair 1057 * Late Hours At Midnight Flair 1062 The Way You Treat Me (titled “Mean And Evil” on LP) Flair 1062 Happy Home Flair 1069 No Love In My Heart Flair 1069 Elmore James,vcl/gtr and His “Broom Dusters”; Edward Frank,p; Frank Fields,b; Earl Palmer,d, vocal group backing on-1 (prob The Four Speeds) New Orleans August 1955 Dust My Blues Flair 1074 Blues Before Sunrise Flair 1079 I Was A Fool Flair 1074 Good Bye -1 (titled “Goodbye Baby” on LP) Flair 1079 Elmore James,vcl/gtr and His “Broom Dusters”; Raymond Hill and prob J.T. Brown, tss; Eddie Taylor,g; unknown b; Odie Payne,d Chicago January 4, 1956 * So Mean To Me issued on Kent LP 9001 (1969) * Wild About You Baby Modern 983 * Elmo’s Shuffle issued on Kent LP 9010 (1970) * Long Tall Woman Modern 983 Last title also recorded in Canton, Miss with Ike Turner on pno January 25, 1952 (issued on AceBox CD4).
(Note: the LP does not feature any hit).
The R&B Pioneers Series .- Volume Five of twelve
THE Blues Giants of the 1950s Three of the Great Mississippi-born Delta Blues Kings - in Heaven
B. B. King 1925 - 2015 John Lee
1912 - 2011
Muddy W. 1913 - 1983
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THE Blues Giants of the 1950s Three Mississippi-born Delta Blues Kings – and their “Blues Battle”
The 1940s
Miss Martha King – Bullet 309 Take Swing With Me – Bullet 315 Rec in Memphis ca June 1949 B.B. King, vcl (and prob gtr); Thomas Branch,tp; Sammie Jett,tb; Ben Branch,ts; Phineas Newborn Jr,p; Tuff Green,b; Phineas Newborn Sr,d; (Calvin Newborn,gtr may have been present). Both records issued in 1949. BB made a great re-recording of 315, now titled “Love You Baby”, on RPM 408 in L.A. (March 2, 1954).
Boogie Chillen’ – Modern 20-627 Crawlin’ King Snake – Modern 20-714 Rec in Detroit ca September 1948 John Lee Hooker, vcl/gtr. Issued November 3, 1948; and October, 1949.
I Can’t Be Satisfied – Aristocrat 1305A I Feel Like Going Home – Aristocrat 1305B Rec in Chicago ca December 1947 Muddy Waters, vcl/gtr; Ernest Big Crawford, b. Issued in June, 1948.
Classics of 1951-1952
Don’t You Want A Man Like Me - RPM 318 Rec in Memphis January 8, 1951 B.B. King vcl/; E.A. Kamp,ts; Ford Nelson,p; James Walker,b; Solomon Hardy,d. Issued in 1951.
3 O’Clock Blues – RPM 339 Rec in Memphis ca September 1951 B.B. King vcl/g; Adolph Billy Duncan and Richard Sanders,tss; Ike Turner, pno; James Walker,b; Earl Forest,d. Issued in November 1951.
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I’m In The Mood – Modern 835 Rec in Detroit August 7, 1951
John Lee Hooker, double-track vcl/gtr, Eddie Kirkland, second gtr Issued in September 1951.
Blues For Big Town – Fortune LP 3002 Rec in Detroit 1952 John Lee Hooker, vcl/gtr, Bob Thurman, pno. Issued in LP in ca 1963.
The R&B Pioneers Series .- Volume Five of twelve
Long Distance Call – Chess 1452 Rec in Chicago January 22, 1951 Muddy Waters;vcl/gtr; Little Walter,hca; Ernest Big Crawford,bs Issued in March, 1951.
Still A Fool – Chess 1480 Rec in Chicago July 11, 1951 Muddy Waters;vcl; Little Walter and Jimmy Rogers, gtrs; Ernest Big Crawford, bs; Elga Edmonds or Len Chess, dms Issued in October, 1951.
THE Blues Giants of the 1950s
The mid/late 1950s
Every Day I Have The Blues – RPM 421 Rec in Los Angeles (Capitol Studios) March 2, 1954 B.B. King, vcl/gtr; feat Jewell Grant, as; Maxwell Davis, Bumps Myers. tss; Willard McDaniel,pno; cga; b; Jesse Sailes,d. Issued in early 1955. You Upset Me Baby – RPM 416 Rec in Los Angeles (Modern Studios Culver City) August 18-19, 1954 B.B. King, vcl/gtr; with a.o. Maxwell Davis, Willard McDaniel and prob Bumps Myers. Issued in October 1954. Crying Won’t Help You – RPM 451 Rec in Chicago ca November 1955 B.B. King, vcl/gtr; prob, with King’s road band featuring Johnny Board,ts. Issued in early 1956. Sweet Little Angel – RPM 468 Rec in Little Rock, Ark April/May 1956 B.B. King, vcl/gtr; with Calvin Owens, Kenneth Sands,tp; Lawrence Burdine,as; Johnny Board,ts; Floyd Newman (or Fred Ford or Hermann Green),bars; Millard Lee,pno; Jymie Merritt,b; Ted Curry,d. Issued in 1956.
Hug And Squeeze b/w The Syndicator – Modern 966 Rec in Detroit prob. early 1955 John Lee Hooker, vcl/gtr; Otis Finch,ts; Bob Thurman,pno; poss unkn b; Tom Whitehead,d. Issued in August, 1955.
I’m Your Hoochie Cooche Man – Chess 1560 Rec in Chicago January 7, 1954 Muddy Waters, vcl/gtr; Little Walter,hca; Otis Spann,pno; Jimmy Rogers,gtr; (poss. Willie Dixon,b); Elga Edmonds,d. Issued in 1954.
Forty Days & Forty Nights Rec in Chicago March 27, 1956 John Lee Hooker, vcl/gtr; Eddie Taylor,gtr; George Washington,b; Tom Whitehead,d. Issued in August, 1956.
– Chess 1620 Rec in Chicago February 2, 1956 Muddy Waters, vcl; Little Walter,hca; Otis Spann,pno; Pat Hare & Hubert Sumlin,gtrs; Willie Dixon,b; Fred Below,d. Issued in 1956.
I See You When You’re Weak
Close To You c/w She’s Nineteen Years Old – Chess 1704
Dimples – Vee-Jay 205
– Vee-Jay 245 Rec in Chicago March 1, 1957 John Lee Hooker, vcl/gtr; Eddie Taylor,gtr; Quinn Wilson,b; Tom Whitehead,d. Issued in April, 1957.
Rec in Chicago August, 1958 Muddy Waters, vcl; Little Walter (or poss James Cotton),hca; Otis Spann,pno; Pat Hare & Luther Tucker,gtrs; Willie Dixon,b; Francis Clay or poss George Hunter,d. Issued in 1958.
This song was also recorded in the L.A. studios November 19, 1955 with Maxwell Davis’ studio orchestra (feat. David, Board, McDaniel; Curry or Sailes) and issued on Crown LP 5020.
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THE Blues Giants of the 1950s
The ”Super Greats” (from original ‘60s LPs)
Got My Mojo Working Sweet Sixteen Pt. 1 & Pt. 2 – Kent 330 Rec in Los Angeles October 26, 1959 B.B. King, vcl/gtr; with orchestra led by Maxwell Davis (tp, saxes, pno, b, d). Single issued in early 1960. Originally on Crown LP 5143 (issued early 1960) where the two parts appear as one continued performance.
(shortened) – Chess 1774
Rec in Newport, RI July 3, 1960
Boom Boom – Vee-Jay 438 Rec in Chicago ca December, 1961 John Lee Hooker, vcl/gtr; Joe Edward Hunter,pno; Hank Cosby,ts; Andrew “Mike” Terry,bars; Larry Veeder,gtr; James Jamerson,b; Benny Benjamin,d. Single issued in April, 1962. Originally on Vee-Jay LP 1043 (issued early 1962).
Muddy Waters, vcl/gtr; James Cotton,hca; Otis Spann,pno; Pat Hare,gtr; Andrew Stephens,b; Francis Clay,d. Single issued in 1960. Originally on Chess LP 1449 (issued 1960) where a full version (titled part 1 and 2) appears as one performance. This song was also recorded by Muddy in studio in Chicago January 1957 (and issued on Chess 1652).
The 1960s
How Blue Can You Get – ABC-Paramount 10527 Rec in New York September 30, 1963 B.B. King, vcl/gtr; Carl Adams, Kenneth Sands,tp; Lawrence Burdine,as; Vernone Slater,ts; Jerome Richardson, bars; Charles Brooks,pno; Leo Lauchie, b; Sonny Freeman,d. Issued in 1963.
This song was also recorded in Los Angeles January 9, 1962 feat. Plas Johnson, ts and Maxwell Davis, pno; issued on Crown LP 5309 as “Down Hearted”.
Rock Me Baby – Kent 393 Rec in Los Angeles 1962 or poss March 18, 1964 B.B. King, vcl/gtr; with Jimmy McCracklin,pno; Sonny Freeman,d. Issued in 1964.
Paying The Cost To Be The Boss – BluesWay 61015 Rec in Chicago September 14, 1967 B.B. King, vcl/gtr; Henry Boozier, John Browning, Hobart Dotson,tp; Pluma Davis,tb; Lawrence Burdin,as; Johnny Board,ts; Barney Hubert,bars; Duke Jethro,org; Leo Lauchi,b; Sonny Freeman,d. Issued in 1967.
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No Shoes – Vee-Jay 349 Rec in Chicago March 1, 1960 John Lee Hooker, vcl/gtr; William “Lefty” Bates,gtr; Sylvester Hickman,bs; Jimmy Turner,d. Issued in April, 1960.
I’m Going Upstairs – Vee-Jay 379 Rec in Chicago January 4, 1961 John Lee Hooker, vcl/gtr; William “Lefty” Bates,gtr; Quinn Wilson,b; Earl Phillips,d; and poss Pops Staples,gtr: Issued in February, 1961.
It Serves Me Right – Vee-Jay 708 Rec in Chicago mid 1964 John Lee Hooker, vcl/gtr; with unknown rhythm acc, poss featuring Wayne Bennett,gtr. Issued in November, 1965.
You Shook Me – Chess 1827
Rec in Chicago June 27, 1962 Muddy Waters, overdubbed vcl with pre-recorded instrumental: A C Reed,ts; Big Moose Walker, org: Lafayette Leake,pno; Earl Hooker,gtr; Earnest Johnson,b; Bobby Little,d. Issued in 1962.
The Same Thing b/w You Can’t Lose What You Ain’t Never Had – Chess 1895
Rec in Chicago April 9, 1964 Muddy Waters, vcl/gtr; Otis Spann,pno; Buddy Guy or James “Pee Wee” Madison,gtr; Willie Dixon,b; S.P. Leary,d. Issued in 1964.
The R&B Pioneers Series .- Volume Five of twelve
THE Blues Giants of the 1950s
Great ”Live” (in their prime)
Live at the Regal
Live at Cafe au-Go-Go
– ABC-Paramount LPS 509
”Live” (at Mr. Kelly’s)
– BluesWay BLS 6002
Rec in Chicago November 21, 1964 – issued in 1965
Rec in New York August 30, 1966 – issued in early 1967
B B. King. vcl/gtr; with his Orchestra: Kenneth Sands,tp; John Watson,tb; Johnny Board and Bobby Forte,tss; Duke Jethro,pno: Leo Lauchie,b; Sonny Freeman,d. Produced by Johnny Pate
John Lee Hooker, vcl/gtr; with the Muddy Waters Blues Band: Otis Spann,pno; Muddy Waters, Sammy Lawhorn and Luther “Snake” Johnson,gtrs; Mac Arnold,b; Francis Clay,d; (George Smith,hca -not audible). Produced by Bob Thiele
Tracks: Every Day I Have The Blues / Sweet Little Angel / It’s My Own Fault / How Blue Can You Get? / Please Love Me // You Upset Me Baby / Worry, Worry / Woke Up This Mornin’ / You Done Lost Your Good Thing Now / Help The Poor.
Tracks: I'm Bad Like Jesse James / She's Long, She's Tall (She Weeps Like A Willow Tree) / When My First Wife Left Me / Heartaches And Misery // One Bourbon, One Scotch And One Beer / I Don't Want No Trouble / I'll Never Get Out Of These Blues Alive / Seven Days.
– Chess LP CH 50012
Rec in Chicago June 11-12, 1971 – issued in Dec 1971 Muddy Waters, vcl/gtr; with his band: Paul Oscher hca; James (“Joe Denim”) Cotton hca-1; Joe “Pinetop” Perkins,pno; James ‘Pee Wee’ Madison, Sam Lawhorn,gtrs; Calvin Jones,b; Willie Smith,d. Produced by Ralph Bass Tracks: What Is That She Got-1 / You Don't Have To Go / Strange Woman-1 / Blow Wind Blow / Country Boy // Nine Below Zero / Stormy Monday Blues / Mudcat / Boom Boom-1 / C.C. Woman (CD issue has bonus tracks: She’s 19 Years Old / Long Distance Call).
The 1970s
The Thrill Is Gone – BluesWay 61032 Rec in New York October 8, 1969 B.B. King, vcl/gtr; Paul Harris,org/pno; Hugh McCracken,gtr; Gerry Jemmott,b; Herbie Lovelle,d; and strings. Single issued in late 1969 (hitting R&B #3 and Pop #1 early 1970). Originally on BluesWay LP 6037 issued late 1969. Produced by Bill Szymczyk
Homework – on ABC LP 838 Rec in Los Angeles May 14, 1974 John Lee Hooker, vcl/gtr; Clifford Coulter, synthesizers and fender bass; Howard Roberts and Wa-Wa Watson, gtrs; Ron Beck,d. LP issued in 1974. Produced by Ed Michel
Can’t Get No Grindin’ – on Chess LP 50023 Rec in Chicago in March 1972 Muddy Waters, vcl; James Cotton hca; Joe ‘Pinetop’ Perkins, harpsichord: James ‘Pee Wee’ Madison, Sam Lawhorn, gtrs; Calvin Jones,b; Willie Smith,d; band vcls. LP issued 1972. Track issued on single 2143 (1973).
The R&B Pioneers Series .- Volume Five of twelve
Produced by Ralph Bass
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THE UK CHESS/Phonogram GENESIS Boxes In 1972, 1973 and 1975 British Chess issued a 3-part BOX Series titled “Genesis” (each comprising 4 LPs), compiled by Mike Leadbnitter and Neil Slaven (volume 3 by Mike Rowe – and dedicated to Mike Leadbitter). Note that the discographical details in some cases have been updated in later years.
Volume 1 - Chess 6641 047 - The Beginnings of Rock: Blues Masterpieces (1972)
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THE UK CHESS/Phonogram GENESIS Boxes
Volume 2 - Chess 6641 125 - The Beginnings of Rock: From Memphis to Chicago (1973)
Volume 3 - Chess 6641 174 – Sweet Home Chicago: Blues Masterpieces (1975) ALBUM 1 Baby Face Leroy - My Head Can't Rest Anymore - Take A Little Walk With Me Floyd Jones - Dark Road - Big World - Overseas - Playhouse Otis Spann - It Must Have Been The Devil - Five Spot Gus Jenkins - Eight Ball Arthur 'Big Boy' Spires - One Of These Days [Checker 752] - Murmur Low [Checker 752] Little Henry - I Declare That Ain't Right - Matchbox Blues Blue Smitty - Sad Story - Elgin Movements - Date Bait
ALBUM 2
ALBUM 3
ALBUM 4
Muddy Waters - Mean Red Spider - Hard Days - Burying Ground - Last Time I Fool Around With You - Screaming And Crying - Where's My Woman Been - Rollin' And Tumblin' - part 1 - Rollin' And Tumblin' - part 2
Little Walter - Juke - Boogie - Mean Old World - Sad Hours - Don't Have To Hunt No More - Tonight With A Fool - Quarter To Twelve - Blues With A Feeling
- Stuff You Gotta Watch - Lonesome Day - Iodine In My Coffee - Flood - I'm Your Hoochie Coochie Man - Oh! Yeh - Smokestack Lightning
- Last Boogie - Fast Boogie - Light's Out - You're So Fine - Blues Light - Last Night - Thunderbird - I Got To Go
The R&B Pioneers Series .- Volume Five of twelve
Jimmy Rogers - Today, Today Blues - The World Is In A Tangle - She Loves Another Man - Hard Working Man - Chance To Love - My Little Machine - Mistreated Baby - What's The Matter Jimmy Rogers - You're The One John Brim - Rattlesnake - It Was A Dream - Ice Cream Man - Lifetime Baby - Tough Times - Go Away - That Ain't Right
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THE Blues Giants of the 1950s
THE TOP TWO
“Father of Blues” and “Mr. Blues”
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THE Blues Giants of the 1950s
ON THE WEB
(as of September 24, 2011)
http://en.wikipedia.org/wiki/T-Bone_Walker http://www.allmusic.com/artist/t-bone-walker-p27828 http://www.allaboutjazz.com/php/musician.php?id=11136 http://www.facebook.com/pages/T-Bone-Walker/125905882160?sk=wall http://www.there1.com/browse_articles.php?action=view_record&idnum=115
http://www.justinguitar.com/AA-OthersSites/T-BONEWALKER/dir.html http://www.sonnyboy.com/ http://en.wikipedia.org/wiki/Sonny_Boy_Williamson_II http://www.allmusic.com/artist/sonny-boy-williamson-p138629 http://www.facebook.com/pages/Sonny-Boy-Williamson-II/105548389478597
http://www.nanton.com.br/sonnyboy/ http://www.mnblues.com/review/2002/sonnyboywilliamson2-3-02-cr.html
http://www.the-blindman.com/Archives/sonnyboy.htm http://www.bluesnews.fi/bluestahdet_sonnyboywilliamson.htm http://www.bluesharp.ca/legends/sboy2.html http://en.wikipedia.org/wiki/Big_Joe_Turner http://www.allmusic.com/artist/big-joe-turner-p556 http://www.allaboutjazz.com/php/musician.php?id=10927 http://www.hoyhoy.com/artists.htm http://www.facebook.com/pages/Big-Joe-Turner/107941555895004
http://www.cascadeblues.org/History/BigJoeTurner.htm http://www.soulfulkindamusic.net/jturner.htm http://www.howlinwolf.com/ http://en.wikipedia.org/wiki/Howlin'_Wolf http://www.wirz.de/music/howlwfrm.htm http://www.allmusic.com/artist/howlin-wolf-p60993 http://www.allaboutjazz.com/php/musician.php?id=7795 http://www.facebook.com/pages/Howlin-Wolf/105721599461319 http://www.howlingwolfphotos.com/ http://www.furious.com/perfect/wolf/index.html http://www.wpnet.org/Howlin_Wolf.htm http://www.mswritersandmusicians.com/musicians/howlin-wolf.html
http://en.wikipedia.org/wiki/Lowell_Fulson http://www.allmusic.com/artist/lowell-fulson-p344 http://www.facebook.com/pages/Lowell-Fulson/112093378803243 http://elvispelvis.com/lowellfulson.htm http://www.soulwalking.co.uk/lowell%20fulson.html http://en.wikipedia.org/wiki/Elmore_James http://www.allmusic.com/artist/elmore-james-p90058 http://www.allaboutjazz.com/php/musician.php?id=7962 http://www.facebook.com/pages/Elmore-James/105995199431123 http://thehoundblog.blogspot.com/2010/10/elmore-james.html http://www.wirz.de/music/jamelmfrm.htm http://en.wikipedia.org/wiki/Roy_Brown_(blues_musician) http://www.allmusic.com/artist/roy-brown-p294 http://www.allaboutjazz.com/php/musician.php?id=5375 http://www.hoyhoy.com/artists/roybrown.htm http://www.soulfulkindamusic.net/roybrown.htm http://www.rockabilly.nl/artists/roybrown.htm http://www.soulfulkindamusic.net/roybrown.htm http://www.littlewalter.net/ http://en.wikipedia.org/wiki/Little_Walter http://www.allmusic.com/artist/little-walter-p427 http://www.allaboutjazz.com/php/musician.php?id=8814 http://www.facebook.com/pages/Little-Walter/113295512017879 http://www.bluesharp.ca/legends/lwalter.html http://www.angelfire.com/mn/coasters/johnnielee.html http://www.jlhvinyl.com/ http://www.johnleehooker.info/ http://en.wikipedia.org/wiki/John_Lee_Hooker http://www.allmusic.com/artist/john-lee-hooker-p371 http://www.allaboutjazz.com/php/musician.php?id=7725 http://www.facebook.com/pages/John-Lee-Hooker/109260479093234 http://www.johnleehooker.com/home.htm http://www.virginrecords.com/hooker/ http://www.johnleehookerfoundation.org/ http://en.wikipedia.org/wiki/Jimmy_Reed http://www.allmusic.com/artist/jimmy-reed-p504 http://www.facebook.com/pages/Jimmy-Reed/113134668700906 http://www.bluesharp.ca/legends/jreed.html http://www.soulfulkindamusic.net/jreed.htm http://www.muddywaters.com/home.html http://bluesandrhythm.co.uk/documents/200.pdf http://en.wikipedia.org/wiki/Muddy_Waters http://www.allmusic.com/artist/muddy-waters-p108085 http://www.allaboutjazz.com/php/musician.php?id=11195 http://www.facebook.com/pages/Muddy-Waters/10374638299728 http://www.bbking.com/ http://www.bluesboyking.com/ http://www.worldblues.com/bbking/default.asp http://www.bbking.esmartmusic.com/ http://en.wikipedia.org/wiki/B._B._King http://www.allmusic.com/artist/bb-king-p93923 http://www.allaboutjazz.com/php/musician.php?id=8365 http://www.facebook.com/bbking http://www.soulfulkindamusic.net/bbking.htm http://www.mswritersandmusicians.com/musicians/bb-king.html
The R&B Pioneers Series .- Volume Five of twelve
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THE Blues Giants of the 1950s
THE Blues Giants of the 1950s – Presented by Claus Röhnisch Twelve Great Legends
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(updated February 2016)
The R&B Pioneers Series .- Volume Five of twelve